Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results. But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo. Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

A prizewinning, thrillingly subversive debut novel about a woman in Japan who avoids harassment at work by perpetuating, for nine months and beyond, the lie that she's pregnant When thirty-four-year-old Ms. Shibata gets a new job in Tokyo to escape sexual harassment at her old one, she finds that, as the only woman at her new workplace--a company that manufactures cardboard tubes--she is expected to do all the menial tasks. One day she announces that she can't clear away her colleagues' dirty cups--because she's pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant. Pregnant Ms. Shibata doesn't have to serve coffee to anyone. Pregnant Ms. Shibata isn't forced to work overtime. Pregnant Ms. Shibata rests, watches TV, takes long baths, and even joins an aerobics class for expectant mothers. But pregnant Ms. Shibata also has a nine-month ruse to keep up. Helped along by towel-stuffed shirts and a diary app on which she can log every stage of her "pregnancy," she feels prepared to play the game for the long haul. Before long, though, the hoax becomes all-absorbing, and the boundary between her lie and her life begins to dissolve. A surreal and wryly humorous cultural critique, Diary of a Void is bound to become a landmark in feminist world literature.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher. The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?” With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.

A Maiden... Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. A Duty... The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing. And when Hawke, a golden-eyed guard honor bound to ensure her Ascension, enters her life, destiny and duty become tangled with desire and need. He incites her anger, makes her question everything she believes in, and tempts her with the forbidden. A Kingdom... Forsaken by the gods and feared by mortals, a fallen kingdom is rising once more, determined to take back what they believe is theirs through violence and vengeance. And as the shadow of those cursed draws closer, the line between what is forbidden and what is right becomes blurred. Poppy is not only on the verge of losing her heart and being found unworthy by the gods, but also her life when every blood-soaked thread that holds her world together begins to unravel.

A landmark new translation of a Calvino classic, a whimsical, spirited novel that imagines a life lived entirely on its own terms Cosimo di Rondó, a young Italian nobleman of the eighteenth century, rebels against his parents by climbing into the trees and remaining there for the rest of his life. He adapts efficiently to an existence in the forest canopy—he hunts, sows crops, plays games with earth-bound friends, fights forest fires, solves engineering problems, and even manages to have love affairs. From his perch in the trees, Cosimo sees the Age of Enlightenment pass by, and a new century dawn. The Baron in the Trees exemplifies Calvino’s peerless ability to weave tales that sparkle with enchantment. This new English rendering by acclaimed translator Ann Goldstein breathes new life into one of Calvino’s most beloved works.

In this exhilarating novel, two friends—often in love, but never lovers—come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

This is the women’s war, just as much as it is the men’s. They have waited long enough for their turn . . . This was never the story of one woman, or two. It was the story of them all . . . In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women whose lives, loves, and rivalries were forever altered by this long and tragic war. A woman’s epic, powerfully imbued with new life, A Thousand Ships puts the women, girls and goddesses at the center of the Western world’s great tale ever told.