Under what conditions could ecology, instead of being one cluster of movements among others, organise politics around an agenda and a set of beliefs? Can ecology aspire to define the political horizon in the way that liberalism, socialism, conservatism and other political ideologies have done at various times and places? What can ecology learn from history about how new political movements emerge, and how they win the struggle for ideas long before they translate their ideas into parties and elections? In this short text, consisting of seventy-six talking points, Bruno Latour and Nikolaj Schultz argue that if the ecological movement is to gain ideological consistency and autonomy it must offer a political narrative that recognises, embraces and effectively represents its project in terms of social conflict. Political ecology must accept that it brings along division. It must provide a convincing cartography of the conflicts it generates and, based on this, it must try to define a common horizon of collective action. In order to represent and describe these conflicts, Latour and Schultz propose to reuse the old notions of ‘class’ and ‘class struggle’, albeit infused with a new meaning in line with the ecological concerns of our New Climate Regime. Advancing the idea of a new ecological class, assembled by its collective interests in fighting the logic of production and safeguarding our planet’s conditions of habitability, they how can a proud and self-aware ecological class emerge and take effective action to shape our collective future?

Un roman despre trauma căutărilor sentimentale și identitare. Un scriitor pe la șaizeci de ani, evreu de origine, părăsit de soție, încearcă să-și pună ordine în viață și gânduri. Îl urmărim timp de aproape doi ani, perioadă în care asistă și la degradarea tatălui său. Peste problemele personale, se suprapune un impas creativ, pe care încearcă să-l depășească ficționalizându-și traumele, iubirile, eșecurile, obsesiile și dilemele etice. Pe acestea – și multe altele – le topește într-un mozaic romanesc al cărui protagonist, Marcel Cohn, e compus din instantanee surprinse din copilărie până la senectute, iar poveștile lui ne sunt dăruite spre lectură tot nouă, cititorilor. O geometrie a tandreței este, în fond, un excelent roman al căutărilor continue – de sine, identitare și sentimentale.

Un roman despre trauma căutărilor sentimentale și identitare. Un scriitor pe la șaizeci de ani, evreu de origine, părăsit de soție, încearcă să-și pună ordine în viață și gânduri. Îl urmărim timp de aproape doi ani, perioadă în care asistă și la degradarea tatălui său. Peste problemele personale, se suprapune un impas creativ, pe care încearcă să-l depășească ficționalizându-și traumele, iubirile, eșecurile, obsesiile și dilemele etice. Pe acestea – și multe altele – le topește într-un mozaic romanesc al cărui protagonist, Marcel Cohn, e compus din instantanee surprinse din copilărie până la senectute, iar poveștile lui ne sunt dăruite spre lectură tot nouă, cititorilor. O geometrie a tandreței este, în fond, un excelent roman al căutărilor continue – de sine, identitare și sentimentale.

Although mammals and birds are widely regarded as the smartest creatures on earth, it has lately become clear that a very distant branch of the tree of life has also sprouted higher intelligence: the cephalopods, consisting of the squid, the cuttlefish, and above all the octopus. In captivity, octopuses have been known to identify individual human keepers, raid neighboring tanks for food, turn off lightbulbs by spouting jets of water, plug drains, and make daring escapes. How is it that a creature with such gifts evolved through an evolutionary lineage so radically distant from our own? What does it mean that evolution built minds not once but at least twice? The octopus is the closest we will come to meeting an intelligent alien. What can we learn from the encounter? In Other Minds, Peter Godfrey-Smith, a distinguished philosopher of science and a skilled scuba diver, tells a bold new story of how subjective experience crept into being—how nature became aware of itself. As Godfrey-Smith stresses, it is a story that largely occurs in the ocean, where animals first appeared. Tracking the mind’s fitful development, Godfrey-Smith shows how unruly clumps of seaborne cells began living together and became capable of sensing, acting, and signaling. As these primitive organisms became more entangled with others, they grew more complicated. The first nervous systems evolved, probably in ancient relatives of jellyfish; later on, the cephalopods, which began as inconspicuous mollusks, abandoned their shells and rose above the ocean floor, searching for prey and acquiring the greater intelligence needed to do so. Taking an independent route, mammals and birds later began their own evolutionary journeys. But what kind of intelligence do cephalopods possess? Drawing on the latest scientific research and his own scuba-diving adventures, Godfrey-Smith probes the many mysteries that surround the lineage. How did the octopus, a solitary creature with little social life, become so smart? What is it like to have eight tentacles that are so packed with neurons that they virtually “think for themselves”? What happens when some octopuses abandon their hermit-like ways and congregate, as they do in a unique location off the coast of Australia?By tracing the question of inner life back to its roots and comparing human beings with our most remarkable animal relatives, Godfrey-Smith casts crucial new light on the octopus mind—and on our own.

The scuba-diving philosopher who wrote Other Minds explores the origins of animal consciousness Dip below the ocean’s surface and you are soon confronted by forms of life that could not seem more foreign to our own: sea sponges, soft corals, and serpulid worms, whose rooted bodies, intricate geometry, and flower-like appendages are more reminiscent of plant life or even architecture than anything recognizably animal. Yet these creatures are our cousins. As fellow members of the animal kingdom—the Metazoa—they can teach us much about the evolutionary origins of not only our bodies, but also our minds. In his acclaimed 2016 book, Other Minds, the philosopher and scuba diver Peter Godfrey-Smith explored the mind of the octopus—the closest thing to an intelligent alien on Earth. In Metazoa, Godfrey-Smith expands his inquiry to animals at large, investigating the evolution of subjective experience with the assistance of far-flung species. As he delves into what it feels like to perceive and interact with the world as other life-forms do, Godfrey-Smith shows that the appearance of the animal body well over half a billion years ago was a profound innovation that set life upon a new path. In accessible, riveting prose, he charts the ways that subsequent evolutionary developments—eyes that track, for example, and bodies that move through and manipulate the environment—shaped the subjective lives of animals. Following the evolutionary paths of a glass sponge, soft coral, banded shrimp, octopus, and fish, then moving onto land and the world of insects, birds, and primates like ourselves, Metazoa gathers their stories together in a way that bridges the gap between mind and matter, addressing one of the most vexing philosophical problems: that of consciousness. Combining vivid animal encounters with philosophical reflections and the latest news from biology, Metazoa reveals that even in our high-tech, AI-driven times, there is no understanding our minds without understanding nerves, muscles, and active bodies. The story that results is as rich and vibrant as life itself.

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future. Rumors begin to spread of a species of hyperintelligent, dangerous octopus that may have developed its own language and culture. Marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed the remote Con Dao Archipelago, where the octopuses were discovered, off from the world. Dr. Nguyen joins DIANIMA’s team on the islands: a battle-scarred security agent and the world’s first android. The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. The stakes are high: there are vast fortunes to be made by whoever can take advantage of the octopuses’ advancements, and as Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves. But no one has yet asked the octopuses what they think. And what they might do about it. A near-future thriller about the nature of consciousness, Ray Nayler’s The Mountain in the Sea is a dazzling literary debut and a mind-blowing dive into the treasure and wreckage of humankind’s legacy.

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future. Rumors begin to spread of a species of hyperintelligent, dangerous octopus that may have developed its own language and culture. Marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. The transnational tech corporation DIANIMA has sealed the remote Con Dao Archipelago, where the octopuses were discovered, off from the world. Dr. Nguyen joins DIANIMA’s team on the islands: a battle-scarred security agent and the world’s first android. The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. The stakes are high: there are vast fortunes to be made by whoever can take advantage of the octopuses’ advancements, and as Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves. But no one has yet asked the octopuses what they think. And what they might do about it. A near-future thriller about the nature of consciousness, Ray Nayler’s The Mountain in the Sea is a dazzling literary debut and a mind-blowing dive into the treasure and wreckage of humankind’s legacy.

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?