A powerful work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples. In the 1830s, Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle’s own Cherokee Nation. Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country.

From NEW YORK TIMES bestselling author Mary E. Pearson comes a thrilling romantic fantasy full of dangerous fae, dark secrets, and addictive romance After losing both their parents, Bristol Keats and her sisters struggle to stay afloat in their small, quiet town of Bowskeep. When Bristol begins to receive letters from an “aunt” she’s never heard of who promises she can help, she reluctantly agrees to meet—and discovers that everything she thought she knew about her family is a lie. Even her father might still be alive, not killed but kidnapped by terrifying creatures to a whole other realm—the one he is from. Desperate to save her father and find the truth, Bristol journeys to a land of gods and fae and monsters. Pulled into a dangerous world of magic and intrigue, she makes a deadly bargain with the fae king, Tyghan. But what she doesn't know is that he's the one who drove her parents to live a life on the run. And he is just as determined as she is to find her father—dead or alive.

Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

When everything is lost, it’s our stories that survive. How do we weather the end of things? Cloud Cuckoo Land brings together an unforgettable cast of dreamers and outsiders from past, present and future to offer a vision of survival against all odds. Constantinople, 1453: An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love. Idaho, 2020: An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans? Unknown, Sometime in the Future: With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance. Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.

Emily Henry meets Grady Hendrix in the funniest and most and original romantic comedy of the year: a monstrously feel good cozy fantasy full of love, laughter, lore, and limbs. Darla Drake, Duchess of Death, is a legendary monster who has haunted the woods around Camp Clear Creek for years. Until an existential crisis forces her to take a sabbatical from wreaking havoc on pimply teens while she figures out what she really wants from the rest of her (possibly infinite) life. But what does a monster do when her malevolent days are over? For Darla, it’s spending time with the decapitated―yet still overbearing―head of her mother, reading romance novels she steals from campers, and struggling with one monstrous case of melancholy. Until Jarko Murkvale arrives in Clear Creek and turns Darla’s life upside down. Jarko is a conceited, arrogant, infuriating, and unfortunately for Darla, kind of hot. And with the Duchess of Death on the shelf, Jarko has staked his claim on Camp Clear Creek. But Darla refuses to go down without a fight, and so in order to reclaim her territory she challenges Jarko to a series of hunts to see who the most fearsome monster really is. But the more mayhem they cause, the more Darla begins to realize there’s more to this brash monster than she believed…and that Jarko may just be the antidote to her ennui. But there’s a reason Jarko came to Clear Creek, and in order to fill her nine-chambered heart, Darla will have to unravel the mystery of who this closed-off monster really is. And if they can manage to not literally tear each other limb from limb, Darla and Jarko just might find that couples who slay together, stay together.

All Hail Chaos is Sarah Rees Brennan’s wicked, unmissable, New York Times acclaimed, second book in the Time of Iron series. THE EMPEROR IS HERE. AND SHE MADE HIM WORSE. Rae is a fantasy reader who’s been transported to her favorite fictional world of swords and sorcery, castles and monsters. Playing the villainess, she thought she could change the narrative, but this version of the plot is far more deadly than the one she knew. Her friends are on the run: the Cobra shelters in an eerie manor haunted by dark secrets, while Emer and Lia stoke a revolution in the gutters. Undead armies roam the kingdom, raiders camp at the city gates, and the all-powerful Emperor—Rae’s favorite character ever, now possibly the greatest monster in the land—wants her to be his evil queen. Romantic in fiction, complicated in reality. What’s a villainess to do? Time for wicked bargains and fake engagements, in a fantasy where the most dangerous thing you can do is believe in someone.

Emily Henry meets Grady Hendrix in the funniest and most and original romantic comedy of the year: a monstrously feel good cozy fantasy full of love, laughter, lore, and limbs. Darla Drake, Duchess of Death, is a legendary monster who has haunted the woods around Camp Clear Creek for years. Until an existential crisis forces her to take a sabbatical from wreaking havoc on pimply teens while she figures out what she really wants from the rest of her (possibly infinite) life. But what does a monster do when her malevolent days are over? For Darla, it’s spending time with the decapitated―yet still overbearing―head of her mother, reading romance novels she steals from campers, and struggling with one monstrous case of melancholy. Until Jarko Murkvale arrives in Clear Creek and turns Darla’s life upside down. Jarko is a conceited, arrogant, infuriating, and unfortunately for Darla, kind of hot. And with the Duchess of Death on the shelf, Jarko has staked his claim on Camp Clear Creek. But Darla refuses to go down without a fight, and so in order to reclaim her territory she challenges Jarko to a series of hunts to see who the most fearsome monster really is. But the more mayhem they cause, the more Darla begins to realize there’s more to this brash monster than she believed…and that Jarko may just be the antidote to her ennui. But there’s a reason Jarko came to Clear Creek, and in order to fill her nine-chambered heart, Darla will have to unravel the mystery of who this closed-off monster really is. And if they can manage to not literally tear each other limb from limb, Darla and Jarko just might find that couples who slay together, stay together.

Tea-shop owner. Matchmaker. Detective? Sixty-year-old self-proclaimed tea expert Vera Wong enjoys nothing more than sipping a good cup of Wulong and doing some healthy ‘detective’ work on the internet (AKA checking up on her son to see if he’s dating anybody yet). But when she wakes up one morning to find a dead man in the middle of her tea shop, it’s going to take more than a strong Longjing to fix things. Knowing she’ll do a better job than the police possibly could – because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands – Vera decides it’s down to her to catch the killer. Nobody spills the tea like this amateur sleuth.