The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that plague is only part of a larger cataclysm—that the fallen angels under Lucifer are rising in a second war on heaven, and that the world of men has fallen behind the lines of conflict. Is it delirium or is it faith? She believes she has seen the angels of God. She believes the righteous dead speak to her in dreams. And now she has convinced the faithless Thomas to shepherd her across a depraved landscape to Avignon. There, she tells Thomas, she will fulfill her mission to confront the evil that has devastated the earth, and to restore to this betrayed, murderous knight the nobility and hope of salvation he long abandoned. As hell unleashes its wrath, and as the true nature of the girl is revealed, Thomas will find himself on a macabre battleground of angels and demons, saints, and the risen dead, and in the midst of a desperate struggle for nothing less than the soul of man.

From a Washington Post critic and self-described a witty, incisive, poignant exploration of male body image, from the history of the gym to the politics of superheroes to the world of manfluencers Michael Brodeur is a Gen-X gay writer with a passion for bodybuilding and an insatiable curiosity about masculinity--a concept in which many men are currently struggling to find their place. In our current moment, where "manfluencers" on TikTok tease their audiences with their latest videos, where right-wing men espouse the importance of being "alpha," as toxic masculinity and the patriarchy are being rightfully criticized, the nature of masculinity has become murkier than ever. In excavating this complex topic, Brodeur uses the male body as his its role in cultures from the gymnasia of ancient Greece to Walt Whitman's essays on manly health, from the rise of Muscular Christianity in 19th-century America to the swollen superheroes and Arnold Schwarzeneggers of Brodeur's childhood. Interweaving history, cultural criticism, memoir, and reportage, laced with an irrepressible wit, Brodeur takes us into the unique culture centered around men's bodies, probing its limitations and the promise how men can love themselves while rejecting the aggression, objectification, and misogyny that have for so long accompanied the quest to become swole.

Bohemia. 1370. A lost soul named Galien leads a band of hardened mercenaries on a mission for Mother Church. But in the dark forests of central Europe, a darker secret awaits. Bestselling author Giles Kristian (Lancelot, The Raven Viking Trilogy) takes us on an unnerving ride into fear and paranoia, bloodshed and redemption.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

Bohemia. 1370. A lost soul named Galien leads a band of hardened mercenaries on a mission for Mother Church. But in the dark forests of central Europe, a darker secret awaits. Bestselling author Giles Kristian (Lancelot, The Raven Viking Trilogy) takes us on an unnerving ride into fear and paranoia, bloodshed and redemption.

Imagine earthy Tolkienesque characters in a setting full of cemeteries, graverobbers, necromancers, corpse-eaters--even a huge labyrinthine necropolis. Imagine mephitic gardens where the sarcophage, selenotrope, and necrophilium bloom. Then throw in star-crossed lovers, crazed zealots, stalwart heroes, bloodthirsty renegade armies, hideous monsters, and likeable misfits. You've got just a hint of the wondrous and original visions in the dark fantasy world of Brian McNaughton. Horror scholar S. T. Joshi, in the afterword to this collection of stories, notes the strong influence of Clark Ashton Smith, Lord Dunsany, H. P. Lovecraft, Robert E. Howard, and Greco-Roman decadent works such as Petronius's Satyricon. "McNaughton seems to have mastered one of the most difficult of literary arts: to draw upon the classics of the field without losing his own voice.... The world that McNaughton has created in this book is the world of the ghoul; and who knows but that The Throne of Bones will become the standard textbook for the care and feeding of ghouls just as Dracula has become that for vampires?" Contents: Ringard and Dendra (1996) The Throne of Bones (1997) The Vendren Worm (1990) Meryphillia (1990) Reunion in Cephalune (1997) The Art of Tiphytsorn Glocque (1997) A Scholar from Sythiphore (1995) Vendriel and Vendreela (1988) The Retrograde Necromancer (1993) The Return of Liron Wolfbaiter (1997)