Described by Clarice Lispector as 'the best one', this intoxicating portrayal of a man searching for his destiny is her mystical, enigmatic masterpiece 'All I've got is hunger. And that instable way of grasping an apple in the dark-without letting it fall' Martim, believing that he has committed a murder, flees the city and escapes into the night. Wandering through the vastness of nature he arrives, in a state of fear and wonder, at a remote ranch run by two women. There Martim finds work and, as he labours in the blistering heat of the Brazilian summer, becomes transfigured; remade into something else entirely. Translated by Benjamin Moser 'The most important Brazilian woman writer of the twentieth century... The richness of The Apple in the Dark defies the explanatory power of any single interpretation' TLS

An alternative cover edition for this ISBN can be found here. Living in the slums of Rio and eking out a living as a typist, Macabéa loves movies, Coca-Cola and her philandering rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly and unloved. Yet telling her story is the narrator Rodrigo S.M., who tries to direct Macabéa's fate but comes to realize that, for all her outward misery, she is inwardly free. Slyly subverting ideas of poverty, identity, love, and the art of writing itself, Clarice Lispector's audacious last novel, arguably her best, is a haunting portrayal of innocence in a bad world.

"The morning became a long, drawn-out afternoon that became depthless night dawning innocently through the house." Tales of desire and madness from this giant of Brazilian literature.

Near to the Wild Heart is Clarice Lispector's first novel, written from March to November 1942 and published around her twenty-third birthday. The novel, written in a stream-of-consciousness style reminiscent of the English-language Modernists, centers around the childhood and early adulthood of a character named Joana, who bears strong resemblance to her author: "Madame Bovary, c'est moi", Lispector said, quoting Flaubert, when asked about the similarities. The book, particularly its revolutionary language, brought its young, unknown creator to great prominence in Brazilian letters and earned her the prestigious Graça Aranha Prize. Joana, a young woman very much in the mode of existential contemporaries like Camus and Sartre, ponders the meaning of life, the freedom to be one's self, and the purpose of existence. Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states of mind.

What to make of a writer who follows the metaphysical heights of her great Passion According to GH with a book that looks suspiciously like a romance novel? In The Apprenticeship, or The Book of Pleasures, Clarice Lispector tries to discover how to bridge the gap between people, or how to even begin to try. A woman struggles to emerge from solitude and sadness into love, including sexual love: her guide on this journey is Ulisses, who (yes) leads her patiently into the fullness of life. The Apprenticeship was a bestseller and, as her biographer Benjamin Moser writes, "This accessible love story surprised many readers. When it came out, an interviewer said: 'I thought The Book of Pleasures was much easier to read than any of your other books. Do you think there’s any basis for that?' Clarice answered: 'There is. I humanized myself, the book reflects that.'”

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career. Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

What does the Right offer to women? How does the Right mobilize women? Why is the Right succeeding in opposing women's rights? With the stark precision and forceful passion that characterize all of her work, Andrea Dworkin answers these timely questions. And by providing the first clear analysis of the impact on women of the Right's position on abortion, homosexuality, anti-Semitism, female poverty, and antifeminism, she demonstrates how the Right attempts both to exploit and to quiet women's deepest fears. — From the reverse cover.

Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

An extraordinary love story and a captivating novel about the power of memory and imagination.  Flanders 1922. After serving as a soldier in the Great War, Noon Merckem has lost his memory and lives in a psychiatric asylum. Countless women, responding to a newspaper ad, visit him there in the hope of finding their spouse who vanished in battle. One day a woman, Julienne, appears and recognizes Noon as her husband, the photographer Amand Coppens, and takes him home against medical advice. But their miraculous reunion doesn’t turn out the way that Julienne wants her envious friends to believe. Only gradually do the two grow close, and Amand’s biography is pieced together on the basis of Julienne’s stories about him. But how can he be certain that she’s telling the truth? In The Remembered Soldier , Anjet Daanje immerses us in the psyche of a war-traumatized man who has lost his identity. When Amand comes to doubt Julienne’s word, the reader is caught up in a riveting spiral of confusion that only the greatest of literature can achieve.

Stevie cannot escape her mother. Abandoning college plans to work a dead-end job, her days are a purgatorial bore. Many dream of moving to L.A. and into the spotlight, but Stevie can't wait to move away from it - and her mother's orbit - to start over.Stevie's mother, Moon, is many an out-of-work actress, a recovering addict, whatever a mistress becomes when she's widowed, and a mother. Reeling in the aftermath of her lover and TV husband's death, Moon struggles to process her grief. And the last thing she expects is for Stevie to leave her too.Now, neither Stevie nor Moon can afford to quit each other. And their cost of living forces them into a glass-walled pool house in the backyard, while their home is rented out to pay the bills. But when Adam, Moon's former TV son and Stevie's forever crush, arrives for the funeral, the three are pulled into a messy orbit, moving back into the 'Big House' and play-acting a picture-perfect family even as tensions rise and relationships unravel.Pool House is a course charted through the wilderness of motherhood, a story about the challenges of navigating class, fame, burgeoning sexuality, and grief as two women grapple with what it means to grow up and grow older in Hollywood.