"Animal communication doesn’t need to resemble human language to be full of meaning and nuance. Arik Kershenbaum delivers an expert overview of the astonishing discoveries made in the last few decades" —Frans de WaalFrom leading zoologist Arik Kershenbaum, a delightful and groundbreaking exploration of animal communication and its true meaningAnimal communication has forever seemed intelligible. We are surrounded by animals and the cacophony of sounds that they make—from the chirping of songbirds to the growls of lions on the savanna—but we have yet to fully understand why animals communicate the way they do. What are they saying? This is only part of the mystery. To go deeper, we must also ask, what is motivating them?Why Animals Talk is an exhilarating journey through the untamed world of animal communication. Following his international bestseller, The Zoologist’s Guide to the Galaxy, acclaimed zoologist Arik Kershenbaum draws on extensive original research to reveal how many of the animal kingdom’s most seemingly confusing or untranslatable signals are in fact logical and consistent—and not that different from our own. His fascinating deep dive into this timeless subject overturns decades of conventional wisdom, inviting readers to experience for the first time communication through the minds of animals themselves.From the majestic howls of wolves and the enchanting chatter of parrots to the melodic clicks of dolphins and the spirited grunts of chimpanzees, these often strange expressions are far from mere noise. In fact, they hold secrets that we are just beginning to decipher. It’s one of the oldest mysteries that has haunted Homo sapiens for hundreds of thousands of Are animals talking just like us, or are we the only animals on the planet to have our own language?

“Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

A classic science fiction novel by one of the greatest writers of the genre, set in a future world where one man's dreams control the fate of humanity. In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes. The Lathe of Heaven is an eerily prescient novel from award-winning author Ursula K. Le Guin that masterfully addresses the dangers of power and humanity's self-destructiveness, questioning the nature of reality itself. It is a classic of the science fiction genre.

In a richly imagined, beautiful new novel, an acclaimed writer gives an epic heroine her voice.In The Aeneid, Virgil's hero fights to claim the king’s daughter, Lavinia, with whom he is destined to found an empire. Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner--that she will be the cause of a bitter war--and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Virgil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers.

A cutting, revealing caricature of the American Civil War, told through the eyes of a white teenager who joins an all-Black regiment of soldiers, for fans of Colson Whitehead and James McBride. Razor-sharp and hilarious, How to Dodge a Cannonball tells the story of Anders, a white teenager who volunteers to be a Union Army flag-twirler to escape his abusive mother. In desperate acts of self-preservation, he defects—twice—before joining a Black regiment at Gettysburg, claiming to be an octoroon. In his new and entirely incredulous unit, Anders becomes entangled with questionable military men and an arms dealer working for both sides. But more importantly, he bonds with the other soldiers, finding friendship and a family he desperately needs. After deploying to New York City to suppress the draft riots and to Nevada to suppress Native Americans, Anders begins to see the war through the eyes of his newfound brothers. Dayle’s satire spares no one, whether he’s writing about Anders' naivete and unexpected love interest, the quirks of Confederate and ​Union soldiers, those out to make a quick buck off the tragedy of war, or the theater of war itself (spoiler: literally theater​ as the novel includes a one-act play the troop obsesses over while they wait for action). Uproariously funny and revelatory, How to Dodge a Cannonball is an inimitable take on which America is worth fighting for.

“A riveting wilderness suspense novel by a novelist at the height of her powers” (Jennifer Egan, Pulitzer Prize–winning author of The Candy House), Heartwood takes you on a gripping journey as a search and rescue team race against time when an experienced hiker mysteriously disappears on the Appalachian Trail in Maine. In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. Roving between these compelling narratives, a puzzle emerges, intensifying the frantic search, as Valerie’s disappearance may not be accidental. Heartwood is a “gem of a thousand facets—suspenseful, transporting, tender, and ultimately soul-mending,” (Megan Majumdar, New York Times bestselling author of A Burning) that tells the story of a lost hiker’s odyssey and is a moving rendering of each character’s interior journey. The mystery inspires larger questions about the many ways in which we get lost, and how we are found. At its core, Heartwood is a redemptive novel, written with both enormous literary ambition and love.