The definitive edition of the classic graphic novel—including never-before-seen material and a new introduction by the author. When James O’Barr poured the pain and anguish of a personal tragedy into the drawings that comprise The Crow , his intensely cathartic story of Eric—who returns from the dead to avenge his and his fiancée’s murder at the hands of a street gang—resonated with readers around the world. Now, the illustrated tale that became the “thrilling” ( Los Angeles Daily News ) and “spectacular” ( Chicago Tribune ) screen triumph is re-released in an expanded version the author originally intended, complete at last Thirty pages of never-before-seen artwork, including a new closing segment, “Sparklehorse,” and the touching new scene, “An August Noel” A new Introduction by James O’Barr Lost sequences restored using the artist’s original technique This is The Crow like you’ve never seen it before—the powerful journey of an avenging angel and a celebration of true love...as fierce, intelligent, and unforgettable as when it was first conceived. Suggested for mature readers.

The definitive edition of the classic graphic novel—including never-before-seen material and a new introduction by the author. When James O’Barr poured the pain and anguish of a personal tragedy into the drawings that comprise The Crow , his intensely cathartic story of Eric—who returns from the dead to avenge his and his fiancée’s murder at the hands of a street gang—resonated with readers around the world. Now, the illustrated tale that became the “thrilling” ( Los Angeles Daily News ) and “spectacular” ( Chicago Tribune ) screen triumph is re-released in an expanded version the author originally intended, complete at last Thirty pages of never-before-seen artwork, including a new closing segment, “Sparklehorse,” and the touching new scene, “An August Noel” A new Introduction by James O’Barr Lost sequences restored using the artist’s original technique This is The Crow like you’ve never seen it before—the powerful journey of an avenging angel and a celebration of true love...as fierce, intelligent, and unforgettable as when it was first conceived. Suggested for mature readers.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

A riveting courtroom drama as victims of a manmade environmental disaster—the survivors—pursue justice in a Tennessee court led by a country lawyer challenging the notion that, in America, justice can be bought. For more than 50 years, a power plant in the little town of Kingston that was operated by Tennessee Valley Authority burned some fourteen thousand tons of coal a day, creating a mountain of ashen waste 60 feet high and covering 84 acres, contained only by an earthen embankment. On December 22, 2008, that embankment broke, unleashing a lethal wave of sludge that covered hundreds of acres, damaged nearly 30 homes, and precipitated a cleanup effort that would cost more than $1 billion—and the lives of more than 50 workers. Jim Scott, a local attorney, after meeting with workers who had developed respiratory problems, decided to take on TVA, a colossal, federally-owned utility and a cornerstone of President Franklin D. Roosevelt’s New Deal. Scott and the team he hastily assembled gathered massive evidence of threats against workers; retaliatory firings; disregarded safety precautions; and test results, either hidden or altered, that would have revealed harmful levels of arsenic, lead, and radioactive materials at the cleanup site. At every stage, Scott—outmanned and nearly broke—had to overcome legal hurdles constructed by TVA and the firm it hired to execute the cleanup, along with the EPA, which refused to aid the sickened workers. Scott grew especially close to one of the victims, whose swift decline only intensified his hunger for justice. As more information leaked out and as the workers’ day in court arrived, they seemed to have everything on their side, including the truth.

The definitive firsthand account of the groundbreaking research of Philip Zimbardo—the basis for the award-winning film The Stanford Prison Experiment Renowned social psychologist and creator of the Stanford Prison Experiment Philip Zimbardo explores the mechanisms that make good people do bad things, how moral people can be seduced into acting immorally, and what this says about the line separating good from evil. The Lucifer Effect explains how—and the myriad reasons why—we are all susceptible to the lure of “the dark side.” Drawing on examples from history as well as his own trailblazing research, Zimbardo details how situational forces and group dynamics can work in concert to make monsters out of decent men and women. Here, for the first time and in detail, Zimbardo tells the full story of the Stanford Prison Experiment, the landmark study in which a group of college-student volunteers was randomly divided into “guards” and “inmates” and then placed in a mock prison environment. Within a week the study was abandoned, as ordinary college students were transformed into either brutal, sadistic guards or emotionally broken prisoners. By illuminating the psychological causes behind such disturbing metamorphoses, Zimbardo enables us to better understand a variety of harrowing phenomena, from corporate malfeasance to organized genocide to how once upstanding American soldiers came to abuse and torture Iraqi detainees in Abu Ghraib. He replaces the long-held notion of the “bad apple” with that of the “bad barrel”—the idea that the social setting and the system contaminate the individual, rather than the other way around. This is a book that dares to hold a mirror up to mankind, showing us that we might not be who we think we are. While forcing us to reexamine what we are capable of doing when caught up in the crucible of behavioral dynamics, though, Zimbardo also offers hope. We are capable of resisting evil, he argues, and can even teach ourselves to act heroically. Like Hannah Arendt’s Eichmann in Jerusalem and Steven Pinker’s The Blank Slate, The Lucifer Effect is a shocking, engrossing study that will change the way we view human behavior.

After achieving her lifelong dream of solving a murder, bringing a killer to justice, and proving she is not, in fact, a morbid creep, Beatrice Steele feels like everything is finally falling into place. She's traded her etiquette-obsessed community of Swampshire for the big city of London, accompanied by her ever-trusty chaperone, Miss Bolton. They've settled in a lovely neighborhood, Sweetbriar, known for its proximity to the Sweet Majestic theater, picturesque pleasure gardens, and an unfortunate infestation of flying squirrels. But Beatrice's favorite part is that Sweetbriar is also home to D.S. Investigations, the new office she opened with the prickly, annoyingly logical Inspector Drake to solve the city's brutally thrilling crimes.However, nothing is turning out how Beatrice imagined it would. Sir Huxley, famed gentleman inspector and Beatrice's former crush, is still considered the real investigator in London, so the only cases left for Beatrice and Drake are lost pets and spectacles. Not that Beatrice has much time for crime-solving, anyways, as her mother still expects her to find an eligible (rich) husband to protect their family from destitution. Beatrice is struggling to balance all the demands on her and begins to wonder if she can become a true detective in a city that feels full of false promises.That is until a string of murders thrusts Beatrice and Drake into the center of a scandal that pits the neighborhood's wealthiest against the arts community, spreading fear and chaos throughout the city. As they follow the trail through bewildering ballrooms, secretive shops, and odd operas, Beatrice must survive threats to her partnership, her business, and her place in society to break the case - before it's too late.

Knock Knock, Open Wide weaves horror and Celtic myth into a terrifying, heartbreaking supernatural tale of fractured family bonds, the secrets we carry, and the veiled forces that guide Irish life. Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity. She will never speak of it again. Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain. As their relationship blossoms, Betty learns her lover's terrifying family history, and Ashling's secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children's TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out. Almost never. When the door between the known and unknown opens, it can never close again.

The definitive reference book on Ireland's cultural and religious heritage. Ireland has one of the finest cultural heritages and a standard reference book combining the related subjects of folklore, myth, legend and romance is long overdue. There are 350 substantial entries, in alphabetical order from Abán, a 6th-century saint, to Weather, all with full references to sources, a synopsis of relevant stories, and discussion of their origin, nature and development. These are complimented by a genre-list of material under various headings, such as Mythical Lore, Fianna Cycle, Ulster Cycle, King Cycles, Peoples and Traditions, Religious Lore, and Folk Custom and Belief. There is also a wealth of genealogical detail, indicating how historical and social circumstances have influenced the growth and spread of Irish lore. DAITHI O HOGAIN, Associate Professor of Irish Folklore at University College Dublin, was an international authority on folklore and traditional literature.

Knock Knock, Open Wide weaves horror and Celtic myth into a terrifying, heartbreaking supernatural tale of fractured family bonds, the secrets we carry, and the veiled forces that guide Irish life. Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity. She will never speak of it again. Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain. As their relationship blossoms, Betty learns her lover's terrifying family history, and Ashling's secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children's TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out. Almost never. When the door between the known and unknown opens, it can never close again.