An alternate cover edition exists here. Nicholas Flamel was born in Paris on 28 September 1330. Nearly seven hundred years later, he is acknowledged as the greatest Alchemyst of his day. It is said that he discovered the secret of eternal life. The records show that he died in 1418. But his tomb is empty and Nicholas Flamel lives. The secret of eternal life is hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed. In the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it. Humankind won't know what's happening until it's too late. And if the prophecy is right, Sophie and Josh Newman are the only ones with the power to save the world as we know it. Sometimes legends are true. And Sophie and Josh Newman are about to find themselves in the middle of the greatest legend of all time.

In this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine. As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text colour to white so no one can see. That is, until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions. When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favour, convince HR she’s Supershops material and beat out the competition. But as Jolene is drawn further into her coworker’s private worlds and secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Soon she will need to decide if she’s ready to leave the comfort of her cubicle, even if it means coming clean to her colleagues. Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes with it.

The Other Side of Night begins with a man named David Asha writing about his biggest regret: his sudden separation from his son, Elliot. In his grief, David tells a story. Next, we step into the life of Harriet Kealty, a police officer trying to clear her name after a lapse of judgment. She discovers a curious inscription in a secondhand book—a plea: Help me, he’s trying to kill me. Who wrote this note? Who is “he”? This note leads Harri to David Asha, who was last seen stepping off a cliff. Police suspect he couldn’t cope after his wife’s sudden death. Still, why would this man jump and leave behind his young son? Quickly, Harri’s attention zeroes in on a person she knows all too well. Ben Elmys: once the love of her life. A surrogate father to Elliot Asha and trusted friend to the Ashas. Ben may also be a murderer.​

From the Booker-winning author of Shuggie Bain and Young Mungo comes a vivid, moving, and beautifully crafted novel following a young man returning to his Hebridean island home, a portrait of a close-knit community and a fraying family, of a father’s expectations and a son’s desires Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the island of Harris to find that little has changed except for him. In the windswept croft where he grew up, Cal begrudgingly resumes his old life, stuck between the two poles of his childhood: his father John, a sheep farmer, tweed weaver, and pillar of their local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian who has kept a faltering peace with her son-in-law for several decades. Cal wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son’s long hair and how he seems unwilling to be Saved. As lambing season turns to shearing season, everything seems poised to change as the threads holding together the fragile community become increasingly knotted. John of John is a singular novel about duty and patience and the transformative power of the truth. It is a magnificent literary work that shows Douglas Stuart working at an even higher level of artistic creation.

They call him father, liberator, warlord, Reaper. But he feels a boy as he falls toward the pale blue planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-second of his life. A decade ago, Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk everything he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself? And throughout the worlds, other destinies entwine with Darrow’s to change his fate forever: A young Red girl flees tragedy in her refugee camp and achieves for herself a new life she could never have imagined. An ex-soldier broken by grief is forced to steal the most valuable thing in the galaxy—or pay with his life. And Lysander au Lune, the heir in exile to the sovereign, wanders the stars with his mentor, Cassius, haunted by the loss of the world that Darrow transformed, and dreaming of what will rise from its ashes. Red Rising was the story of the end of one universe, and Iron Gold is the story of the creation of a new one. Witness the beginning of a stunning new saga of tragedy and triumph from masterly New York Times bestselling author Pierce Brown.

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.

The New York Times best-selling author of Final Girls and Survive the Night is back with his most unexpected thriller yet. Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple who live in the house across the lake. They make for good viewing—a tech innovator, Tom is rich; and a former model, Katherine is gorgeous. One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage is not as perfect and placid as it appears. When Katherine suddenly vanishes, Casey becomes consumed with finding out what happened to her. In the process, she uncovers eerie, darker truths that turn a tale of voyeurism and suspicion into a story of guilt, obsession and how looks can be very deceiving. With his trademark blend of sharp characters, psychological suspense, and gasp-worthy surprises, Riley Sager’s The House Across the Lake unveils more than one twist that will shock readers until the very last page.