Discover the adventures of Athena, the ancient Greek goddess of wisdom, war and courage. From her extraordinary birth – sprung from the head of her father, in the midst of a thunderous headache – to her refusal to take no for an answer. Find out how she inspired powerful gods, goddesses and humans and the terrifying fate of those who dared to cross her path. Follow Athena as she competes against her bad-tempered uncle; watch as she turns her enemy into a spider and join her as she keeps Odysseus safe on his remarkable journey home. Prepare to be amazed as you uncover the story of one of the most fearless ancient goddesses, and the tales of a world where humans, gods and goddesses could meet. Illustrated and written by the brilliantly talented sister duo, Isabel and Imogen Greenberg, this is a story of daring for goddesses-in-the-making.

Seventeen years ago, King Odysseus sailed to war with Troy, taking with him every man of fighting age from the island of Ithaca. None of them has returned, and the women of Ithaca have been left behind to run the kingdom. Penelope was barely into womanhood when she wed Odysseus. While he lived, her position was secure. But now, years on, speculation is mounting that her husband is dead, and suitors are beginning to knock at her door. No one man is strong enough to claim Odysseus' empty throne—not yet. But everyone waits for the balance of power to tip, and Penelope knows that any choice she makes could plunge Ithaca into bloody civil war. Only through cunning, wit, and her trusted circle of maids, can she maintain the tenuous peace needed for the kingdom to survive. This is the story of Penelope of Ithaca, famed wife of Odysseus, as it has never been told before. Beyond Ithaca’s shores, the whims of gods dictate the wars of men. But on the isle, it is the choices of the abandoned women—and their goddesses— that will change the course of the world.

Now that all the others have run out of air, it's my turn to do a little story-making. In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids. In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy. So begins Robert Fagles' magnificent translation of the Odyssey. If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance. In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery. Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation. This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students. -- Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

The #1 international and Amazon Charts bestselling novel The first letter arrived the day my husband was buried. It was postmarked from the state penitentiary, and contained a single sentence: I’ll wait forever if I have to. It was signed by Dante, a man I didn’t know. Out of simple curiosity, I wrote back to ask him what exactly he was waiting for. His reply? You. I told the mystery man he had the wrong girl. He said he didn’t. I said we’d never met, but he said I was wrong. We went back and forth, exchanging letters every week that grew increasingly more intimate. Then one day, the letters stopped. When I found out why, it was already too late. Dante was at my doorstep. And nothing on earth could have prepared me for what happened next. ~~~~~~~~~~~~~~~~~~~~~~~~~~~ WARNING: This novel contains content intended for a mature audience only. Due to explicit language, graphic sex, detailed depictions of death and grief, intense power play dynamics, and other possible triggers, it is not suitable for sensitive readers. (Full list of TWs on author's website.)

Vanessa loves having Grayson Hemming chase her, and she'll do anything to keep him running. When young werewolf Vanessa Blevin begins working at new law firm, she expects long hours, hard work, and harder personalities. Her boss is a demanding, demeaning bully who begins cutting her down on her very first day — cutting her down and setting her blood on fire. Grayson Hemming is tall, dark, alphahole handsome, the exact sort of werewolf she does not need in her life . . . but there's something about the way he smells, his cutting smile, and the way his eyes always seem to find her. Her wolf wants his, and the feeling is mutual.  The lines between their professional lives and personal desires are blurred every full moon in his bed, and the only way she knows how to keep from being burned is to keep running. When she attends an exclusive Lupercalia celebration just outside of Cambric Creek, she knows exactly what to expect. The whole town knows what goes on at the invitation-only werewolf soirées, and every last one of them is eager for an invite. The Lupercalia festivities are an ancient rite of fertility and carnality, of sex and sweat and celebration, and she knows one of the wolves will have her before the night is done. One of them will have her, but only one wolf will do. One wolf, one knot, one set of teeth at her back . . . but he'll have to catch her first. Run, Run Rabbit is a part of the Cambric Creek After Darkverse and can be enjoyed as a standalone. The After Darkverse is NOT the same lightweight fluff you can expect from the main Cambric Creek series — there is no guarantee of a HEA, and the relationships will be darker. A bit less sugar and a lot more spice. Content advisories for Run, Run Rabbit include: Primal play, chase play, exhibitionism, knotting, non-monogamous relationship, shifted *relations*, inappropriate workplace romance, pregnancy termination, and a decently toxic relationship.