1968 New York City News about the war might be keeping Patrick up at night--news in general might be keeping Patrick up at night--but he's doing fine. He's sure of it. He gets to spend his days selling books in the gayest neighborhood on the East Coast and his nights merrily sleeping his way through the rare book community. But when he takes in a drifter who seems to be hiding something, and his best friend and her newborn move into the apartment upstairs, his life gets turned on its head. A sleepy little bookstore should be the perfect place for Nathaniel to lie low, waiting for his past to catch up with him, but it turns out Dooryard Books is full of political radicals and anti-war agitators. If the FBI isn't actively surveilling this place, it will be. Nathaniel should go anywhere else. The last thing he expects is to like these subversives. There's a grieving folk musician and her baby--a demon of a child who will only sleep if Nathaniel, of all people, holds her. There's a pair of rabble-rousing teenagers who, upsettingly, seem to be right about everything. And then there's Patrick, who can't walk past anyone who needs his help--and who is perplexingly determined to help Nathaniel. As the world balances on the precipice of something new and scary and maybe even hopeful, Patrick needs to decide what he's willing to risk for this chaotic new community he's accidentally created. And Nathaniel needs to figure out whether he has a place in this messy, flawed world--and whether he can believe he deserves it.

Mesmeric and tender, this is the tale of one man’s search for love and affection. A man returns to his hometown to clear out the flat of his recently deceased mother. While there, he cannot resist visiting his former lover. As the storm rages in the night outside, he finds in the man’s embrace some kind of quiet; some kind of home. As we are drawn into the narrator’s past, we see how a childhood marked by abuse and a life lived on the edges can shape someone – and what respite and beauty can be found in love and trust. Unsentimental yet aching with longing and vulnerability, Angelo Tijssens’ The Edges is a deeply humane, moving and beautiful debut. ‘A book that feels like heartache – at once tender & violent, intimate & lyrical, The Edges conjures itself in flowing temporal rhythms, immersing the reader in the night-lit, wintery ache of love.’ Seán Hewitt ‘The Edges had me gripped from the very start. Tijssens has created a beguiling world filled with reckoning and melancholic sensuality. A masterfully crafted novella that leaves you wanting more.’ Tomasz Jędrowski ‘A hovering wounded story of unending love and fear and pain that saturates the reader in silence and memory . . . Unmissable.’ David Hayden ‘A deeply affecting meditation on the deprivation of love. Like a meeting of Édouard Louis and Garth Greenwell.’ Michael Amherst ‘A powerful gem, written with great precision, lurching between love and violence.’ De Standaard ‘Succinct and understated writing, deeply human and full of suppressed anguish.’ Feeling ‘A hit. I’m hugely impressed by this strong debut.’ Het Nieuwsblad

An emotional, slow-burn, grumpy/sunshine, queer mid-century romance about grief and found family, between the new star shortstop stuck in a batting slump and the reporter assigned to (reluctantly) cover his first season—set in the same universe as We Could Be So Good. The 1960 baseball season is shaping up to be the worst year of Eddie O’Leary’s life. He can’t manage to hit the ball, his new teammates hate him, he’s living out of a suitcase, and he’s homesick. When the team’s owner orders him to give a bunch of interviews to some snobby reporter, he’s ready to call it quits. He can barely manage to behave himself for the length of a game, let alone an entire season. But he’s already on thin ice, so he has no choice but to agree. Mark Bailey is not a sports reporter. He writes for the arts page, and these days he’s barely even managing to do that much. He’s had a rough year and just wants to be left alone in his too-empty apartment, mourning a partner he’d never been able to be public about. The last thing he needs is to spend a season writing about New York’s obnoxious new shortstop in a stunt to get the struggling newspaper more readers. Isolated together within the crush of an anonymous city, these two lonely souls orbit each other as they slowly give in to the inevitable gravity of their attraction. But Mark has vowed that he’ll never be someone’s secret ever again, and Eddie can’t be out as a professional athlete. It’s just them against the world, and they’ll both have to decide if that’s enough.

Sorrowland meets Manhunt in this literary horror debut in which an isolated newlywed—covered in mushroom growths like all the other wives in her community—strikes a precarious balance between following her husband’s strict rules and pursuing an intense connection with a woman who makes her question everything.Forbidden from leaving her house from girlhood until marriage, Nicole has only her mother's lessons and what she can see from her bedroom window to draw on in forming her view of the world, and of herself. Taught that the mushrooms which cover the women in her village are repulsive and dangerous, she conforms to a rigid set of rules to protect herself and those around her. When her wedding day arrives, Nicole moves from one prison to another—an empty mansion on the very outskirts of town belonging to the husband she’s been promised to since birth. As she haunts the edges of Silas's unknowable life and decaying home, maintaining control over her own transforming body becomes increasingly impossible. And when another wife with rebellious tendencies pays Nicole an unexpected visit, something within her cracks open. Their furtive explorations yield confusing answers, unearthing the long-buried secrets of the generations of resentful brides that came before. Unmoored, angry, and at last awakened, Nicole must reckon with who she really is, and perhaps, give in to what she truly wants. Raw, visceral, and relentless, Wife Shaped Bodies is an exploration of gender, power, and community through the lens of mycological body horror and an ode to the unsettling beauty of the natural world.

A young woman pretends to be someone she isn't in this stunning novel by the New York Times bestselling author of The Girls. Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome. A misstep at a dinner party, and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city. With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarified world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake. Taut, propulsive, and impossible to look away from, Emma Cline's The Guest is a spellbinding literary achievement.

When Judith Rice killed her mother, she thought she put an end to the woman's hold on her. Seventeen years later, secluded deep in the woods of northern Georgia, Jude knows that the past isn't all that easy to discard. Alone with her strange house and even stranger woods, Jude must grapple with ghosts, haints, beasts, and an enigmatic woman who threatens to undo the tentative peace Jude's built for herself by fanning the violence that lives just underneath her skin.

A wise, playful, electric novel from the #1 New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO, in the twilight hours of his life, as he is ferried from this world into the next. Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty three hundred and forty-three times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the The powerful K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of an epic, complicated life. Crowds of people and animals—worldly and otherworldly, alive and dead—arrive, clamoring for a reckoning. Birds swarm the dying man’s room, a black calf grazes on the loveseat, a man from a distant drought-ravaged village materializes, two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future. With the acuity and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

Nine masterful stories that explore class, desire, identity, and the specter of violence in America–and in American families–against women and the LGBTQ+ community.A collection filled with surprise, dark humor, and deep compassion, from the author of The Bigness of the World, winner of the Flannery O’Connor Award for Short Fiction.In Lori Ostlund’s exquisite collection, Are You Happy?, she examines the lives of people who have left their place and culture of origin behind. Set in Minnesota, New Mexico, and California, we watch Ostlund’s characters as they try–and often fail–to make peace with their pasts while navigating their present relationships and responsibilities.In deceptively straightforward prose Ostlund delves deep into the interpersonal and grapples with the compulsion to make others happy–and the elusiveness of being happy oneself. As a woman mourns the premature loss of her best friend’s youth, two parents the life of their son, a queer couple their feeling of safety, and a daughter her family’s political integrity, Ostlund paints a distinctly American portrait of violence manifest at its most intimate scale.Richly layered and structurally complex, these stories have a novelistic feel. Lori Ostlund is a master of the form and Are You Happy? showcases her best work to date.

A collection of photos examining all the profundity and sameness of youth by the acclaimed photographer best known for her work with Taylor Swift.Through her work with Taylor Swift—shooting the covers and promotional photos for her last several albums—photographer Beth Garrabrant has created imagery beloved by millions. Apart from her work with Swift, Garrabrant has spent the past two decades devoted to an ambitious documenting young people around the country. At their schools and churches, in their kitchens and bedrooms, at their proms and sporting events and part-time jobs, at amusement parks and in the backseats of cars where they spend so much of their idle time. In Things Shouldn’t Be So Hard, the first collection of her work, Garrabrant movingly captures what it’s like to be not yet a woman or man in specifically the contradictory and often simultaneous states of camaraderie and isolation, confidence and insecurity, love and heartbreak, hope and despair. Featuring an introduction by lauded filmmaker Kelly Reichardt—who likens Garrabrant to modern masters such as William Eggleston and Robert Adams—this gorgeously designed four-color book showcases one of the most talented and soulful visual artists working today.

From rising horror star and award-winning author of Things Have Gotten Worse Since We Last Spoke comes a nightmarish, haunting, tech-Gothic thrill ride about sorrow, memory, and the unabashed complexity of love as a transgressive act.After his husband dies, Simeon Link finds himself overcome by grief and seeking comfort in an unusual support group called The Wretches, who offer an addictive and dangerous source of relief. They introduce Simeon to a curious figure known as Porcelain Khaw—a man with the ability to let those who are grieving have one last intimate moment with their beloved...for a price. Hallucinatory, fiendish, and destructively beautiful, Wretch transports us to a world where not everything is as it seems, and those we love may be the ones who haunt us most.