From acclaimed author Jeanne Thornton, an epic, singular look at fandom, creativity, longing, and trans identity Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun? Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture. Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

"Communion is about more than truth. It's a holy coming together, an intimate exchange of love.... Communion, it seems, doesn't have to happen in the same space and time. Communion, it seems, is something altogether bigger."—Willie Edward Taylor Carver Jr. Queer Communion is a collection of twelve essays, poems, and stories that follows and fractures the expectations surrounding LGBTQIA+ Appalachians and their religious beliefs. Gathered by Davis Shoulders, the pieces delve into themes of chosen family, loss, congregation, and alternative expressions of faith. Set against the backdrop of Christian cultural mores and a region considered to be deeply pious, these writings offer diverse perspectives on religion, queerness, and growth. Queer Communion explores everything from the joy and excitement of worship to the complexities of navigating one's queerness and spiritual convictions in oppressive environments. The authors highlight their personal journeys, illuminating the ways in which folks find spirituality while confronting bigotry, loneliness, and fear. Queer Communion represents an act of creation, reclaiming and redefining faith in the face of changing beliefs and societal pressures.

In this gripping debut tinged with supernatural horror, a young Cree woman's dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home. When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie's dreams return her to a memory from before her sister Sabrina's untimely death: a weekend at the family's lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too--a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina--Mackenzie knows this is more than she can handle alone. Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams--and make them more dangerous. What really happened that night at the lake, and what did it have to do with Sabrina's death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

There has always been tension in the “blind house,” where Valentina lives with her mother and grandmother in the Italian countryside. Valentina’s pious grandmother often hints at a family curse, and Valentina’s mother scoffs at superstition; it’s one of many points of friction between them, and one of the battlegrounds on which they fight to control Valentina’s upbringing. But in the summer of 1996, when Valentina is twelve, she gets her period for the first time—and the curse suddenly becomes frighteningly real. Blood leaks from the walls; the house and farm are overrun with frogs; the kitchen crawls with flies. Valentina is certain that she is the cause of this cascading apocalypse, that she has brought catastrophe to the house and its inhabitants. In this propulsive coming-of-age novel, of mother-daughter relationships and painful family legacies, the events of one terrifying, transformative summer cast a long shadow.

A life-affirming novel of family, mending, and how we learn to love, from the award-winning Bryan Washington. In Tokyo, the son works as an English tutor, drinking his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in Houston, particularly his mother, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they’ve last seen each other, the mother arrives uninvited on his doorstep. Separated only by the son’s cat, Taro, the two of them bristle against each other immediately. The mother, wrestling with memories of her youth in Jamaica and her own complicated brother, works to reconcile her good intentions with her missteps. The son struggles to forgive. But as life begins to steer them in unexpected directions— the mother to a tentative friendship with a local bistro owner, and the son to cautiously getting to know a new patron of the bar—the two of them begin to see each other more clearly. Sharing meals and conversations and an eventful trip to Nara, both mother and son try the best they can to define where “home” really is—and whether they can find it even in each other. Written with understated humor and an open heart, moving through past and present and across Houston, Jamaica, and Japan, Bryan Washington’s Palaver is an intricate story of family, love, and the beauty of a life among others.

Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un -fashionability. In Unsuitable , Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.

The unnamed narrator of this story is married to her fourth and excessively well-paid husband. This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.