In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

Written in 1929 at the height of the Harlem Renaissance by one of the movement's most important and prolific authors, Plum Bun is the story of Angela Murray, a young black girl who discovers she can pass for white. After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.

Valerie Danners is in a cult. She just doesn't know it yet. When she finds a queer book at the library and smuggles it home, her conservative Christian homeschooling world begins to crack. And when the cutest girl she's ever met shows up to Bible class, she starts to question everything. Riley is so confident and kind, and she and Valerie bond quickly over existing as multiracial teens in a very white Christian community. As Valerie explores her feelings for Riley, she begins to see that the world she knows is a carefully crafted narrative. Publicly, the girls are close friends--holding hands in prayer, rooming together at a conference. Privately, they grasp at any chance to continue their forbidden romance--until they are found out. Now Valerie must choose between staying with a family she fears will never accept her, or running away with the girl she loves.

Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded search for belonging, for love, identity, home, and a mother. Jeanette Winterson's novels have established her as a major figure in world literature. She has written some of the most admired books of the past few decades, including her internationally bestselling first novel, Oranges Are Not the Only Fruit, the story of a young girl adopted by Pentecostal parents that is now often required reading in contemporary fiction. Why Be Happy When You Could Be Normal? is a memoir about a life's work to find happiness. It's a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in an north England industrial town now changed beyond recognition; about the Universe as Cosmic Dustbin. It is the story of how a painful past that Jeanette thought she'd written over and repainted rose to haunt her, sending her on a journey into madness and out again, in search of her biological mother.

In this collection of essays, interviews, and speeches, the renowned activist examines today’s issues—from Black Lives Matter to prison abolition and more.   Activist and scholar Angela Y. Davis has been a tireless fighter against oppression for decades. Now, the iconic author of Women, Race, and Class offers her latest insights into the struggles against state violence and oppression throughout history and around the world.   Reflecting on the importance of black feminism, intersectionality, and prison abolitionism, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today’s struggles against state terror, from Ferguson to Palestine.   Facing a world of outrageous injustice, Davis challenges us to imagine and build a movement for human liberation. And in doing so, she reminds us that “freedom is a constant struggle.”   This edition of Freedom Is a Constant Struggle includes a foreword by Dr. Cornel West and an introduction by Frank Barat.

In this handbook, campaigning lawyer Christian Weaver brings together everything you need to know when taking a stand. Whether you are marching on the streets or making your voice heard from your own front room, organising in your workplace or writing a letter to your MP, this essential guide equips you with your fundamental rights and the laws that protect you - as well as the ones you might plan to break.From organising a demonstration to attending one to navigating the potential after-effects, this book has your back. In it, you'll find up-to-date information on a whole range of topics, - Public assembly and who to notify when you're on the move- Striking in the workplace and action your employer can take against you- Direct action and when it crosses over into trespass- Stop and search and how to access help if you are arrested- Online activism and what to do if you accidentally libel someoneFor activists new and old alike, Your Right to Protest is the indispensable guide to using your voice for what you believe in.

From poet and classicist Anne Carson comes this translation of the work of Sappho, together with the original Greek. During her life on the island of Lesbos, Sappho is said to have composed nine books of lyrics. Only one poem has survived complete. In "If Not, Winter", Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written. Carson says of her method of "I like to think that, the more I stand out of the way, the more Sappho shows through". Her translation illuminates Sappho's reflections on love and desire, her companions and rivals, the goddess Aphrodite and her own daughter, Kleis. The book brings us an ancient poet brought to life by an empathetic contemporary poet, and is complete with an introduction and notes.

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.” It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before it had also helped an endless string of her family laugh through suffering. In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality. Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.