Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children's books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwelcome authority figures. One of Utne Reader 's "100 Visionaries Who Can Change Your Life," hooks has won wide acclaim from critics and readers alike. In Appalachian Elegy , bell hooks continues her work as an imagist of life's harsh realities in a collection of poems inspired by her childhood in the isolated hills and hidden hollows of Kentucky. At once meditative, confessional, and political, this poignant volume draws the reader deep into the experience of living in Appalachia. Touching on such topics as the marginalization of its people and the environmental degradation it has suffered over the years, hooks's poetry quietly elegizes the slow loss of an identity while also celebrating that which is constant, firmly rooted in a place that is no longer whole.

An extraordinary debut novel, Freshwater explores the surreal experience of having a fractured self. It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born “with one foot on the other side.” Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities. Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. As Ada fades into the background of her own mind and these alters—now protective, now hedonistic—move into control, Ada’s life spirals in a dark and dangerous direction. Narrated by the selves within Ada, and based in the author’s realities, Freshwater explores the metaphysics of identity and mental health, plunging the reader into the mystery of being and self. Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

The Giant Dark is an award-winning debut novel about love and fame. Aida is a rock star at her peak with a devoted cultish fanbase who follow her every move. When she disappears into a complicated love affair with an ex, they are determined to uncover her truths. After a decade of silence, Aida and Ehsan reconnect, hoping to recreate the love they shared in their youth. When Ehsan's life unravels, he follows Aida on tour, but it becomes clear that their connection is strained by secrets and jealousies. The past blurs with their present as they follow in the footsteps of mythic lovers before them. The Giant Dark is a loose retelling of the myth of Orpheus and Eurydice, exploring the consuming and devastating effects of using a lover as a muse.

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Brontë, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

An eerie, hypnotic debut about friendship, desire, and memory set against the sultry backdrop of Florida’s swamplandsIt's been years since Ingrid has heard from her childhood best friend, Mayra, a fearless rebel who fled their hometown of Hialeah, a Cuban neighborhood just west of Miami, for college in the Northeast. But when Mayra calls out of the blue to invite Ingrid to a weekend getaway at a house in the Everglades, she impulsively accepts.From the moment Ingrid sets out for the house, danger looms: The directions are difficult, she’s out of reach of cell service, and as she drives deeper into the Everglades, the wet maw of the swamp threatens to swallow her whole. But once Ingrid arrives, Mayra is, in many ways, just as she remembers—with her sharp tongue and effortless, seductive beauty, still thumbing her nose at the world.Before they can fully settle into the familiar intimacy of each other's company, their reunion is spoiled by the reemergence of past disagreements and the unexpected presence of Mayra's new boyfriend, Benji. The trio spend their hours eating lavish meals and exploring the labyrinthine house, which holds as much mystery and danger as the swamp itself. Indoors and on the grounds, time itself seems to expand, and Ingrid begins to lose a sense of the outside world, and herself.Against this disquieting setting, where lizards dart in and out of porches and alligators peek up from dark waters, Gonzalez weaves a surreal, unforgettable story about the dizzying power of early friendship and the lengths we'll go to earn love and acceptance—even at the risk of losing ourselves entirely.

Two girls are bound by red string and canine heritage in this vivid tale about female companionship and loyalty, from the National Book Award "5 Under 35" honoree and author of Gods of Want Best friends Anita and Rainie have made countless visits to their home base: an old sycamore tree and its neighboring lot of stray dogs who have a mysterious ability to communicate with humans. The girls learn that they are preceded by generations of dog-headed women and women-headed dogs whose bloodlines knot them together like thread. Anita convinces her best friend Rainie to become a dog with her, tying a collar of red string around each of their necks to preserve their kinship forever. But when the two girls are separated, Anita sinks into her dreams and lands herself in a coma that only Rainie knows how to rouse her from. As Anita’s body begins to rot, her mind straying farther and farther away from the waking world, it is up to Rainie to rebuild her friend’s body and keep Anita from being lost forever.* Tasked with gathering new organs from the mythical landscape of their shared childhood, Rainie must return to the past and ask herself how far she is willing to go to reunite with the girl who has haunted her and hunted her in equal measure. In rhythmically poetic and visceral lore, K-Ming Chang veers away from the ordinary and into the macabre. Filled with ghosts and bodily entrails, this is a story about the horror and beauty of intimacy, being tethered to another person across time and space, and transforming our origins.

A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel. Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda. In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he’s translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself. For readers of Paul Beatty’s The Sellout and Charles Yu’s Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

Magical realism meets 1960s India in a novel about a girl with mysterious powers—who might be able to access memories of a past life.The Gupta household is in a state of three-year-old Varsha, beloved daughter of strictly vegetarian Hindu parents, has just demanded to be served fish. Moreover, she possesses an inexplicable knowledge of different species and preparations— knowledge that almost seems to have come from a past life.Perplexed, the Guptas turn to Dr. Shoma Bose, a psychiatrist who lives with her husband, Monty, and nephew Dinu in Calcutta. Little do they know that Shoma has been investigating what she calls “cases of the reincarnation type” for years—and in Varsha, she may have found her next patient. Such cases, she believes, are much more common than people realize, and she sets out to prove that Varsha led a past life that her wealthy family can barely fathom—and that she might possess special powers, too.Meanwhile, Dinu grows up oblivious to the research Shoma has been conducting in secret. Years later, while sorting through his late aunt’s possessions, he uncovers Varsha’s case file—and so begins a quest to track her down. If Varsha really is a “ghost-eye,” then her unique abilities could be what’s needed to thwart plans for a new coal plant that will destroy one of India’s last pristine wildernesses. Moving from 1970s Calcutta to our ecologically threatened present, Amitav Ghosh’s Ghost-Eye is a captivating work of magical realism for our time.

Heralded as the most important Brazilian novel of the century so far, this bestseller's unique blend of magic and social realism won it three literary awards and global acclaim'I heard  our grandmother asking what we were doing.'"Say something!" she demanded, threatening to tear out our tongues. Little did she know that one of us was holding her tongue in her hand.'Deep in Brazil's neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother's bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever.Heralded as a new masterpiece and the most important Brazilian novel of this century, this fascinating and gripping story about the lives of subsistence farmers in the Brazil's poorest region, three generations after the abolition of slavery in that country is at once fantastic and realist, covering themes of family, spirituality, slavery and its aftermath and political struggle.

Before you step into the jungle, there are a few things you need to know... Join scientist Dr Rosa Vasquez Espinoza as she uncovers one of the most unexplored regions on the planet. Dr Rosa is no stranger to the Amazon. Growing up with the rainforest as her back garden, she learnt the lessons of the rainforest from her grandmother, a native healer in natural medicine. She went on to pursue a classical education in science, gaining a PhD in the US, but has always been pulled back to the heart of the Amazon. As a leading biologist in her field, Rosa continues to explore the region through a unique blend of scientific inquiry and ancient insight. In this debut, you'll learn about Dr Rosa's journeys in the Amazon: her treacherous encounters with a boiling river, her conservation work with stingless bees, her experience of taking ayahuasca as a natural psychedelic - and all the amazing biodiversity of the rainforest. At the heart of Rosa's expedition is her passion to combine science with the indigenous knowledge of the Amazon. She shares her experience of learning from the indigenous communities that she visits, and shows what they have to teach us - stretching beyond the realm scientific knowledge. Here Rosa learns the most important lessons in how to reconnect to the natural world - and, in turn, will teach us to do the same. In this book, Rosa celebrates the richness of Amazonian culture, the wonders of biodiversity, and the enduring spiritual connections between humanity and the natural world.

With the lucidity of a poet and the precision of a journalist, Sarah Aziza embarks on a quest to understand her family legacy, tracing three generations of diasporic Palestinians—from Gaza to the Midwest to New York City, and beyondIn October 2019, Sarah Aziza, daughter and granddaughter of Gazan refugees, is hospitalized for an eating disorder. This brush with death becomes a rupture which brings both her personal and ancestral past into vivid presence. The hauntings begin in the hospital cafeteria, when a cup of apricot yogurt stirs the taste of Sarah's childhood, summoning the familiar voice of her deceased Palestinian grandmother. In the months following, as she responds to a series of ghostly dreams, Sarah unearths family secrets that force her to confront the ways her own trauma and anorexia echo generations of Palestinian displacement and erasure—and how her fight to recover builds on a century of defiant survival, and love.As silences break, heartbreak opens onto possibility. Sarah begins to grasp the ways her legacies echo and inform one another—through tragedy, and through love. She begins to resist the forces of assimilation, denial, and patriarchy, learning to assert herself in new ways that honor both her ancestors and herself.Weaving timelines, languages, and genres, The Hollow Half probes the contradictions and contingencies that create “history.” This stunning debut memoir ends in a cri de coeur for a world in which every body has a right to contain multitudes.

A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human. Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret. On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before. While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.A city is always a cemetery.When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning scrawled on the brick wall beside the body, written in coral nail “Beware of me, my love / beware of the silent woman in the desert.”After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has the professor really seen? As more bodies of men are found across the city, the detective tries to decipher the meaning of the poems, and if they are facing a darker stream of violence spreading throughout the city.Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative on its head, in a world where death is rampant and violence is gendered. Written in sentences as sharp as the cuts on the bodies of the victims—a word which, in Spanish, is always feminine—Death Takes Me unfolds with the charged logic of a dream, moving from the professor’s classroom into the slippery worlds of Latin American poetry and art, as it explores with masterful imagination the unstable terrains of desire and sexuality.

How do powerand beauty join forces to determine who is considered ugly? What role does thatugliness play in fomenting hatred? Moshtari Hilal, anAfghan-born author and artist who lives in Germany, has written a touching,intimate, and highly political book. Dense body hair, crookedteeth, and big Hilal uses a broad cultural lens to question norms ofappearance—ostensibly her own, but in fact, everyone’s. She writes about beautysalons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin’stheory of evolution, Kim Kardashian, and a utopian place in the shadow of hernose. With a profound mix of essay, poetry, her own drawings, and cultural andsocial history of the body, Hilal explores notions of repulsion and attraction,taking the reader into the most personal of realms to put self-image to thetest. Why are we afraid of ugliness?

From Laila Lalami—the Pulitzer Prize and National Book Award finalist and a “maestra of literary fiction” (NPR)—comes a riveting and utterly original novel about one woman’s fight for freedom, set in a near future where even dreams are under surveillance.Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most, her husband. For his safety, she must be kept under observation for twenty-one days.The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are.