What is wrong meets what feels right in this romance set in Italy by the New York Times bestselling author of Deep End. Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him. After all, he has made it clear that he wants her gone from his life. But not everything is as it seems—and clichés sometimes become plot twists. When Maya’s brother decides to get married in Taormina, she and Conor end up stuck together in a romantic Sicilian villa for over a week. There, on the beautiful Ionian coast, between ancient ruins, delicious foods, and natural caves, Maya realizes that Conor might be hiding something from her. And as the destination wedding begins to erupt out of control, she decides that a summer fling might be just what she needs—even if it’s a problematic one.

What is wrong meets what feels right in this romance set in Italy by the New York Times bestselling author of Deep End. Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. As Conor loves to remind her, the power dynamic is too imbalanced. Any relationship between them would be problematic in too many ways to count, and Maya should just get over him. After all, he has made it clear that he wants her gone from his life. But not everything is as it seems—and clichés sometimes become plot twists. When Maya’s brother decides to get married in Taormina, she and Conor end up stuck together in a romantic Sicilian villa for over a week. There, on the beautiful Ionian coast, between ancient ruins, delicious foods, and natural caves, Maya realizes that Conor might be hiding something from her. And as the destination wedding begins to erupt out of control, she decides that a summer fling might be just what she needs—even if it’s a problematic one.

When Akuany and her brother Bol are orphaned in a village raid in South Sudan, they’re taken in by a young merchant Yaseen who promises to care for them, a vow that tethers him to Akuany through their adulthood. As a revolutionary leader rises to power—the self-proclaimed Mahdi, prophesied redeemer of Islam—Sudan begins to slip from the grasp of Ottoman rule, and everyone must choose a side. A scholar of the Qur’an, Yaseen feels beholden to stand against this false Mahdi, even as his choice splinters his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with Yaseen as her inconsistent lifeline. Everything each of them is striving for—love, freedom, safety—is all on the line in the fight for Sudan. Through the voices of seven people whose fates grow inextricably linked during the Mahdist War of nineteenth-century Sudan, Leila Aboulela’s latest novel illuminates a fraught and bloody reckoning with the history of a people caught in the crosshairs of imperialism. River Spirit is a powerful tale of corruption, coming of age, and unshakeable devotion—to a cause, to one’s faith, and to the people who become family.

A general plans to use a nobleman's bride to teach him a lesson. After meeting her, he decides to keep her for himself. Content notes/warnings: ableism, blood, death of secondary characters, dubious consent, infertility, violence

A general plans to use a nobleman's bride to teach him a lesson. After meeting her, he decides to keep her for himself. Content notes/warnings: ableism, blood, death of secondary characters, dubious consent, infertility, violence