The renowned nature writer and author of the best-selling author of Underland delivers a revelatory book that transforms how we look at the natural world—and life itself. Hailed as “a naturalist who can unfurl a sentence with the breathless ease of a master angler” (Holly Morris, New York Times), Robert Macfarlane brings his glittering style to a profound work of travel writing, reporting, and natural history. Is a River Alive? is a joyous exploration into an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes readers on three unforgettable journeys teeming with extraordinary people and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada—imperiled by mining, pollution, and dams. Braiding these journeys is the life story of the fragile chalk stream a mile from Macfarlane’s house, which flows through his own years and days. Powered by Macfarlane’s dazzling prose and lit throughout by other voices, Is a River Alive? will open hearts, challenge perspectives, and remind us that our fate flows with that of rivers—and always has.

COMING SEPTEMBER 2026From the bestselling and award-winning master of speculative fiction comes a deeply moving, decade- and continent-spanning forced to investigate a devastating personal tragedy, an ordinary woman stumbles on dark conspiracies, and provokes the attention of uncanny forces.

From the critically-acclaimed author of the Outline trilogy, an irresistible novel of fame, power, beauty and truth -- and a blazing renovation of the form. A little while ago, I told the actor M that I was thinking of writing her autobiography. She liked the idea. She's a good sport. Would you just make it up? she said.The film star M is one of the most recognizable faces of our time. Her image is everywhere. It has been like that since she was a child.With such fame, her life has the appearance of people are instantly obliging, spaces are altered to accommodate her, time can be rearranged. M may live in the same places as real people. She may meet her friends or collect her children from school or walk her dogs as they do. But it seems the rules of reality have melted away.Now, a writer has decided to pay close attention to M's life, in the hope of understanding who she really is. It is hard not to feel ugly next to M, hard not to feel insignificant. But what truths-about the very experience of living-might this proximity allow the writer to briefly capture? Is M to play a character in the book, or is it the writer who is acting the role of M?In this astonishing, explosive novel, Rachel Cusk hunts for the nature of truth without ever swerving away into self-deceptions. She investigates who we are, and pretend to be, at this late stage of modern life when we are hypnotized, more and more effectively, by the images we see everywhere. She shows us that the real value of life might lie not in beauty but in ugliness; in having a self that has survived the violence of the world. Life of M is a beautiful piece of music, audible in a world of noise and spectacle.

In the last years of the nineteenth century, the Tunisian city of Qayrawān suddenly found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why. Using visual archaeological methods, William Gallois reconstructs the visual history of these works and vividly brings them back to life. He locates pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European visual ephemera. In Qayrawān, he identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa. Based on extensive archival research, this study is both a record of a unique moment in the history of art and a challenge to rethink the spiritual force and agency of a group of anonymous female artists whose paintings aspired to help save the world at a time of great peril. It will be welcomed by scholars of art history, Islamic studies, Middle East studies, and the history of magic.

From the critically-acclaimed author of the Outline trilogy, an irresistible novel of fame, power, beauty and truth -- and a blazing renovation of the form. A little while ago, I told the actor M that I was thinking of writing her autobiography. She liked the idea. She's a good sport. Would you just make it up? she said.The film star M is one of the most recognizable faces of our time. Her image is everywhere. It has been like that since she was a child.With such fame, her life has the appearance of people are instantly obliging, spaces are altered to accommodate her, time can be rearranged. M may live in the same places as real people. She may meet her friends or collect her children from school or walk her dogs as they do. But it seems the rules of reality have melted away.Now, a writer has decided to pay close attention to M's life, in the hope of understanding who she really is. It is hard not to feel ugly next to M, hard not to feel insignificant. But what truths-about the very experience of living-might this proximity allow the writer to briefly capture? Is M to play a character in the book, or is it the writer who is acting the role of M?In this astonishing, explosive novel, Rachel Cusk hunts for the nature of truth without ever swerving away into self-deceptions. She investigates who we are, and pretend to be, at this late stage of modern life when we are hypnotized, more and more effectively, by the images we see everywhere. She shows us that the real value of life might lie not in beauty but in ugliness; in having a self that has survived the violence of the world. Life of M is a beautiful piece of music, audible in a world of noise and spectacle.