Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology. Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive. It isn’t easy when she’s the only one in the family who doesn’t quite fit in. Her twin brother, Benny, goes with the flow so much he’s practically dissolved, and her older sister, Nicole, is so used to everyone—including her blandly docile husband and two kids—falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet. The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails—the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself. (Warning: May invoke feelings of irritation, dread, and despair that come with large family gatherings.)

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology. Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive. It isn’t easy when she’s the only one in the family who doesn’t quite fit in. Her twin brother, Benny, goes with the flow so much he’s practically dissolved, and her older sister, Nicole, is so used to everyone—including her blandly docile husband and two kids—falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet. The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails—the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself. (Warning: May invoke feelings of irritation, dread, and despair that come with large family gatherings.)

A lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery Jo is in a strange new country for university, and having a more peculiar time than most. A house with no walls, a roommate with no boundaries, and a home that seems ever more alive. Jo’s sensitivity, and all her senses, become increasingly heightened and fraught, as the lines between bodies and plants, and dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval, presents a heady and hyper-sensual portrayal of sexual awakening and queer desire. A complex, poetic and strange novel about bodies, sexuality and the female gender.

A lyrical debut novel from a musician and artist renowned for her sharp sexual and political imagery Jo is in a strange new country for university, and having a more peculiar time than most. A house with no walls, a roommate with no boundaries, and a home that seems ever more alive. Jo’s sensitivity, and all her senses, become increasingly heightened and fraught, as the lines between bodies and plants, and dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval, presents a heady and hyper-sensual portrayal of sexual awakening and queer desire. A complex, poetic and strange novel about bodies, sexuality and the female gender.

A house with a terrifying appetite haunts a broken family in this atmospheric horror, perfect for fans of Mexican Gothic. When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised. But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound, while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves her cryptic warnings: Don’t eat. Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house—the home her family has always wanted—will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.