TATTOOS ON THE HEART meets GHETTOSIDE in this gripping true story about a botched gang murder set in the invisible economy of LA's immigrant street vendors Baby faced teen Giovanni Macedo is desperate to build a reputation with local LA gang, the Columbia Lil Cycos -- so desperate that he agrees to kill an undocumented Mexican street vendor. The vendor, Francisco Clemente, had been refusing to give in to the gang’s shakedown demands. But Giovanni botches the hit, accidentally killing a baby instead. The imprisoned overlords who rule their world must be placated so the gang lures Giovanni across the border and plots his disposal. But, in turn, the gang botches Giovanni's killing. And so, incredibly, Giovanni rises from the dead, determined to both seek redemption for his unforgivable crime and take down the whole gang who drove him to do it. The Rent Collectors is filled with ruthless gang members, tattoo artists, a legendary FBI investigator, a girl who risks her life to serve as a witness, all in service to the story of the irrationally courageous immigrant whose ethical stance triggers these incredible events. Jesse Katz has built a teeth clenching and breathless narrative that explicates the difficult and proud lives of undocumented black market workers who are being exploited both by the gangs and by the city of LA -- in other words, by two sets of rent collectors.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

In this contemporary debut novel—an intimate portrait of queer, racial, and class identity —Andrés, a gay Latinx professor, returns to his suburban hometown in the wake of his husband’s infidelity. There he finds himself with no excuse not to attend his twenty-year high school reunion, and hesitantly begins to reconnect with people he used to call friends. Over the next few weeks, while caring for his aging parents and navigating the neighborhood where he grew up, Andrés falls into old habits with friends he thought he’d left behind. Before long, he unexpectedly becomes entangled with his first love and is forced to tend to past wounds. Captivating and poignant; a modern coming-of-age story about the essential nature of community, The Town of Babylon is a page-turning novel about young love and a close examination of our social systems and the toll they take when they fail us.

Tia Chucha Press is proud to reprint by popular demand this anthology of work by Central American writers living in the United States. The Wandering Song captures the complexity of a rapidly growing community that shares certain experiences with other Latinx groups, but also offers its own unique narrative. This is the first-ever comprehensive literary survey of the Central American diaspora by a US publisher—perfect for high school, college, or university courses in US literature, Latinx literature, multicultural studies, and migration studies. A multi-genre collection featuring poems, short stories, essays, memoir or novel excerpts, and creative nonfiction, the anthology showcases writers who render a multiplicity of experiences: of refugees from the wars of the 1980s, of those who barely remember the homeland, and of those who were born in el norte. There are writers from both coasts and from the middle. Their aesthetics range from hip-hop inflected to high literary to acrobatics in Spanglish. It is a community that shares not only a history of violence—both here and back home—but the hope and healing that ensures its survival. The writers include migrants or children of migrants from countries in the so-called Northern Triangle—El Salvador, Guatemala, and Honduras—considered one of the most violent places on earth, as well as from Belize, Costa Rica, Nicaragua, and Panamá.

This powerful and moving novel from the New York Times bestselling author of A Long Petal of the Sea weaves together past and present, tracing the ripple effects of war and immigration on one child in Europe in 1938 and another in the United States in 2019. Vienna, 1938. Samuel Adler was six years old when his father disappeared during Kristallnacht—the night their family lost everything. Samuel’s mother secured a spot for him on the last Kindertransport train out of Nazi-occupied Austria to the United Kingdom, which he boarded alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Diaz, a blind seven-year-old girl, and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. However, their arrival coincides with the new family separation policy, and Anita finds herself alone at a camp in Nogales. She escapes through her trips to Azabahar, a magical world of the imagination she created with her sister back home. Anita’s case is assigned to Selena Duran, a young social worker who enlists the help of a promising lawyer from one of San Francisco’s top law firms. Together they discover that Anita has another family member in the United States: Leticia Cordero, who is employed at the home of now eighty-six-year-old Samuel Adler, linking these two lives. Spanning time and place, The Wind Knows My Name is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers—and never stop dreaming.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Poetry. Latinx Studies. Introduction by Francisco Aragón and Ana Patricia Rodríguez. This bilingual Salvadoran poetry anthology seeks to challenge the traditional concept of nationality and explore the diverse identities that coexist in the world of Salvadoran poetry. Considering the blurring of identities and the elasticity of national borders, Kalina not only introduces the work of poets that reside in El Salvador and write in Spanish; it is also an exposition of the work of poets that have emigrated and write in the language of their adopted country. The poems offer both Spanish-speaking and English-speaking readers an array of linguistic, thematic and aesthetic contrasts and likenesses. The first of its kind, this anthology will provide an opportunity for Salvadoran poets and Salvadoran-American poets to establish a poetic dialogue amongst themselves and with the poetic community at large. "This anthology rocks and hums with the music of El Salvador's current poetic voices, the children of Salarrué and Roque Dalton. I'm drawn to their meditations on identity, to their streets and their foliage, their images and love food, landscape, home--and the darker hunger, loss, death, war. From cover to cover these poems come at you, vivid and various and genuine."--Joseph Millar "The editors at Kalina have produced an anthology beyond anthologies. THEATRE UNDER MY SKIN collects the writing of three generations of Salvadoran poets affected by war and emigration. The essays will instruct you, and the poetry will confirm in you that true poetry transcends national boundaries and aesthetics. Because of the waves of emigration, Salvadoran writing is now worldwide. THEATRE UNDER MY SKIN is an enormous achievement and a considerable contribution to World Poetry."--Marvin Bell René Rodas, Otoniel Guevara, Susana Reyes, Jorge Galán, Roxana Méndez, Krisma Mancía, Elena Salamanca, Vladimir Amaya, Miroslava Rosales, Quique Áviles, José B. González, William Archila, Gabriela Poma Traynor, Leticia Hernández Linares, Lorena Duarte, Mario Escobar, Elsie Rivas Gómez, Javier Zamora

Morayo Da Silva, a cosmopolitan Nigerian woman, lives in hip San Francisco. On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman.

In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs. Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach. If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself -- but first she has to make it there, alive.

"A stunner of a book . . . Reena Shah is absolutely brilliant." -Elizabeth McCracken, bestselling author of Bowlaway and The Souvenir MuseumEvery Happiness is a dazzling debut that explores the ties that bind two women across decades and continents despite rivalry, class difference, and the conflicting needs of family and self.Deepa and Ruchi are 12 years old when they meet at their Catholic school in India, but their connection is swift and lasting. As the two girls grow up and face their families' expectations and the limits of their ambitions, their friendship is marked by intimacy, jealousy, and suppressed desire.When, in their twenties, Deepa marries a doctor and moves from India to the suburbs of Connecticut, Ruchi quickly finds an engineer bound for the same state and follows her friend across the world. But life in the United States is different than either woman expects. Deepa's daughter seeks affection Deepa refuses to give, and Ruchi's son resists her smothering care. At the same time, Deepa and Ruchi find their closeness tested by a growing class disparity, competing family needs, and the differences in their desires. Ultimately, when Ruchi discovers a dangerous secret about Deepa's husband's wealth, both women are forced to weigh the tangled bonds of their friendship with their lives, and their families', in the burgeoning Indian American community.“Moving and unforgettable” (Kimberly King Parsons), Every Happiness explores the slippery edges of a lifelong relationship, and the invisible threads that bind us, sometimes painfully, to those we love most.

Read the original inspiration for the new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino. Winner of the Pulitzer Prize and the National Book Award A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love. “Reading The Color Purple was the first time I had seen Southern, Black women’s literature as world literature. In writing us into the world—bravely, unapologetically, and honestly—Alice Walker has given us a gift we will never be able to repay.” —Tayari Jones “The Color Purple was what church should have been, what honest familial reckoning could have been, and it is still the only art object in the world by which all three generations of Black artists in my family judge American art.” —Kiese Laymon