The extraordinary story of Jessie Redmon Fauset whose exhilarating world of friends, rivals, and passions all combined to create the magic that was the Harlem Renaissance, written by Victoria Christopher Murray, New York Times bestselling coauthor of The Personal Librarian.  In 1919, as civil and social unrest grips the country, there is a little corner of America, a place called Harlem where something special is stirring. Here, the New Negro is rising and Black pride is evident everywhere…in music, theatre, fashion and the arts. And there on stage in the center of this renaissance is Jessie Redmon Fauset, the new literary editor of the preeminent Negro magazine The Crisis.   W.E.B. Du Bois, the founder and editor of The Crisis, has charged her with discovering young writers whose words will change the world. Jessie attacks the challenge with fervor, quickly finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie’s leadership, The Crisis thrives, the writers become notable and magazine subscriptions soar. Every Negro writer in the country wants their work published in the magazine now known for its groundbreaking poetry and short stories.    Jessie’s rising star is shining bright….but her relationship with W.E.B. could jeopardize all that she’s built. The man, considered by most to be the leader of Black America, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Their torrid and tumultuous affair is complicated by a secret desire that Jessie harbors — to someday, herself, become the editor of the magazine, a position that only W.E.B. Du Bois has held.   In the face of overwhelming sexism and racism, Jessie must balance her drive with her desires. However, as she strives to preserve her legacy, she’ll discover the high cost of her unparalleled success.

An explosive memoir charting one woman’s career at the heart of one of the most influential companies on the planet, Careless People gives you a front-row seat to Facebook, the decisions that have shaped world events in recent decades, and the people who made them. From trips on private jets and encounters with world leaders to shocking accounts of misogyny and double standards behind the scenes, this searing memoir exposes both the personal and the political fallout when unfettered power and a rotten company culture take hold. In a gripping and often absurd narrative where a few people carelessly hold the world in their hands, this eye-opening memoir reveals what really goes on among the global elite. Sarah Wynn-Williams tells the wrenching but fun story of Facebook, mapping its rise from stumbling encounters with juntas to Mark Zuckerberg’s reaction when he learned of Facebook’s role in Trump’s election. She experiences the challenges and humiliations of working motherhood within a pressure cooker of a workplace, all while Sheryl Sandberg urges her and others to “lean in.” Careless People is a deeply personal account of why and how things have gone so horribly wrong in the past decade—told in a sharp, candid, and utterly disarming voice. A deep, unflinching look at the role that social media has assumed in our lives, Careless People reveals the truth about the leaders of Facebook: how the more power they grasp, the less responsible they become and the consequences this has for all of us.

"Disney is so good at being good that it manifests an evil; so uniformly efficient and courteous, so dependably clean and conscientious, so unfailingly entertaining that it's unreal, and therefore is an agent of pure wickedness. . . . Disney isn't in the business of exploiting Nature so much as striving to improve upon it, constantly fine-tuning God's work." --from TEAM RODENT TEAM RODENT How Disney Devours America "Revulsion is good. Revulsion is healthy. Each of us has limits, unarticulated boundaries of taste and tolerance, and sometimes we forget where they are. Peep Land is here to remind us; a fixed compass point by which we can govern our private behavior. Because being grossed out is essential to the human experience; without a perceived depravity, we'd have nothing against which to gauge the advance or decline of culture; our art, our music, our cinema, our books. Without sleaze, the yardstick shrinks at both ends. Team Rodent doesn't believe in sleaze, however, nor in old-fashioned revulsion. Square in the middle is where it wants us all to be, dependable consumers with predictable attitudes. The message, never stated but avuncularly implied, is that America's values ought to reflect those of the Walt Disney Company, and not the other way around."

A colony of moss does not express preferences for certain people, living or dead. But if such a colony of moss did decide to reveal its favourites, let us just say You might be surprised.In 2018, a young forensic scientist, homesick and adrift in the North of England, is heading to a coroner's office to identify a body.In 50 BCE, a female druid is travelling to a city in the South where she will appear before the new king.And underfoot, all along, a teeming colony of moss is opening its wet mouth, waiting.In this wonderfully strange, multi-layered story, the unexpected discovery of an ancient bog body becomes a pinprick of light in the depths of humanity's history.

From the New York Times bestselling author of Mostly Dead Things, a sparkling and funny new novel of entertainment, ambition, art, and love. Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act—and what kind of clown she wants to be under her suit. Equal parts bravado, tenderness, and humor, and bursting with misfits, magicians, musicians, and mimes, Stop Me If You've Heard This One is a masterpiece of comedic fiction that asks big questions about art and performance, friendship and community, and the importance of timing in jokes and in life.