Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us. An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book. More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.  In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

A story of sisters separated by hundreds of years but bound together in more ways than they can imagine 2019: Lucy awakens in her ex-lover’s room in the middle of the night with her hands around his throat. Horrified, she flees to her sister’s house on the coast of New South Wales hoping Jess can help explain the vivid dreams that preceded the attack—but her sister is missing. As Lucy waits for her return, she starts to unearth strange rumours about Jess’s town—tales of numerous missing men, spread over decades. A baby abandoned in a sea-swept cave. Whispers of women’s voices on the waves. All the while, her dreams start to feel closer than ever. 1800: Mary and Eliza are torn from their loving home in Ireland and forced onto a convict ship heading for Australia. As the boat takes them farther and farther away from all they know, they begin to notice unexplainable changes in their bodies. A breathtaking tale of female resilience, The Sirens is an extraordinary novel that captures the sheer power of sisterhood and the indefinable magic of the sea.

You’re probably in a cult. You just don’t know it yet. In The Culting of America, cult survivor, military veteran, and bestselling author of Uncultured Daniella Mestyanek Young delivers a gripping investigation into the invisible systems of control shaping our lives. Raised in the notorious sex cult the Children of God, she escaped to America as a teenager—only to find herself inside another rigid institution: the U.S. Army. Years later, as a Harvard-trained expert in organizational psychology, she began asking a dangerous question: What if we’re all in cults—and America is built to keep us there? Blending personal narrative, cultural critique, and deep research, Young—together with award-winning author Amy Reed—introduces the cultiness spectrum: a ten-part framework that reveals how coercive group dynamics show up in spaces we trust, from religious groups and wellness brands to corporate offices, fandoms, political movements, and beyond. You’ll never look at group loyalty the same way again. From the glamorized world of Playboy to the mission-driven violence of the military, from influencer culture to partisan politics, The Culting of America reveals how cultish behavior isn’t just thriving in modern life—it’s hiding in plain sight, woven deep into the fabric of American identity. With sharp insight, dark humor, and unflinching honesty, The Culting of America is both a wake-up call and a survival guide. It’s for anyone who’s ever felt uneasy in a group they believed in, who’s begun to question the cost of belonging, or who’s ready to take back their autonomy—without losing their place in the world. Whether you’re part of a church, company, fandom, or political movement, the question isn’t if you’re in a cult. It’s how much of yourself you’ve already lost.

You’re probably in a cult. You just don’t know it yet. In The Culting of America, cult survivor, military veteran, and bestselling author of Uncultured Daniella Mestyanek Young delivers a gripping investigation into the invisible systems of control shaping our lives. Raised in the notorious sex cult the Children of God, she escaped to America as a teenager—only to find herself inside another rigid institution: the U.S. Army. Years later, as a Harvard-trained expert in organizational psychology, she began asking a dangerous question: What if we’re all in cults—and America is built to keep us there? Blending personal narrative, cultural critique, and deep research, Young—together with award-winning author Amy Reed—introduces the cultiness spectrum: a ten-part framework that reveals how coercive group dynamics show up in spaces we trust, from religious groups and wellness brands to corporate offices, fandoms, political movements, and beyond. You’ll never look at group loyalty the same way again. From the glamorized world of Playboy to the mission-driven violence of the military, from influencer culture to partisan politics, The Culting of America reveals how cultish behavior isn’t just thriving in modern life—it’s hiding in plain sight, woven deep into the fabric of American identity. With sharp insight, dark humor, and unflinching honesty, The Culting of America is both a wake-up call and a survival guide. It’s for anyone who’s ever felt uneasy in a group they believed in, who’s begun to question the cost of belonging, or who’s ready to take back their autonomy—without losing their place in the world. Whether you’re part of a church, company, fandom, or political movement, the question isn’t if you’re in a cult. It’s how much of yourself you’ve already lost.

The viral TikTok stalker dark romance, burning with high heat, hilarious banter, and a love story like you’ve never seen before. Can you handle the ride? I want someone with a soul as black as night. Someone who would burn the world down for me and not lose a single minute of sleep over it. Trauma nurse Aly Cappellucci doesn’t need any more kinks. She likes the one she’s landed on just fine. To her, nothing could top the masked men she follows online. Unless one of those men was shirtless, heavily tattooed, and waiting for her in her bedroom. She dreams about being hunted by one in particular, of him chasing her down and doing deliciously dark things to her willing body. She never could have guessed that by sending one drunken text, those dreams would become her new reality. I want things most people don’t, craving darkness and depravity instead of light and love. Josh Hammond has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans to drool over, but one follower has caught his eye: Aly. After reading a comment begging him to break into her house wearing a mask, he decides to take her up on her offer. Together, Aly and Josh live out their darkest fantasies, unaware that Aly has captured the attention of someone else. Someone with far more sinister intentions than a little light stalking. As Josh turns from predator to protector and the stakes heighten, he must ask himself how far he’s willing to go for the woman he’s obsessed with.

From BookTok sensation and NYT bestselling author Rachel Gillig, comes the next big romantasy phenomenon: a gothic, mist-cloaked tale of a prophetess who is forced beyond the safety of her cloister on an impossible quest to defeat the gods with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum's windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil's visions. But when Sybil's fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral's cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she'd rather avoid Rodrick's dark eyes and sharp tongue, only a heretic can defeat a god.

Quinn Littleton was a mean girl—a skinny blonde social terrorist in stilettos. She was everything Emma MacLaren hated. Until she died. A proud geek girl, Emma loves her quiet life on the outskirts, playing video games and staying off the radar. When her nightmare of a new stepsister moves into the bedroom next door, her world is turned upside down. Quinn is a queen bee with a nasty streak who destroys anyone who gets in her way. Teachers, football players, her fellow cheerleaders—no one is safe. Emma wants nothing more than to get this girl out of her life, but when Quinn dies suddenly, Emma realizes there was more to her stepsister than anyone ever realized.

Quinn Littleton was a mean girl—a skinny blonde social terrorist in stilettos. She was everything Emma MacLaren hated. Until she died. A proud geek girl, Emma loves her quiet life on the outskirts, playing video games and staying off the radar. When her nightmare of a new stepsister moves into the bedroom next door, her world is turned upside down. Quinn is a queen bee with a nasty streak who destroys anyone who gets in her way. Teachers, football players, her fellow cheerleaders—no one is safe. Emma wants nothing more than to get this girl out of her life, but when Quinn dies suddenly, Emma realizes there was more to her stepsister than anyone ever realized.

Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him? The faire is Simon's family legacy and from the start he makes clear he doesn't have time for Emily's lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she's in her revealing wench's costume. But is this attraction real, or just part of the characters they're portraying? This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can't seem to shake the fantasy of establishing something more with Simon, or a permanent home of her own in Willow Creek. All's faire in love and war for two sworn enemies who indulge in a harmless flirtation in a laugh-out-loud rom-com from debut author, Jen DeLuca.