From the internationally bestselling author of Welcome to the Hyunam-dong Bookshop comes a warm and reflective collection of essays inviting us to reflect on our relationship with reading. Why do we read? What is it that we hope to take away from the intimate, personal experience of reading for pleasure? Rarely do we ask these profound, expansive questions of ourselves and of our relationship to the joy of reading. In each of the essays in Every Day I Read, Hwang Bo-reum contemplates what living a life immersed in reading means. She goes beyond the usual questions of what to read and how often, exploring the relationship between reading and writing, when to turn to a bestseller vs. browse the corners of a bookstore, the value of reading outside of your favorite genre, falling in love with book characters, and more. Every Day I Read provides many quiet moments for introspection and reflection, encouraging book-lovers to explore what reading means to each of us. While this is a book about books, at its heart is an attitude to life, one outside capitalism and climbing the corporate ladder. Lifelong and new readers will take away something from it, including a treasure trove of book recommendations blended seamlessly within.

An incisive and exhilarating debut novel of female friendship following three Anglo-Nigerian best friends and the lethally glamorous fourth woman who infiltrates their group—the most unforgettable girls since Carrie, Samantha, Charlotte, and Miranda. Ronke wants happily ever after and 2.2. kids. She’s dating Kayode and wants him to be “the one” (perfect, like her dead father). Her friends think he’s just another in a long line of dodgy Nigerian boyfriends. Boo has everything Ronke wants—a kind husband, gorgeous child. But she’s frustrated, unfulfilled, plagued by guilt, and desperate to remember who she used to be. Simi is the golden one with the perfect lifestyle. No one knows she’s crippled by impostor syndrome and tempted to pack it all in each time her boss mentions her “urban vibe.” Her husband thinks they’re trying for a baby. She’s not. When the high-flying, charismatic Isobel explodes into the group, it seems at first she’s bringing out the best in each woman. (She gets Simi an interview in Hong Kong! Goes jogging with Boo!) But the more Isobel intervenes, the more chaos she sows, and Ronke, Simi, and Boo’s close friendship begins to crack. A sharp, modern take on friendship, ambition, culture, and betrayal, Wahala (trouble) is an unforgettable novel from a brilliant new voice.

A fast-paced, completely delightful new mystery about what happens when parents get a little too involved in their kids' schools, from NAACP Image Award nominee Elise Bryant. Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee. As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting, when the new principal's plans leave Trisha absolutely furious. Later that night, when Mavis spies Trisha in yellow rubber gloves and booties, lugging cleaning supplies and giant black trash bags to her waiting minivan, it’s only natural that her mind jumps to somewhere it surely wouldn’t in the light of day. Except Principal Smith fails to show up for work the next morning, and has been MIA since the meeting. Determined to get to the bottom of things, Mavis, along with the school psychologist with the great forearms (look, it’s worth noting), launches an investigation that will challenge her views on parenting, friendship, and elementary school politics. Brilliantly written, It's Elementary is a quick-witted, escapist romp that perfectly captures just how far parents will go to give their kids the very best, all wrapped in a mystery that will leave you guessing to the very end.

The extraordinary story of Jessie Redmon Fauset whose exhilarating world of friends, rivals, and passions all combined to create the magic that was the Harlem Renaissance, written by Victoria Christopher Murray, New York Times bestselling coauthor of The Personal Librarian.  In 1919, as civil and social unrest grips the country, there is a little corner of America, a place called Harlem where something special is stirring. Here, the New Negro is rising and Black pride is evident everywhere…in music, theatre, fashion and the arts. And there on stage in the center of this renaissance is Jessie Redmon Fauset, the new literary editor of the preeminent Negro magazine The Crisis.   W.E.B. Du Bois, the founder and editor of The Crisis, has charged her with discovering young writers whose words will change the world. Jessie attacks the challenge with fervor, quickly finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie’s leadership, The Crisis thrives, the writers become notable and magazine subscriptions soar. Every Negro writer in the country wants their work published in the magazine now known for its groundbreaking poetry and short stories.    Jessie’s rising star is shining bright….but her relationship with W.E.B. could jeopardize all that she’s built. The man, considered by most to be the leader of Black America, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Their torrid and tumultuous affair is complicated by a secret desire that Jessie harbors — to someday, herself, become the editor of the magazine, a position that only W.E.B. Du Bois has held.   In the face of overwhelming sexism and racism, Jessie must balance her drive with her desires. However, as she strives to preserve her legacy, she’ll discover the high cost of her unparalleled success.

All you have are your words.Adunni is a fourteen-year-old Nigerian girl who knows what she wants: an education. As the only daughter of a broke father, she is a valuable commodity. Removed from school and sold as a third wife to an old man, Adunni's life amounts to this: four goats, two bags of rice, some chickens and a new TV. When unspeakable tragedy swiftly strikes in her new home, she is secretly sold as a domestic servant to a household in the wealthy enclaves of Lagos, where no one will talk about the strange disappearance of her predecessor, Rebecca. No one but Adunni... As a yielding daughter, a subservient wife, and a powerless servant, fourteen-year-old Adunni is repeatedly told that she is nothing. But Adunni won't be silenced. She is determined to find her voice - in a whisper, in song, in broken English - until she can speak for herself, for the girls like Rebecca who came before, and for all the girls who will follow.

Professor Daphne Ouverture has chosen a simple life. She spends her days grading papers, going on atrocious dates, and telling herself that her small world suits her just fine. Then Sam Taylor dies. The arrogant, rising star of Harrison University’s anthropology department rarely acknowledged Professor Ouverture's existence and was hardly one of her favorite colleagues. But that hasn't stopped his killer from believing Professor Ouverture has something that belonged to Sam—something the killer will stop at nothing to get. In between grading papers and navigating her disastrous love life, Professor Ouverture embarks on a deadly investigation to find out what connects her to Sam’s murder—with the help of local detective Asma Ahmed and alluring former-detective-turned-bookseller, Rowan Peterson. As Professor Ouverture gets closer to the truth she begins to uncover a secret history of injustice on campus and off.