Opposites certainly attract for the stranded pop star and small-town baker in this charming slice of romance from the author of the TikTok sensation The Cheat Sheet. Amelia Rose, known as Rae Rose to her adoring fans, is burned-out from years of maintaining her "princess of pop" image. Inspired by her favorite Audrey Hepburn film, Roman Holiday, she drives off in the middle of the night for a break in Rome . . . Rome, Kentucky, that is. When Noah Walker finds Amelia on his front lawn in her broken-down car, he makes it clear he doesn't have the time or patience for celebrity problems. He's too busy running the pie shop his grandmother left him and reminding his nosy but lovable neighbors to mind their own damn business. Despite his better judgment, he lets her stay in his guest room—but only until her car is fixed—then she's on her own. Then Noah starts to see a different side of Rae Rose—she's Amelia: kindhearted and goofy, yet lonely from years in the public eye. He can't help but get close to her. Soon she'll have to return to her glamorous life on tour, but until then, Noah will show Amelia all the charming small-town experiences she's been missing, and she'll help him open his heart to more. Amelia can't resist falling for the cozy town and her grumpy tour guide, but even Audrey had to leave Rome eventually.

From New York Times bestselling author Meghan Quinn comes a sizzling sports romance full of flamingo feathers, slow-burn heat, and one grump-meets-sunshine love story that's anything but fake. They're faking it for the cameras. But what if the sparks are real? Graydon St. John doesn't do drama―or public appearances. The brooding defensive end for the San Francisco Foghorns prefers silence, solitude, and avoiding headlines. But when a league-wide PR scandal forces him into a media stunt at the city zoo, he's suddenly face-to-face with squawking birds, nosy fans, and the zookeeper who seems to hate his guts on sight. Maple Baker loves her flamingos. Loud, pink, messy? Sure. But they're hers. And the last thing she needs is a grumpy football player stomping into her sanctuary with a bad attitude and a bigger ego. Unfortunately, they've been paired for the zoo's new public outreach program, and the cameras are already rolling. The banter is sharp. The tension is electric. And the more they pretend to play nice for the press, the more their fake flirtation starts to feel like something dangerously real. But when family secrets, viral fame, and a PR romance gone off-script threaten everything Maple's worked for, Graydon must decide if he's willing to fight for love―or let it slip away to protect her.

For readers of The Cloisters and Counterfeit, Natalie Lemle’s debut novel offers an insider’s view into the world of stolen artifacts and the hidden networks that link museums to organized crime, when a woman is forced to remember the summer she spent on an archaeological dig in Italy, as everyone she knew then may now be in danger. Successful trusts and estates attorney Lena Connolly is asked by a colleague to assist on a case: the Italian government claims an artifact was looted and sold to a museum illegally and is seeking repatriation. The object in question is a cup made of dichroic glass, which would have been rare even in Ancient Rome, let alone thousands of years later. Lena has done everything she can to put the study abroad summer she spent on an archaeological dig in the Italian Alps behind her. Her dreams of being an archaeologist shattered when her mentor Cyrille disappeared and her enigmatic boyfriend Giamma went dark, but with this new case, the past comes roaring back. Told in alternating timelines, Artifacts follows young Lena as she falls in love with both archaeology and Giamma on the streets of Torino while her adult self pieces together what truly happened on the dig, now a fully restored Roman villa with World Heritage status. The dichroic cup, Lena discovers, may have been taken from the very site she helped unearth. Powerful and exuberant, Natalie Lemle’s Artifacts brings readers behind the museum glass and asks questions about cultural heritage and the historical preservation of our shared sense of humanity.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.

There's a new governess at Fairmont House, and she's going to be nothing but trouble. Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's––brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right. That is, as long as she doesn't get involved with the Edwards family's dramas. Emily refuses to care about her charges - Grace, who talks too much and loves too hard, and Aster, who is frankly terrifying but might just be the wittiest sixteen-year-old Emily has ever met - or the servants, who insist on acting as if they're each other's family. And she certainly hasn't noticed her employer, the brooding, taciturn Captain Edwards, no matter how good he might look without a shirt on . . . As Fairmont House draws her in, Emily's lies start to come undone. Can she fix her mistakes before it's too late?

For readers of The Cloisters and Counterfeit, Natalie Lemle’s debut novel offers an insider’s view into the world of stolen artifacts and the hidden networks that link museums to organized crime, when a woman is forced to remember the summer she spent on an archaeological dig in Italy, as everyone she knew then may now be in danger. Successful trusts and estates attorney Lena Connolly is asked by a colleague to assist on a case: the Italian government claims an artifact was looted and sold to a museum illegally and is seeking repatriation. The object in question is a cup made of dichroic glass, which would have been rare even in Ancient Rome, let alone thousands of years later. Lena has done everything she can to put the study abroad summer she spent on an archaeological dig in the Italian Alps behind her. Her dreams of being an archaeologist shattered when her mentor Cyrille disappeared and her enigmatic boyfriend Giamma went dark, but with this new case, the past comes roaring back. Told in alternating timelines, Artifacts follows young Lena as she falls in love with both archaeology and Giamma on the streets of Torino while her adult self pieces together what truly happened on the dig, now a fully restored Roman villa with World Heritage status. The dichroic cup, Lena discovers, may have been taken from the very site she helped unearth. Powerful and exuberant, Natalie Lemle’s Artifacts brings readers behind the museum glass and asks questions about cultural heritage and the historical preservation of our shared sense of humanity.

Over the course of one summer that begins with a shocking tragedy, three generations of the Adler family grapple with heartbreak, romance, and the weight of family secrets. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. This is the apartment where they raised their two daughters, Fannie and Florence. Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams. When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal after tragedy.