"A blazingly smart, funny, thoughtful, and moving book about the endless hope—and the occasional limits—of human transformation." Elizabeth Gilbert, author of Eat, Pray, Love and All the Way to the River From renowned journalist and New York Times bestselling author Benoit Denizet-Lewis comes a provocative exploration of why we change—and why other people’s transformations so often unsettle us. We live in an age obsessed with reinvention: recovery meetings and deconversion blogs, name-change petitions and political conversions, Instagram glow-ups and radical resets. But what does it really mean to shed an old skin during a time of roiling uncertainty? Drawing on deeply reported stories and his own reckoning with reinvention, Denizet-Lewis introduces a vivid cast of people in flux—psychedelic seekers, sexual and gender transitioners, ideological shapeshifters, seemingly reformed murderers, and even an octogenarian grandmother determined to change her temperament. Along the way, he explores the psychologists, neuroscientists, and self-appointed engineers of change—and asks what actually makes transformation stick. You’ve Changed is for anyone who’s tried to become someone new, fix what felt broken, or wondered whether real transformation is possible at all. By turns searching, skeptical, and humane, it argues that meaningful change can happen—but rarely in the ways we expect, and often with complications we can't fully anticipate.

In this unforgettable debut, a moment of metaphysical transformation launches a woman’s beautiful and terrifying journey through her twenties, through loneliness and complicated love that takes her from the depths of the Pacific Ocean to the plains of TexasA Real Animal follows Lucy through the decade dividing college and real adulthood, as she navigates three distinct romantic relationships, reckons with the false promise of family intimacy, and seeks connection with the sublime and natural worlds. Lucy wants her life to be extraordinary. But this desire never seems to graft easily onto the smallness of her world. As a senior in college struggling to quell the destructive effects of a sexual assault, she gets a glimpse of a different plane of existence—more wild, physical, animal. She moves away from home, breaks up with her long term boyfriend, stops speaking to her mother, and starts dating an alternative, alternatively violent man. As she changes cities, friends, and partners, there is a persistent sense of wildness in Lucy and in her world that’s only ever barely being controlled. The thrum of a nonhuman existential force in the back of her mind urges her to reject the ordinary, but also reminds her that she is alone in the world. She feels it in the depths of the ocean while deep sea diving, in the cold silences on phone calls with her sister and her mom, in the misunderstanding gaze of a man she thought would love her forever. Guided by Emeline Atwood’s lightspeed, suspenseful prose, we follow Lucy across states, jobs, relationships, and stages of intimacy with her family, witnessing both moments of horrific pain and quotidian happiness. The years pass by seamlessly, bringing her to the edge of her twenties and back to an altered, barren version of her childhood home, where she must finally come to terms with the fear that being human itself might mean feeling alone, and wild, and unknowable.

Beloved author and winner of The Story Prize, Paul Yoon, is back with the unforgettable story of a working dog, Etna, who, after a devastating war, embarks on an odyssey in the hopes of returning home.Set in a fictional country in the present day, this is a story told through the eyes of an ex-military dog, Etna. After surviving years of a devastating war, Etna decides one night to leave the men he has fought alongside for years and return home—to the place where he was taken from when he was young, in the thin but persistent hope that if a home exists for him, it might be there. Thus begins an exhilarating odyssey told through the eyes of a dog as he traverses across ruined landscapes and fights to survive in a world that, even in peacetime, proves to be just as precarious. Along the way, he encounters other animals and humans who are attempting to figure out how to start again. What makes a life when there is no home to go back to? How do we begin to trust each other again after such profound loss? This is a novel about the power of an idea, about never giving up, and ultimately a novel about finding hope in the most dire of times.

Sea of Tranquility meets Dark Matter in this dizzying speculative thriller following a clan of Neanderthals living in isolation on a nature reserve and the scientists who care for them. A clan of humans—they hunt and gather, they have lovers and rivals, their own society. They pass on the legends of their ancestors and celebrate festival nights. Their world is the forest which feeds them, and, aside from the fierce cold and illness, the only thing they have to fear is the Beast who prowls the impassable Bounds. They do not know that beyond it an entirely different world exists: our world. Set in the near future, the Neanderthal race has been recreated from fragments of DNA and reintroduced on a nature reserve where they are observed and studied, ultimately becoming the subjects of a hit documentary series. Following a cast of characters across time: Blood Moon, the leader of the Neanderthal clan who is mourning the death of her partner, Blizzard; Eva and Noah, scientists in modern-day Paris hired to work on a top-secret project; Jules, a teenager growing up in a secluded mountain town with a suspiciously pronounced brow; Adam, an actor brought to appear on NeanderTales for the first time; and finally, the man behind the project—but is he Sapien or Neanderthal? A reeling suspense novel with shocking surprises that also sheds light on our ethical and moral considerations in and out of nature, showing the other human we could have been, The Shadows Tomorrow will grip you until the very end.

The Dud Avocado follows the romantic and comedic adventures of a young American who heads overseas to conquer Paris in the late 1950s. Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living. “I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” —Groucho Marx “A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

When you've been set up to lose everything you love, what is there left to fight for? As the day dawns on the fiftieth annual Hunger Games, fear grips the districts of Panem. This year, in honor of the Quarter Quell, twice as many tributes will be taken from their homes. Back in District 12, Haymitch Abernathy is trying not to think too hard about his chances. All he cares about is making it through the day and being with the girl he loves. When Haymitch's name is called, he can feel all his dreams break. He's torn from his family and his love, shuttled to the Capitol with the three other District 12 tributes: a young friend who's nearly a sister to him, a compulsive oddsmaker, and the most stuck-up girl in town. As the Games begin, Haymitch understands he's been set up to fail. But there's something in him that wants to fight . . . and have that fight reverberate far beyond the deadly arena.

The bone-chilling, hair-raising second installment of the Southern Reach Trilogy After thirty years, the only human engagement with Area X—a seemingly malevolent landscape surrounded by an invisible border and mysteriously wiped clean of all signs of civilization—has been a series of expeditions overseen by a government agency so secret it has almost been forgotten: the Southern Reach. Following the tumultuous twelfth expedition chronicled in Annihilation, the agency is in complete disarray. John Rodríguez (aka "Control") is the Southern Reach's newly appointed head. Working with a distrustful but desperate team, a series of frustrating interrogations, a cache of hidden notes, and hours of profoundly troubling video footage, Control begins to penetrate the secrets of Area X. But with each discovery he must confront disturbing truths about himself and the agency he's pledged to serve. In Authority, the second volume of Jeff VanderMeer's Southern Reach trilogy, Area X's most disturbing questions are answered . . . but the answers are far from reassuring.