Halla is a housekeeper who has suddenly inherited her great-uncle’s estate… and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws… and the sword itself may prove to be the greatest threat of all…

A charming, edgy mystery about a young woman who unexpectedly inherits the best little motel in Texas – replete with a feisty set of golden working girls, a poisoned priest, and a sleepy hometown thrown into chaos. After a childhood spent combing the dive bars of Sarsaparilla Falls to collect her fun-loving momma, Cordelia West now enjoys a simple, respectable life in Dallas. Then one phone call from the hometown she’s spent years trying to forget throws it into chaos. Cordelia's great-aunt Penelope has passed away, naming Cordelia the sole heir to the Chickadee Motel. She has no memory of a great-aunt and no interest in hospitality, but the will stipulates that the motel can’t be sold until its residents leave or pass away – so she reluctantly heads back down to Sarsaparilla Falls to figure out who's living in the Chickadee, and how to get them out. But upon her arrival, Cordelia discovers the Chickadee isn’t a motel—it’s a brothel, housing three women in their sixties known as the Chicks. For decades, Daisy, Arline, and Belinda Sue have entertained the men of Sarsaparilla Falls (with their wives’ blessings)—including the upright Pastor Reed-Smythe, who thunders against the town’s favorite sins when he’s not indulging. Cordelia doesn’t want to be a hotel manager or a madam, but she can’t just sell the only home the Chicks have known—especially not after the pastor is found poisoned in Daisy’s bed. With the Chicks—and the town—on the verge of a breakdown, Cordelia steps up to mop up the mess. For a small town, there are plenty of could it be the obsessed nurse with access to arsenic? Developers eager to gobble up the land? The righteously angry town librarian? Things are heating up in Sarsaparilla Falls, and with the Pastor’s obnoxiously attractive son Archer—Cordelia’s childhood nemesis—investigating the Chicks and getting close, straightlaced Cordelia may just have to get a little dirty to make a killer come clean.

A charming, edgy mystery about a young woman who unexpectedly inherits the best little motel in Texas – replete with a feisty set of golden working girls, a poisoned priest, and a sleepy hometown thrown into chaos. After a childhood spent combing the dive bars of Sarsaparilla Falls to collect her fun-loving momma, Cordelia West now enjoys a simple, respectable life in Dallas. Then one phone call from the hometown she’s spent years trying to forget throws it into chaos. Cordelia's great-aunt Penelope has passed away, naming Cordelia the sole heir to the Chickadee Motel. She has no memory of a great-aunt and no interest in hospitality, but the will stipulates that the motel can’t be sold until its residents leave or pass away – so she reluctantly heads back down to Sarsaparilla Falls to figure out who's living in the Chickadee, and how to get them out. But upon her arrival, Cordelia discovers the Chickadee isn’t a motel—it’s a brothel, housing three women in their sixties known as the Chicks. For decades, Daisy, Arline, and Belinda Sue have entertained the men of Sarsaparilla Falls (with their wives’ blessings)—including the upright Pastor Reed-Smythe, who thunders against the town’s favorite sins when he’s not indulging. Cordelia doesn’t want to be a hotel manager or a madam, but she can’t just sell the only home the Chicks have known—especially not after the pastor is found poisoned in Daisy’s bed. With the Chicks—and the town—on the verge of a breakdown, Cordelia steps up to mop up the mess. For a small town, there are plenty of could it be the obsessed nurse with access to arsenic? Developers eager to gobble up the land? The righteously angry town librarian? Things are heating up in Sarsaparilla Falls, and with the Pastor’s obnoxiously attractive son Archer—Cordelia’s childhood nemesis—investigating the Chicks and getting close, straightlaced Cordelia may just have to get a little dirty to make a killer come clean.

In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment… After Nessa James’s husband dies and her twin daughters leave for college, she’s left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn’t take long for Nessa to realize that the voices calling out to her belong to the dead—a gift she’s inherited from her grandmother, which comes with special responsibilities. On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn’t left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett’s life is far from over—in fact, she’s undergone a stunning and very welcome metamorphosis. Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw—until she realizes she has the ability to channel them, and finally comes into her power. Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative. Their investigation into the girl’s murder leads to more bodies, and to the town’s most exclusive and isolated enclave, a world of stupendous wealth where the rules don’t apply. With their newfound powers, Jo, Nessa, and Harriett will take matters into their own hands…

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Chicago, 1898. Harriet Morrow is a new junior detective on the scene in the Windy City—and she’s defying every convention of her time. But can she maintain composure when her first case proves more scandalous than a woman trading skirts for trousers? Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. Just twenty-one with a younger brother to support, she seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure . . . Only an hour into the job, Harriet has an Discover the whereabouts of a missing maid from one of the most extravagant mansions on Prairie Avenue. Owner Pearl Bartlett has a reputation for sending operatives on wild goose chases around her grand estate, but Harriet believes the stunningly beautiful Agnes Wozniak has indeed vanished under mysterious circumstances—possibly a victim of kidnapping, possibly a victim of something worse . . . With Mr. Prescott pushing a hard deadline, Harriet’s burgeoning career depends on working through a labyrinth of eccentric characters and murky motives in a race to discover who made Agnes disappear. When her search leads to Chicago’s Polish community and a new friendship in Agnes’s charming older sister, Barbara, clues scattered across the city slowly reveal just how much depends on Harriet’s inexperienced investigation for answers . . . and the deep danger that awaits once she learns the truth.

A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life. As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously. But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat. As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....

Teenage baker Syd sends ripples of heartbreak through Austin’s queer community when a batch of post-being-dumped brownies turns out to be magical—and makes everyone who eats them break up.“What’s done is done.”Unless, of course, it was done by my brownies. Then it’s getting undone.Syd (no pronouns, please) has always dealt with big, hard-to-talk-about things by baking. Being dumped is no different, except now Syd is baking at the Proud Muffin, a queer bakery and community space in Austin. And everyone who eats Syd’s breakup brownies . . . breaks up. Even Vin and Alec, who own the Proud Muffin. And their breakup might take the bakery down with it. Being dumped is one thing; causing ripples of queer heartbreak through the community is another. But the cute bike delivery person, Harley (he or they, check the pronoun pin, it’s probably on the messenger bag), believes Syd about the magic baking. And Harley believes Syd’s magical baking can fix things, too—one recipe at a time.