Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

Discover the astonishingly powerful debut novel by the beloved feminist author of the “brilliant” (The Wall Street Journal) Forbidden Notebook and the “courageous” (The Washington Post) Her Side of the Story that was so subversive, it was banned by the Italian Fascist regime when it was first published in 1938.A coming-of-age novel that is as relevant today as it was nearly ninety years ago, There’s No Turning Back centers on eight women with radically different backgrounds who attend the same college in Rome. Some are there to study, others to escape a scandal, or keep a secret, and during their time there, they experience the challenges of love, work, and emancipation. Considered experimental and revolutionary at the time, this novel established Alba de Céspedes as a powerful new voice in the 20th century. Translated by Ann Goldstein, There’s No Turning Back demonstrates why de Céspedes deserves “an important place in the canon of women’s literature” (Chicago Review of Books).

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

From the author of Forbidden Notebook, Alba de Céspedes, a richly told novel she called “the story of a great love and of a crime.” As she looks back on her life, Alessandra Corteggiani recalls her youth during the rise of fascism in Italy, the resistance, and the fall of Mussolini, the lives of the women in her family and her working-class neighborhood, rigorously committed to telling “her side of the story.” Alessandra witnesses her mother, an aspiring concert pianist, suffer from the inability to escape her oppressive marriage. Later, she is sent away to live with her father's relatives in the country, in the hope she’ll finally learn to submit herself to the patriarchal system and authority. But at the farm, Alessandra grows increasingly rebellious, conscious of the unjust treatment of generations of hardworking women in her family. When she refuses the marriage proposal from a neighboring farmer, she is sent back to Rome to tend to her ailing father. In Rome, Alessandra meets Francesco, a charismatic anti-fascist professor, who ostensibly admires and supports her sense of independence and justice. But she soon comes to recognize that even as she respects Francesco and is keen to participate in his struggle to reclaim their country from fascism, this respect is unrequited, and that her own beloved husband is ensnared by patriarchal conventions when it comes to their relationship. In these pages, De Céspedes delivers a breathtakingly accurate and timeless portrayal of the complexity of the female condition against the dramatic backdrop of WWII and the partisan uprising in Italy