A young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch. Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London--where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated. Then there are the humans--the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for--perpetual youth, near-invulnerability, immortality--but, she is miserable; she is lonely; and she is hungry--always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her--between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans if she is to find a way to exist in the world. Before any of this, however, she must eat.

For fans of Dolly Alderton and HBO’s Hacks, a whip-smart, laugh-out-loud funny debut novel about faking it (and “making it”) as a writer in Hollywood. TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children. When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher. Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.

For fans of Dolly Alderton and HBO’s Hacks, a whip-smart, laugh-out-loud funny debut novel about faking it (and “making it”) as a writer in Hollywood. TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children. When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher. Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.

Shigeru has finally awakened from the coma he's been in since Seiko pushed him off the cliff—but he remembers nothing of the incident, nor does he even recognize his assailant. Rather than setting Seiko's mind at ease, however, this only serves to disturb her further. Meanwhile, Seiichi is determined to keep his promise to his mother—with devastating consequences for everyone around him.

Five lives. Five stories. Four will live—one will die. Who it will be? In this slow-burn masterpiece of psychological fiction, the choice is all yours. Have you ever tried to pass the time by imagining the lives of the strangers standing next to you? Ilona Bannister’s Five introduces readers to five seemingly random people waiting for a train. But these are not just any five people. From the beginning we know that one of them is going to die soon. Very soon. In five minutes the next train to London will arrive, killing one of them. But before this happens you will learn their stories. None of these people are saints. Readers might fall in love with the beautiful young man who is on the verge of gambling his life away. They may pity the cantankerous old woman who has fallen to the ground yet is refusing help. Perhaps readers will look away from the child throwing a tantrum. Or judge his mother, who must surely be to blame. And some will be curiously compelled by the successful and damaged businessman orbiting them all. These are the candidates for this morning’s misfortune. But they don’t know it. Only you know. And you, our complicit reader, will not be able to resist deciding who deserves to walk away, and who deserves only five more minutes to live. An incredibly original novel that breaks the fourth wall and asks the reader to be judge, jury, and executioner, Five looks at some of the most complicated issues of contemporary life: motherhood, disability, addiction. Every stranger has a story. And in Ilona Bannister’s skillful hands, five people’s stories come together to create an unforgettable novel.

Five lives. Five stories. Four will live—one will die. Who it will be? In this slow-burn masterpiece of psychological fiction, the choice is all yours. Have you ever tried to pass the time by imagining the lives of the strangers standing next to you? Ilona Bannister’s Five introduces readers to five seemingly random people waiting for a train. But these are not just any five people. From the beginning we know that one of them is going to die soon. Very soon. In five minutes the next train to London will arrive, killing one of them. But before this happens you will learn their stories. None of these people are saints. Readers might fall in love with the beautiful young man who is on the verge of gambling his life away. They may pity the cantankerous old woman who has fallen to the ground yet is refusing help. Perhaps readers will look away from the child throwing a tantrum. Or judge his mother, who must surely be to blame. And some will be curiously compelled by the successful and damaged businessman orbiting them all. These are the candidates for this morning’s misfortune. But they don’t know it. Only you know. And you, our complicit reader, will not be able to resist deciding who deserves to walk away, and who deserves only five more minutes to live. An incredibly original novel that breaks the fourth wall and asks the reader to be judge, jury, and executioner, Five looks at some of the most complicated issues of contemporary life: motherhood, disability, addiction. Every stranger has a story. And in Ilona Bannister’s skillful hands, five people’s stories come together to create an unforgettable novel.