Inside the Greatest Female-Led Poisoning Scandal in Modern History At the turn of the 20th century, in the village of Nagyrév, Hungary, midwife Zsuzsanna Fazekas was more than a caretaker — she was a confidante. She helped poor women give birth; she assisted them with abortions; and she listened. Their stories were the same: husbands who drank, who beat them, who made their lives unbearable. In response, Auntie Zsuzsi asked one question: “Why bother with them?” She had a solution: arsenic. Soon, women began slipping this concoction, made by dissolving flypaper in water, into their husbands’ porridge, stews, and brandy. And over the next twenty years, the quiet village became the epicenter of one of the deadliest poisoning epidemics of the 20th century – according to some estimates, up to 300 people in the region were murdered. Why did they do it? How did these murders spin out of control? How did these women get away with their crimes for two decades? In The Women Are Not Fine, journalist Hope Reese pieces together archival newspapers, court documents, police records, and the vital work of historians, sociologists, and psychologists, diving deep into the truth behind this extraordinary event. Her findings serve as a stark warning: when women in a community are pushed to the brink, the consequences reverberate through history. The Women Are Not Fine is more than a true crime story. It’s a timely, haunting exploration of what happens when women’s suffering goes unanswered.

The Crucible meets The Virgin Suicides in this haunting debut about five sisters in a small village in eighteenth century England whose neighbors are convinced they’re turning into dogs. Even before the rumors about the Mansfield girls begin, Little Nettlebed is a village steeped in the uncanny, from strange creatures that wash up on the riverbed to portentous ravens gathering on the roofs of people about to die. But when the villagers start to hear barking, and one claims to see the Mansfield sisters transform before his very eyes, the allegations spark fascination and fear like nothing has before. The truth is that though the inhabitants of Little Nettlebed have never much liked the Mansfield girls—a little odd, think some; a little high on themselves, perhaps—they’ve always had plenty to say about them. As the rotating perspectives of five villagers quickly make clear, now is no exception. Even if local belief in witchcraft is waning, an aversion to difference is as widespread as ever, and these conflicting narratives all point to the same ultimate conclusion: something isn’t right in Little Nettlebed, and the sisters will be the ones to pay for it. As relevant today as any time before, The Hounding celebrates the wild breaks from convention we’re all sometimes pulled toward, and wonders if, in a world like this one, it isn’t safer to be a dog than an unusual young girl.

A brilliant Scottish debut, shortlisted for the Highland Book Prize and the Bookmark Book Festival Book of the Year.   The year is 825 CE. In the aftermath of a vicious attack by raiders from the north, an unlikely trio finds themselves the lone survivors on a remote Scottish isle. Still breathing are young Brother Martin, the only resident of the local monastery to escape martyrdom; Una, a beekeeper and mead maker who has been relieved of her violent husband during the slaughter; and Grimur, an aging Norseman who claws his way out of the hasty grave his fellow raiders left him in, thinking him dead.  As the seasons pass in this wild and lonely setting, their inherent distrust of each other melts into a complex meditation on the distances and bonds between them. Told with humor and alive with sharply exquisite dialogue, David Greig deftly lifts the curtain between our world and the past. The Book of I is an entirely unique novel that serves as a philosophical commentary on guilt and redemption, but also humanity, love, and the things we choose to believe in.  

Eleanore of Avignon is the story of a woman who is unwilling to bend to the limitations her society places upon her when she becomes the unlikely apprentice to the pope’s physician at the most challenging and dangerous moment in medieval European history. Provence, 1347. Eleanore (Elea) Blanchet is a midwife and budding herbalist with remarkable skills. But as she knows all too well from her late mother’s fate, she must be careful to stay within her station. So, she quietly accepts her role tending to the pregnant women in her home city of Avignon; spending time with her father and beloved twin sister, Margot; and escaping to the surrounding woods to forage for herbs when she can. At the very least, she is determined to preserve the little freedom she does have by staying unwed—unlike Margot, who is about to marry a man with painful connections to their mother’s death. Then, in a chance encounter, Elea meets Guy de Chauliac, “Guigo,” the enigmatic personal physician to the powerful Pope Clement, who, against all odds, agrees to take her on as his apprentice. Under his tutelage, a whole new world opens to Elea—a world of status, wealth, and fascinating medical cases—but just as she starts to settle into her new position, the much-feared plague hits Europe, making Elea and Guigo's work more urgent than ever. And as if that weren’t enough, the disgraced Queen Joanna of Naples arrives in Avignon to stand trial for her husband’s murder—and she is pregnant and in need of a midwife, a role only Elea can fill. As the Black Death spreads like wildfire, leaving half the city dead in its wake—and as the queen's childbirth approaches—Elea finds herself battling what seems to be an unwinnable war. All the while, the people of Avignon are becoming more and more desperate for a scapegoat, and a group of religious heretics launch a witch hunt, one that could cost her everything.

Two extraordinary people. A love that draws them together. A plague that threatens to tear them apart. England, 1580. A young Latin tutor—penniless, bullied by a violent father—falls in love with an eccentric young woman: a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles on the Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband. His gifts as a writer are just beginning to awaken when their beloved twins, Hamnet and Judith, are afflicted with the bubonic plague, and, devastatingly, one of them succumbs to the illness. A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a hypnotic recreation of the story that inspired one of the greatest literary masterpieces of all time, Hamnet is mesmerizing and seductive, an impossible-to-put-down novel from one of our most gifted writers.

Set in thirteenth-century Bruges, this debut novel follows a young woman’s explorations of faith, agency, and love among a community of fiercely independent women.Aleys is sixteen years old and serious, stubborn, prone to religious visions. She and her only friend, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, he abandons her for the monastery. When her family falls on hard financial times, her father promises her in marriage to the unctuous head of the weavers’ guild, and in desperation she runs away from home, eventually finding shelter within a community of religious women who do not answer to the church.Among the hardworking and strong-willed Beguines, Aleys glimpses for the first time the joys of a life of song, friendship, and time spent in the markets and along the canals of Bruges. But forces both mystical and political are afoot. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice.Introducing a spirited, indelible heroine and a major new talent, Canticle is a luminous work of historical fiction, vividly evoking a world on the verge of transformation.

Antenora: Dante’s ninth circle of hell reserved for traitors to their country. What really happened to Nora Willet? The religious community of Bethel, Alabama can’t agree on the truth. They always said she was trouble. Later, they said she was possessed. Maybe she lost her mind, killing three people and injuring many others. In a part confessional, part plea for Nora to come home, Nora’s childhood friend Abigail Barnes tells of another girl’s gruesome eighteenth birthday, of the time Nora may have fully revived a snake, of the intimacy of their private encounters at the lakeside, of Nora’s deliverance ceremony. Where, Abigail wonders, is Nora now? In this tender and horrific debut, religious dogmatism sniffs out two girls whose innocent affections threaten an entire town and way of life, making one a traitor to a homeland in which only Abigail and Nora know the bittersweet truth. A homeland in which Nora can only say, “There’s a snake speaking to me, Abby-girl.”

On 20 August 1612, ten people from Pendle were executed before a vast crowd at Lancaster's Gallows Hill. The condemned and their associates had endured six months of accusations, imprisonment and torture; their treatment was such that one of the group died in Lancaster Castle's dungeons, while awaiting trial. Today, a thriving tourism industry exists in and around Pendle, the former home of the so-called witches, yet virtually everything we know about the case originates from a single Thomas Potts' Wonderfull Discoverie of Witches, hurriedly published in 1613 and distinctly skewed in favour of the prosecution. Until now...Sunday Times bestselling author Carol Ann Lee brings an entirely fresh perspective to the story by approaching it as true crime. Having worked in the genre for more than a decade, her research leads to revelatory discoveries, transforming our knowledge of those shadowy figures behind ill-famed names, and the terrible events that befell them. After four centuries of superstition and surmise, the two central, warring families - each headed by a fiercely independent widow working as 'cunning women' - emerge fully formed, as the book uncovers the reality of their lives and their alleged crimes before exploring the trial and executions. Along the way, we uncover the truth behind some of the story's most enduring the legend of Malkin Tower and the final resting place of the Pendle witches. This is a ground-breaking book that will take the reader on a spellbinding journey into the dark heart of England's largest and most notorious witch trial.

An astounding debut, both epic and intimate, about grief, trauma, revelation, and the hidden lives of women - by a major new talent In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ - which have long alienated her from her family and neighbours, and incurred her husband's abuse - have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions - and knows that time is running out for her to do so. The two women have stories to tell one another. Stories about girlhood, motherhood, sickness, loss, doubt and belief; revelations more the powerful than the world is ready to hear. Their meeting will change everything. Sensual, vivid and humane, For Thy Great Pain Have Mercy On My Little Pain cracks history open to reveal the lives of two extraordinary women

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.