“Kids, Wait Til You Hear This” is the autobiography of EGOT icon Liza Minnelli. This fascinating, untold story reveals the intimate truth of the only child born to Hollywood legends Vincent Minnelli and Judy Garland. For the first time, here is Liza up Raw, strong, sexy, hilarious and heartbreaking. Liza decided at the age of 16 that “sympathy is my mother’s business. I give people joy.” That veil of joy, however, masks a lifelong struggle with Substance Use Disorder, hunger for love, broken marriages, multiple miscarriages, and hospitalizations—the highs and lows of unparalleled artistic success and lifelong friendships, as well as chronic anxiety and the threat of financial ruin. Despite every challenge, Liza’s is a life wrapped in laughter. Today at nearly 80, she opens her heart, mind and memories, sharing secrets we never knew. Liza’s book celebrates supreme artistry and, more importantly, her human rights activism. “It’s time to tell the truth, Liza says, “and help people heal, as I have, one day at a time.”

Written during the final stages of her illness, "The Garden Party and Other Stories" is full of a sense of urgency and was Katherine Mansfield's last collection to be published during her lifetime. The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

"She was a brazen hussy." "She wasn't. And she was pretty, wasn't she?" "I didn't look ... And tell your girls, my son, that when they're running after you, they're not to come and ask your mother for you - tell them that - brazen baggages you meet at dancing classes" The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations.

"Women in Love," by D. H. Lawrence, is part of the "Barnes & Noble Classics"" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics" New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. One of the most versatile and influential figures in twentieth-century literature, D. H. Lawrence was a master craftsman and profound thinker whose celebration of sexuality in an over-intellectualized world opened the door to that topic for countless writers after him. Perhaps his finest novel, "Women in Love" (1920) continues the story of two sisters, Ursula and Gudrun Brangwen, who first appeared in Lawrence's novel "The Rainbow" (1915). The story contrasts the passionate love affairs of Ursula and Rupert Birkin, a character often seen as a self-portrait of Lawrence, with that of Gudrun and Gerald Crich, an icily handsome mining industrialist. Birkin, an introspective misanthrope, struggles to reconcile his metaphysical drive for self-fulfillment with Ursula's practical view of sentimental passion. As they fight their way through to a mutually satisfying relationship--and eventual marriage--Gudrun and Crich's sadomasochistic love affair careens toward a disastrous conclusion. A dark, disturbing, yet beautiful exploration of love in an increasingly violent and destructive world, Women in Love nevertheless holds out the hope of individual and collective rebirth through human intensity and passion.Norman Loftis is a poet, novelist, essayist, philosopher, and filmmaker. His works include "Exiles and Voyages" (poetry, 1969), "Black Anima" (poetry, 1973), "Life Force" (novel, 1982), "From Barbarism to Decadence" (1984), and "Condition Zero" (1993). His feature films include "Schaman" (1984), the award-winning" Small Time" (1989), and "Messenger" (1995). He is currently Chair of the Department of Literature at the Brooklyn Campus of the College of New Rochelle and is on the faculty at Medgar Evers College, CUNY, where he has taught since 1970.

A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing. Prelude Je ne parle pas français Bliss The wind blows Psychology Pictures The man without a temperament Mr. Reginald Peacock's day Sun and moon Feuille d'album A dill pickle The little governess Revelations The escape

I want to be a society vampire, you see, she announced coolly, and went on to inform him that bobbed hair was the necessary prelude. She added that she wanted to ask his advice, because she had heard he was so critical about girls.

How is this book unique? Free Audiobook Illustrations included Unabridged Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble.[1] The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907–1909) but found that he could not, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon.

"Documents the American landscape as seen by two intelligent, influential women who loved their country, and each other, with a passion that is rare." -- New York Times Book Review In 1978, more than 3,500 letters written over a thirty-year friendship between Eleanor Roosevelt and Lorena Hickok were discovered by archivists. Although the most explicit letters had been burned (Lorena told Eleanor's daughter, "Your mother wasn't always so very discreet in her letters to me"), the find was still electrifying enough to create controversy about the nature of the women's relationship. Historian Rodger Streitmatter has transcribed and annotated more than 300 of those letters-published here for the first time-and put them within the context of the lives of these two extraordinary women, allowing us to understand the role of this remarkable friendship in Roosevelt's transformation into a crusading First Lady.

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

First published in 1960, The Colossus was Sylvia Plath's debut collection of poems and marked the arrival of a major new talent. ‘She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poet. She simply writes good poetry. And she does so with a seriousness that demands only that she be judged equally seriously. . . There is an admirable no-nonsense air about this; the language is bare but vivid and precise, with a concentration that implies a good deal of disturbance with proportionately little fuss.’ A. Alvarez, Observer ‘It shows what a remarkable talent she already possessed and is a very satisfying volume in its own right.’ Bernard Bergonzi, Guardian

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose. Here is a rich mine of ideas from an extraordinary writer about contemporary life and nature, families and marriage, and about women fragmented... and becoming whole.

La protagonista d'aquesta novel·la és una dona atreta per la solitud com per un imant. Es guanya la vida en un buc, la situació perfecta: una cabina, l'oceà, moltes hores per encara el buit i algún port per conèixer dones. Fins que una la reté, se l'emporta entre les quatre parets d'una casa i l'embarca en la gestació assistida d'una criatura. ¿Què en farà, la maternitat, de l'amant coneguda en un bar?

A landmark illustrated anthology of queer Greek and Roman love stories that reclaim and celebrate homosexual love and sensuality, from artist Luke Edward Hall and award-winning poet Seán Hewitt. For centuries, evidence of queer love in the ancient world has either been ignored or suppressed. Even today, only a few narratives are widely the wild romance of Achilles and Patroclus; the yearning love of Sappho's lyrics; and the three genders introduced in Plato's Symposium . Yet there is a rich literary tradition of queer Greek and Roman love that extends far beyond the prudish translations of these familiar handful of stories. In 300,000 Kisses , award-winning poet Seán Hewitt and renowned designer Luke Edward Hall collect these stories—including some of the most beautiful and moving in the classical canon—and bring them to vivid life. Alongside celebrated works by Homer, Sappho, Ovid and Catullus, they include a wide range of rarely anthologized raunchy poems, thoughtful dialogues, philosophical treatises, and even a graffiti text salvaged from the ruins of Pompeii. Through Hewitt's contemporary translations and Hall's vibrant illustrations, we encounter relationships that are by turns heartfelt and nourishing, unrequited and lustful, toxic and crude, tender and fulfilling. A groundbreaking anthology that seeks to change the way we see the ancient world, 300,000 Kisses is a fascinating journey through love in all its forms.

Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Marianne’s house, a strange and indelible connection grows between the two teenagers - one they are determined to conceal. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years in college, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. Then, as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other. Sally Rooney brings her brilliant psychological acuity and perfectly spare prose to a story that explores the subtleties of class, the electricity of first love, and the complex entanglements of family and friendship.

Rosemary and Guy Woodhouse, an ordinary young couple, settle into a New York City apartment, unaware that the elderly neighbors and their bizarre group of friends have taken a disturbing interest in them. But by the time Rosemary discovers the horrifying truth, it may be far too late!

'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! ... Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard' Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of 'Solid Objects' through the fragile impressionism of 'Kew Gardens' to the abstract exploration of consciousness in 'The Mark on the Wall'. Edited with an introduction and notes by Sandra Kemp