The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

Skye Shin has heard it all. Fat girls shouldn’t dance. Wear bright colors. Shouldn’t call attention to themselves. But Skye dreams of joining the glittering world of K-Pop, and to do that, she’s about to break all the rules that society, the media, and even her own mother, have set for girls like her. She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else. When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho. But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself.

A heartfelt, gorgeously written debut middle grade novel about best friends, first crushes, and coming out—perfect for fans of Kyle Lukoff and Jake Maia Arlow.Before she moved from Austin to Rhode Island, everybody knew Lacey as one half of an inseparable Lacey-and-Grace, best friends since they were toddlers. Grace and her moms were practically family. But at school, being lumped together with overeager, worm-obsessed, crushes-on-everyone Grace meant Lacey never quite fit in—and that’s why at her new middle school, Lacey plans to reinvent herself. This time, she’s going to be cool. She’s going to be normal.At first, everything seems to go as planned. Lacey makes new friends right away, she finds a rabbi to help her prepare for the bat mitzvah that got deprioritized by her parents in the chaos of the move, and she even gets cast in the lead role of the eighth-grade musical. Which is when things start to get stressful, because it turns out the students at her new school have a long-standing, unofficial No matter what the show is, in the final performance, the leads always kiss for real.Lacey’s never kissed anyone before—she’s not even sure she’s ever had a crush. And in Bye, Bye, Birdie, there are a few different co-lead kiss possibilities for Lacey to choose from. There’s confident, cocky Andre. There’s sweet, friendly Jaden. And then there’s the other new girl at dryly funny, impossibly cool Violet.But while her new friends and older sister create whiteboard wall charts and botched field trip schemes to help her decide, suddenly Lacey can’t stop thinking about Grace, who she was so sure she wanted to leave behind. When Grace comes back into her life, Lacey needs to decide if she's brave enough to be who she really is, in front of the person who matters most.

A young woman and a possessed teddy bear and set out on a revenge quest unlike any other in this stylish slasher from Cho Yeeun, a rising star in Korean horror. When the fledgling coastal town of Yamu is rocked by a mass-poisoning attack at the Seaview Parc, a luxury high-rise meant to revitalize the city, Hwayoung is one of many who lost family members. Except, she has never believed that her mother was poisoned. Now, fueled by grief and a desire for revenge, Hwayoung spends her time hustling to save every penny and bring those responsible to justice. Across town, Doha wakes up in a teddy bear and realizes something sinister has taken his body. When fate brings Hwayoung and Doha together, the two team up for a revenge quest that will shake the city's shiny façade to its rotten core. This time, revenge is not just personal—it's supernatural.

Why save the world when you can have tea? On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by dark, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—and she can’t do the job alone. Calling on some of the city's most skilled outcasts, Arthie hatches a plan to infiltrate the sinister, glittering vampire society known as the Athereum. But not everyone in her ragtag crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. From the New York Times—bestselling author of We Hunt the Flame comes the first book in a hotly anticipated fantasy duology teeming with romance and revenge, led by an orphan girl willing to do whatever it takes to save her self-made kingdom. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

An eye-opening book that reveals crucial information every woman taking hormonal birth control should know This groundbreaking book sheds light on how hormonal birth control affects women--and the world around them--in ways we are just now beginning to understand. By allowing women to control their fertility, the birth control pill has revolutionized women's lives. Women are going to college, graduating, and entering the workforce in greater numbers than ever before, and there's good reason to believe that the birth control pill has a lot to do with this. But there's a lot more to the pill than meets the eye. Although women go on the pill for a small handful of targeted effects (pregnancy prevention and clearer skin, yay!), sex hormones can't work that way. Sex hormones impact the activities of billions of cells in the body at once, many of which are in the brain. There, they play a role in influencing attraction, sexual motivation, stress, hunger, eating patterns, emotion regulation, friendships, aggression, mood, learning, and more. This means that being on the birth control pill makes women a different version of themselves than when they are off of it. And this is a big deal. For instance, women on the pill have a dampened cortisol spike in response to stress. While this might sound great (no stress!), it can have negative implications for learning, memory, and mood. Additionally, because the pill influences who women are attracted to, being on the pill may inadvertently influence who women choose as partners, which can have important implications for their relationships once they go off it. Sometimes these changes are for the better . . . but other times, they're for the worse. By changing what women's brains do, the pill also has the ability to have cascading effects on everything and everyone that a woman encounters. This means that the reach of the pill extends far beyond women's own bodies, having a major impact on society and the world. This paradigm-shattering book provides an even-handed, science-based understanding of who women are, both on and off the pill. It will change the way that women think about their hormones and how they view themselves. It also serves as a rallying cry for women to demand more information from science about how their bodies and brains work and to advocate for better research. This book will help women make more informed decisions about their health, whether they're on the pill or off of it.

As a kid, Monkey D. Luffy vowed to become King of the Pirates and find the legendary treasure called the "One Piece." The enchanted Gum-Gum Fruit has given Luffy the power to stretch like rubber--and his new crewmate, the infamous pirate hunter Roronoa Zolo, strikes fear into the hearts of other buccaneers! But what chance does one rubber guy stand against Nami, a thief so tough she specializes in robbing pirates...or Captain Buggy, a fiendish pirate lord whose weird, clownish appearance conceals even weirder powers? It's pirate vs. pirate in the second swashbuckling volume of One Piece!

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.