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remivfoliage

hi, i'm Remi.

180 points

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Level 2
My Taste
My Year of Rest and Relaxation
Anyone's Ghost
My Friends
More Happy Than Not
The Nobodies Album

remivfoliage completed their yearly reading goal of 100 books!

49w

remivfoliage's 2025 Reading Challenge

110 of 100 read
People with No Charisma
Hunchback
Fun and Games
Weasels in the Attic
Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex
Bed Rot Baby
The Maid's Secret (Molly the Maid, #3)
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remivfoliage earned a badge

49w
Level 2

Level 2

100 points

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remivfoliage set their yearly reading goal to 100

49w

remivfoliage's 2025 Reading Challenge

110 of 100 read
People with No Charisma
Hunchback
Fun and Games
Weasels in the Attic
Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex
Bed Rot Baby
The Maid's Secret (Molly the Maid, #3)
0
0
Reply

remivfoliage finished reading and wrote a review...

49w
  • People with No Charisma
    remivfoliage
    Sep 15, 2025
    People with No Charisma
    4.0
    Enjoyment: 4.0Quality: 4.0Characters: 4.0Plot: 4.0
    šŸ˜‚
    🄲
    😮

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  • remivfoliage finished reading and wrote a review...

    49w
  • Hunchback
    remivfoliage
    Sep 15, 2025
    Hunchback
    1.0
    Enjoyment: 1.0Quality: 1.5Characters: 0.5Plot: 0.5
    🫠
    🫣
    šŸ™ˆ

    i’ll be honest: Hunchback made me deeply uncomfortable. not because the protagonist shaka is disabled, but because of how explicitly, and often disgustingly, the sexual scenes are written. i usually get grossed out by over-descriptive sex scenes in fiction anyway, whether it’s in new adult novels or anywhere, and this book really pushed me past my comfort zone.

    that said, i can see why it won the akutagawa prize and why people praise it. saou ichikawa is doing something deliberately provocative. she refuses to let shaka be portrayed as an object of pity, inspiration, or angelic suffering. instead, shaka is allowed to be messy, angry, obsessive, and sexual.

    i see that the grotesque detail is part of the point — to dismantle the idea that disabled people should be desexualised, or represented only as innocent and inspirational. shaka is granted agency through fantasy and narrative, even if her fantasies are disturbing or unfulfilling in practice. the novel keeps blurring lines between fantasy and reality, power and vulnerability, online and offline, forcing us to examine where our disgust actually comes from.

    while i admire the courage of what ichikawa is trying to do, i can’t pretend it was an enjoyable read for me. it left me feeling unsettled and grossed out, which means the book achieved exactly what it set out to do.

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