Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in running.

In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in running.

AS SEEN IN THE MAJOR MOTION PICTURE "One of the most esoteric and far-fetched crimes in 21st century annals." --The Hollywood Reporter "A rare book heist that Danny Ocean may have applauded--except for one mistake." --Vanity Fair "A tragicomedy of errors." --Salon "They are the young people, the people with the idealism, the passion, the courage to do something interesting with their lives: an act of daring almost artistic in its originality. They are almost right." --The Guardian "One of the biggest art heists in FBI history." --The Times of London American Animals is a coming-of-age crime memoir centered around three childhood friends: Warren, Spencer, and Eric. Disillusioned with freshman year of college, and determined to escape from their mundane Middle-American existences, the three hatch a plan to steal millions of dollars' worth of artwork and rare manuscripts from a university museum. The story that unfolds is a gripping adventure of teenage rebellion, from page-turning meetings with black-market art dealers in Amsterdam, to the opulent galleries of Christie's auction house in Rockefeller Center. American Animals ushers the reader along a gut-wrenching ride of adolescent self-destruction, providing a front-row seat to the inception, planning, and execution of the heist, while offering a rare glimpse into the evolution of a crime--all narrated by one of the perpetrators in a darkly comic, action-packed, true-crime caper.

Lush. Dark. Romantic. Introducing a newly reimagined tale written in the vein of Beauty and the Beast and Hades and Persephone. Long before civilization, there were the gods. And before the gods, there was the earth, the celestial bodies, and air given flesh. They are the Anemoi—the Four Winds—and they have been banished to the four corners of the world. Wren of Edgewood is no stranger to suffering. Her parents are gone. Survival is all she knows. For three hundred years, the land known as the Gray has been encased in ice, surrounded by a great barrier called the Shade, which protects the townsfolk from the Deadlands beyond. But day by day, the Shade weakens. Only one thing can stop the Shade's fall: a mortal woman taken captive across the barrier, bound in wedlock to the dark god who reigns over the Deadlands. He is the North Wind, the Frost King, an immortal whose heart is said to be as frigid as the land he rules. And the time has come for the Frost King to choose his bride. The North Wind is a standalone, enemies-to-lovers fantasy romance, the first in a series sprinkled with Greek lore. Perfect for fans of Jennifer L. Armentrout, Laura Thalassa, and Scarlett St. Clair.

When a princess is kidnapped by an alpha , war rages between the humans and the wolves. But soon, forbidden attraction starts to grow. . . Princess Aurora longs to escape the castle and the marriage that has been arranged for her. But on the night before her wedding, at a dog fight where captured werewolves are made to fight for sport, she spares the life of a young wolf. It puts her on the radar of the powerful alpha who was going to kill him. And it changes everything. That night, when the alpha escapes, he kidnaps her and takes her to the rugged lands north of the border — where the once warring werewolf clans are beginning to unite. He thinks that she is the key to winning the war against the humans. Only, as they spend time around one another, forbidden attraction starts to grow. And as Aurora learns that not all wolves are bad, the alpha discovers that she is in danger from both his enemies, and those he once considered friends. With monsters on both sides, a bloodthirsty war between humans and wolves raging, and undeniable passion growing between them — will their story end in love? Or tragedy? And will Aurora ever get home? Does she even want to?

In book one of a seductive sapphic paranormal fantasy, a vampire hunter goes undercover at a mysterious university and falls in love with her roommate, an alluring vampire. “Then her red eyes are on mine, gentle, deadly. She takes her time kissing my neck. I pull her closer and say: Bite me.” In the mists of the Scottish Highlands is a university where vampire students study alongside humans. Rebecca Charity is a vampire hunter undercover at the university, searching for the mysterious Book of Blood and Roses, a lost compendium of ways to kill vampires. If she finds it, she’ll be one step closer to avenging her parents, who were slain by those creatures of the night. But when Rebecca arrives, she finds something unexpected: a coffin. Her new roommate is Aliz Astra, scion of one of the most powerful vampire families... and the most beautiful woman Rebecca has ever met. The maddeningly gorgeous Aliz is everything that Rebecca has always hated, but also everything she ever wanted, and now Rebecca doesn't know if she wants to kiss or kill her. When Aliz rescues her from a vampire attack one moonlit night, she accidentally makes Rebecca her familiar. Now, they must work together to break the curse, but as they get closer to solving the mystery, Rebecca and Aliz get closer, too. But can a vampire hunter ever fall in love with a vampire?

“Stars will fall.” Elara is vengeful. Her love is in a deep sleep, trapped between the realms of life and death. Her enemy has vanished, Enzo’s only connection to the waking world with him. And a life that Elara has never wanted has been thrust upon her, along with a new power she can not control. Now a disgraced queen, Elara must go on a quest to find a way to wake Enzo, while also seeking help from the Titans, a league of gods who ruled the world long before the Stars. But there is a darker power at play, one that even Ariete, King of the Stars, is afraid of. With enemies at every turn, Elara must tread carefully if she has any hope of waking her soulmate, and keeping the promise she made - that every Star will fall.

The second volume in the phenomenal Fae & Alchemy trilogy, from #1 New York Times bestselling author Callie Hart, features more heart-stopping drama, even higher stakes, and far deadlier consequences. Duty. Blood. Honor. Power. Saeris Fane never asked for power, but as the newly crowned ruler of the vampire court, she’s discovering that sometimes even queens don’t get what they want. Saeris is desperately needed back in Zilvaren, but the recent changes that have strengthened her have also made her weak. With no reprieve from its punishing suns, the realm she once called home will likely kill her if she returns. Saeris must send someone in her stead…but does falling for Fisher mean that she can trust him? Kingfisher of the Ajun Gate has defeated armies and survived hell, but this might just be the death of him. With a mysterious curse crippling Yvelia, the last thing Fisher wants to do is leave his lands and his people, but he made Saeris a promise—a promise he now intends to keep. As darkness falls across Yvelia, Saeris and Fisher must pass through fire and brimstone to save both their realms and the people they love. Trigger warning: Brimstone describes graphic violence and adult situations, and is for readers 17+.

Acclaimed by many as the world's greatest novel, Anna Karenina provides a vast panorama of contemporary life in Russia and of humanity in general. In it Tolstoy uses his intense imaginative insight to create some of the most memorable characters in all of literature. Anna is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin is a reflection of Tolstoy himself, often expressing the author's own views and convictions. Throughout, Tolstoy points no moral, merely inviting us not to judge but to watch. As Rosemary Edmonds comments, 'He leaves the shifting patterns of the kaleidoscope to bring home the meaning of the brooding words following the title, 'Vengeance is mine, and I will repay.

In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in running.

Britain, 2023… only in this Britain, the Norman Conquest of 1066 never happened. An uneasy alliance of ancient tribes – the Celtic West, Saxon East and an independent Nordic Scotland – has formed, but the fragile peace is threatened by a series of brutal murders. Members of a mysterious ‘Fisher’ cult are being killed one by one. The gruesome case brings together two mismatched police detectives: Captain Aedith, daughter of the powerful Saxon leader, Earl Lod of Mercia, and Inspector Drustan, from the beleaguered – and mistrusting – Celts. As the threat rises, the detectives must put aside their personal differences to follow the trail, even when they uncover forces behind the killings that go deeper than they could ever have imagined – into their own murky pasts. Set in a world that’s far from our own and yet captivatingly familiar, Pagans explores contemporary themes of religious conflict, nationalism and prejudice in a smart, witty and refreshingly different police procedural that keeps you guessing until the very end.

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.