“This is your country, this is your world, this is your body, and you must find some way to live within the all of it.” In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?  Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world. Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization―and even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual and gender violence, and strip trans and queer people of their rights to pursue a life without fear of violence. The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless―a book whose verve and rigor only they could deliver.

A debut novel about a queer Mexican American girl navigating Catholic school, while falling in love and learning to celebrate her true self. Sixteen-year-old Yamilet Flores prefers to be known for her killer eyeliner, not for being one of the only Mexican kids at her new, mostly white, very rich Catholic school. But at least here no one knows she's gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend before transferring to Slayton Catholic, Yami has new priorities: keep her brother out of trouble, make her mom proud, and, most importantly, don't fall in love. Granted, she's never been great at any of those things, but that's a problem for Future Yami. The thing is, it's hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And smart. And talented. And cute. So cute. Either way, Yami isn't going to make the same mistake again. If word got back to her mom, she could face a lot worse than rejection. So she'll have to start asking, WWSGD: What would a straight girl do?

The wildly funny, occasionally heartbreaking internationally bestselling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends. Everything I Know About Love is about bad dates, good friends and—above all else— realizing that you are enough. Glittering with wit and insight, heart and humor, Dolly Alderton’s unforgettable debut weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age—making you want to pick up the phone and tell your best friends all about it. Like Bridget Jones’ Diary but all true, Everything I Know About Love is about the struggles of early adulthood in all its terrifying and hopeful uncertainty.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of our literature.

The wildly funny, occasionally heartbreaking internationally bestselling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends. Everything I Know About Love is about bad dates, good friends and—above all else— realizing that you are enough. Glittering with wit and insight, heart and humor, Dolly Alderton’s unforgettable debut weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age—making you want to pick up the phone and tell your best friends all about it. Like Bridget Jones’ Diary but all true, Everything I Know About Love is about the struggles of early adulthood in all its terrifying and hopeful uncertainty.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of our literature.

***Pre-order this cosy romance now!*** The perfect read for fans of Pumpkin Spice Café and Legends and Lattes! When Saphira opened up her café for baby dragons and their humans, she wasn’t expecting it to be so difficult to keep the fires burning. It turns out, young dragons are not the best magical animals to keep in a café, and replacing all that burnt furniture is costing Saphira more than she can afford from selling dragon-roasted coffee. Aiden is a local gardener, and local heart-throb, more interested in his plants than actually spending time with his disobedient baby dragon. When Aiden walks into Saphira’s café, he has a genius idea – he'll ask Saphira to train his baby dragon, and he'll pay her enough to keep the café afloat. Saphira’s happy-go-lucky attitude doesn’t seem to do anything but irritate the grumpy-but-gorgeous Aiden, except that everywhere she goes, she finds him there. But can this dragon café owner turn her fortunes around, and maybe find love along the way?

Als Jina Mahsa Amini ermordet wird und die erste von Frauen geführte Revolution im Iran ausbricht, stehen Jina, ihre Schwester Roya und ihre Nichte Nika vor der entscheidenden kämpfen oder sich verstecken? Jina, die in Südfrankreich lebt, wird von Erinnerungen an ihre Aufenthalte im Iran überflutet – an die Gastfreundschaft ihrer Familie, an heimliche Lieben und an den Sommer 2009, als sie selbst an den Protesten gegen das Regime teilnahm. Was als Versuch beginnt, den Schmerz der Gegenwart zu verstehen, wird zu einer intensiven Reise in ihre Vergangenheit und zu einer poetischen Reflexion über Heimat, Freiheit und Verantwortung.

Das Patriarchat ist kein Mythos. Bestsellerautorin Rebekka Endler macht sich in ihrem neuen Buch auf die Suche nach den Ursachen des Patriarchats und untersucht, welche misogynen Mythen bis heute unser Denken und Handeln bestimmen.   Witches, Bitches, It-Girls ist eine anekdotische Spurensuche, die durch die lange Menschheitsgeschichte führt. Rebekka Endler blickt dabei in den Maschinenraum des Patriarchats, beschäftigt sich mit der Kanonisierung in der Kunst, mit der Epoche der Romantik, mit der sogenannten Normalität und mit feministischen Wellen, mit Cancel-Culture und Transfeindlichkeit – und Was bringt so viele Frauen heute noch dazu, von einem rettenden Märchenprinzen zu träumen? Warum werben sogenannte Tradwives für ein Leben als Hausfrau und Mutter? Was steckt hinter der Mommy-Blogger-Welle, und welche Funktion haben Frauenbilder wie Witches, Bitches und It-Girls? Humorvoll, schlagfertig und kämpferisch zeigt Rebekka Endler, wie wir alle das Patriarchat Tag für Tag am Laufen halten – und wie wir es dennoch verändern können, wenn wir das System dahinter verstehen und angreifen. «Rebekka Endler erzählt […] mit Ironie und Humor von den unhinterfragten Ungerechtigkeiten im Alltag zwischen Frau und Mann.»NDR KULTUR über Das Patriarchat der Dinge