An alternative cover edition for this ISBN can be found here. A Black father. A white father. Two murdered sons. A quest for vengeance.Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid.The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys.Provocative and fast-paced, S.A. Cosby's Razorblade Tears is a story of bloody retribution, heartfelt change - and maybe even redemption.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Hildur Knutsdottir's The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night. Iðunn is in yet another doctor's office. She knows her constant fatigue is a sign that something's not right, but practitioners dismiss her symptoms and blood tests haven't revealed any cause. When she talks to friends and family about it, the refrain is the same ― have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps. Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night . . . What is happening when she’s asleep? Why is she waking up with increasingly disturbing injuries? And why won’t anyone believe her?

From T. Marie Vandelly, author of the acclaimed horror novel Theme Music, An Evil Premise is a mind-bending, thrilling meta-novel about possession, insanity, and the lengths a writer will go to find inspiration. When a bizarre accident leaves her sister, bestselling author Deidre Baldwin, in a coma and suffering from a grotesque skin malady, Jewel rushes to her bedside. Though the sisters are not close, she is determined to do what she can for Deidre. Staying at her sister’s apartment, Jewel stumbles upon an unfinished manuscript, the one that Deidre was rushing to complete for her publisher. When Deidre’s literary agent calls in a panic, Jewel—a self-published writer herself, desperate for a break—suggests she can finish it by the deadline. But the story is unsettling. It begins with a writer looking for inspiration, who finds an unclaimed manuscript. But said manuscript is just a series of protagonists who feel compelled to act out their heinous contributions to the grisly plot. Jewel is determined not to be scared off, but the novel hits a little close to home. She tries to tell herself she’s being paranoid, but swears she can hear someone typing when she’s not at the desk, and somehow the word count of the novel keeps going up. Her skin begins to itch. Terrified of losing her sanity, but equally terrified of losing her one shot at success, Jewel tries to find a story somewhere in the carnage, even as her rash becomes worse and she starts to have not so neighborly thoughts about her neighbors. Is this what happened to Deidre? Did the manuscript drive her mad? Infect her somehow? Jewel finds herself hoping her sister never wakes up. And fearing what will happen if Deidre does …

Her life is falling apart… like, literally. Being a sugar baby isn’t all it’s cracked up to be. After a failed art career and a failed relationship, Baby has lost her way. She’s adrift in the post-Y2K, pre-Facebook world and stuck in her Florida hometown, selling stolen goods online and working as a sugar baby. Even though she’s hustling hard, there’s still never enough money to pay the bills, and her long-suffering roommate is ready to put her out on the streets. One night after a bad date with her sugar daddy, Baby is assaulted by a mysterious woman in a parking lot. The attack leaves her disoriented and exhausted, so Baby takes to her bed to lie there and rot, like, for real. With every passing day, Baby’s looks and health decline in strange and horrific ways. Soon, it becomes apparent that the strange woman who assaulted her had something to do with her declining state. Baby needs to find her attacker, reclaim her life and her beauty, and get her shit together once and for all. But at what cost? Bed Rot Baby is a pink horror meditation of self-discovery through self-destruction, and the real cost of self-image, self-esteem, and beauty.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel. Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda. In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he’s translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself. For readers of Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

Clanford, Illinois, is a tiny Midwest enclave with the second-highest net worth zip code in the country. Emma Mayfield is a thirty-something mom trying to keep her family and sanity together after a string of financial faux pas ahead of the unexpected COVID lockdown. When the town mayor announces the grand re-opening of Clanford, the high society set is in panic mode over their unexpected lockdown weight gain ahead of the exclusive Butternut Country Club's grandest social event of the season. Enter the story's protagonist, Emma, along with her husband Craig and a totally unexpected co-conspirator, who introduces a quick weight loss scheme. The power-packed prescript's immediate and massive results turn the high society crowd into genteel versions of crackheads, willing to do just about anything for their next "fix." All hell breaks loose when the unexpected physical side effects of P.D.P. (Public Displays of Pleasure) rocks the sensibilities of this conservative burg. Emma and the team scramble to take control of the situation to keep their clients safe, and their money train on track. The rapid-paced, hilarious unfolding of events may subject the reader to U.P.D.L. (Uncontrollable Public Displays of Laughter). READER DISCRETION IS ADVISED BUT CLEARLY NOT RECOMMENDED

From the New York Times bestselling author of The Atlas Six, Girl Dinner is a darkly-fun novel about power, lust, and eating your fill, as wealthy moms and sorority girls practice a sinister new wellness trend . . .Good girls deserve a treat.Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected.After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey. Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.