A debut novel full of magic, adventure, and romance, The Book of Doors opens up a thrilling world of contemporary fantasy for readers of The Midnight Library, The Invisible Life of Addie Larue, The Night Circus, and any modern story that mixes the wonder of the unknown with just a tinge of darkness. Cassie Andrews works in a New York City bookshop, shelving books, making coffee for customers, and living an unassuming, ordinary life. Until the day one of her favorite customers—a lonely yet charming old man—dies right in front of her. Cassie is devastated. She always loved his stories, and now she has nothing to remember him by. Nothing but the last book he was reading. But this is no ordinary book… It is the Book of Doors. Inscribed with enigmatic words and mysterious drawings, it promises Cassie that any door is every door. You just need to know how to open them. Then she’s approached by a gaunt stranger in a rumpled black suit with a Scottish brogue who calls himself Drummond Fox. He’s a librarian who keeps watch over a unique set of rare volumes. The tome now in Cassie’s possession is not the only book with great power, but it is the one most coveted by those who collect them. Now Cassie is being hunted by those few who know of the Special Books. With only her roommate Izzy to confide in, she has to decide if she will help the mysterious and haunted Drummond protect the Book of Doors—and the other books in his secret library’s care—from those who will do evil. Because only Drummond knows where the unique library is and only Cassie’s book can get them there. But there are those willing to kill to obtain those secrets. And a dark force—in the form of a shadowy, sadistic woman—is at the very top of that list.

Nothing brings a family together like a murder next door. A lighthearted whodunnit about a grandmother-mother-daughter trio of amateur sleuths. Gilmore Girls , but with murder. High-powered businesswoman Lana Rubicon has a lot to be proud her keen intelligence, impeccable taste, and the L.A. real estate empire she’s built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy   coastal town with her adult daughter Beth and teenage granddaughter Jack, Lana is stuck counting otters instead of square footage—and hoping that boredom won’t kill her before the cancer does.  Then Jack—tiny in stature but fiercely independent—happens upon a dead body while kayaking. She quickly becomes a suspect in the homicide investigation, and the Rubicon women are thrown into chaos. Beth thinks Lana should focus on recovery, but Lana has a better idea. She’ll pull on her wig, find the true murderer, protect her family, and prove she still has power. With Jack and Beth’s help, Lana uncovers a web of lies, family vendettas, and land disputes lurking beneath the surface of a community populated by folksy conservationists and wealthy ranchers. But as their amateur snooping advances into ever-more dangerous territory, the headstrong Rubicon women must learn to do the one thing they’ve always depend on each other.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

Nothing brings a family together like a murder next door. A lighthearted whodunnit about a grandmother-mother-daughter trio of amateur sleuths. Gilmore Girls , but with murder. High-powered businesswoman Lana Rubicon has a lot to be proud her keen intelligence, impeccable taste, and the L.A. real estate empire she’s built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy   coastal town with her adult daughter Beth and teenage granddaughter Jack, Lana is stuck counting otters instead of square footage—and hoping that boredom won’t kill her before the cancer does.  Then Jack—tiny in stature but fiercely independent—happens upon a dead body while kayaking. She quickly becomes a suspect in the homicide investigation, and the Rubicon women are thrown into chaos. Beth thinks Lana should focus on recovery, but Lana has a better idea. She’ll pull on her wig, find the true murderer, protect her family, and prove she still has power. With Jack and Beth’s help, Lana uncovers a web of lies, family vendettas, and land disputes lurking beneath the surface of a community populated by folksy conservationists and wealthy ranchers. But as their amateur snooping advances into ever-more dangerous territory, the headstrong Rubicon women must learn to do the one thing they’ve always depend on each other.

From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

When Lauren and Ryan’s marriage reaches the breaking point, they come up with an unconventional plan. They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes. Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for? This is a love story about what happens when the love fades. It’s about staying in love, seizing love, forsaking love, and committing to love with everything you’ve got. And above all, After I Do is the story of a couple caught up in an old game—and searching for a new road to happily ever after.

Ten suspects. Ten heists. A puzzle only Ernest Cunningham can solve.I’ve spent the last few years solving murders. But a bank heist is a new one, even for me. I’ve never been a hostage before. The doors are chained shut. No one in or out. Which means that when someone in the bank is murdered, hostages become suspects.THE BANK ROBBER THE MANAGER THE SECURITY GUARD THE KID THE FILM PRODUCER THE PRIEST THE RECEPTIONIST THE PATIENT THE CARER METurns out, more than one person planned to rob the bank today. You can steal more from a bank than just money.Who is stealing what? And are they willing to kill for it?