La vie de Claude, mère de trois filles, bascule lorsqu’elle découvre un monde parallèle où elle n’a jamais eu d’enfants. Elle y trouve une liberté oubliée, une carrière florissante et une sensualité libératrice. Mais une sourde menace plane sur cette nouvelle réalité.Dans un roman qui oppose à la prévisibilité de nos existences une magnifique sortie de route, l’autrice questionne avec finesse les choix qui font de nous qui nous sommes.Ce que je commence à deviner est absolument terrifiant. Et incroyable. Et impossible. Émilie va me faire interner si je lui raconte ça. Puis-je vraiment me confier à elle? Lui raconter mon trop-plein, le jogging furieux sur le mont Royal, puis l’attrait de la piscine? Lui dire m’y être étendue, m’y être déposée avec tout mon bagage, mes questionnements, mon surmenage, mon envie d’une autre vie? Lui avouer mon atterrissage ici, où rien n’est familier sauf elle?

From the Booker Prize finalist author of The Island of Missing Trees, an enchanting new tale about three characters living along two rivers, all under the shadow of one of the greatest epic poems of all time. “Make place for Elif Shafak on your bookshelf… you won’t regret it.” (Arundhati Roy) In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia, erudite but ruthless, built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. In 1840 London, Arthur is born beside the stinking, sewage-filled River Thames. With an abusive, alcoholic father and a mentally ill mother, Arthur’s only chance of escaping destitution is his brilliant memory. When his gift earns him a spot as an apprentice at a leading publisher, Arthur’s world opens up far beyond the slums, and one book in particular catches his interest: Nineveh and Its Remains. In 2014 Turkey, Narin, a ten-year-old Yazidi girl, is diagnosed with a rare disorder that will soon cause her to go deaf. Before that happens, her grandmother is determined to baptize her in a sacred Iraqi temple. But with the rising presence of ISIS and the destruction of the family’s ancestral lands along the Tigris, Narin is running out of time. In 2018 London, the newly divorced Zaleekah, a hydrologist, moves into a houseboat on the Thames to escape her husband. Orphaned and raised by her wealthy uncle, Zaleekah had made the decision to take her own life in one month, until a curious book about her homeland changes everything. A dazzling feat of storytelling, There Are Rivers in the Sky entwines these outsiders with a single drop of water, a drop which remanifests across the centuries. Both a source of life and harbinger of death, rivers—the Tigris and the Thames—transcend history, transcend fate: “Water remembers. It is humans who forget.”

An accessible guide for activists, educators, and all who are interested in understanding how the prison system oppresses communities and harms individuals The United States incarcerates more of its residents than any other nation. Though home to 5% of the global population, the United States has nearly 25% of the world's prisoners - a total of over 2 million people. This number continues to steadily rise - over the past 40 years, the number of people behind bars in the United States has increased by 500%. Journalist Victoria Law explains how racism was the catalyst for mass incarceration and has continued to be its driving force: from the post-Civil War laws that states passed to imprison former slaves, to the laws passed under the War Against Drugs campaign that disproportionately imprison Black people. She breaks down these complicated issues into four main parts: 1. The rise and cause of mass incarceration2. Myths about prison3. Misconceptions about incarcerated people4. How to end mass incarceration Through carefully conducted research and interviews with incarcerated people, Law identifies the 21 key myths that propel and maintain mass incarceration, including: - The system is broken and we simply need some reforms to fix it - Incarceration is necessary to keep our society safe - Prison is an effective way to get people into drug treatment - Private prison corporations drive mass incarceration Prisons Make Us Safer is a necessary guide for all who are interested in learning about the cause and rise of mass incarceration and how we can dismantle it.

A race for survival among the stars... Humanity's last survivors escaped earth's ruins to find a new home. But when they find it, can their desperation overcome its dangers? WHO WILL INHERIT THIS NEW EARTH? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age—a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?

Rome, 1636. History calls her a Muse. Temptress. Fallen woman. This is her story. In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal. He vows to possess her not just in body and soul, but also in marble. When Bernini unveils his sculpture of Costanza, she is exposed as his lover, marking the undoing of their affair - and the beginning of a scandal which will rock Roman society. For Bernini would rather destroy Costanza than let her go. Betrayed. Abandoned. Banished. This was meant to be the end of Costanza's story. But Costanza is no ordinary woman: from the ashes, she will rise... Based on a true story, Costanza is a dizzying and sensual historical novel that brings to life a feminist icon who has been written out of history. This utterly addictive tale of desire and betrayal is perfect for fans of The Marriage Portrait and The Miniaturist.

Ten days, eight suspects, six cities, five authors, three bodies . . . one trip to die for. All that bestselling author Eleanor Dash wants is to get through her book tour in Italy and kill off her main character, Connor Smith, in the next in her Vacation Mysteries series―is that too much to ask? Clearly, because when an attempt is made on the real Connor’s life―the handsome but infuriating con man she got mixed up with ten years ago and now can't get out of her life―Eleanor’s enlisted to help solve the case. Contending with literary rivals, rabid fans, a stalker―and even her ex, Oliver, who turns up unexpectedly―theories are bandied about, and rivalries, rifts, and broken hearts are revealed. But who’s really trying to get away with murder? Every Time I Go on Vacation, Someone Dies is the irresistible and hilarious series debut from Catherine Mack, introducing bestselling fictional author Eleanor Dash on her Italian book tour that turns into a real-life murder mystery, as her life starts to imitate the world in her books.

A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.

California’s gold country, 1850. A time when men sold their souls for a bag of gold and women sold their bodies for a place to sleep. Angel expects nothing from men but betrayal. Sold into prostitution as a child, she survives by keeping her hatred alive. And what she hates most are the men who use her, leaving her empty and dead inside. Then she meets Michael Hosea. A man who seeks his Father’s heart in everything, Michael Hosea obeys God’s call to marry Angel and to love her unconditionally. Slowly, day by day, he defies Angel’s every bitter expectation until, despite her resistance her frozen heart begins to thaw. But with her unexpected softening come overwhelming feelings of unworthiness and fear. And so Angel runs. Back to the darkness, away from her husband’s pursuing love, terrified of the truth she can no longer deny: Her final healing must come from the One who loves her even more than Michael Hosea does…the One who will never let her go. A life-changing story of God’s unconditional, redemptive, all-consuming love. --back cover