Cooking is terrible, and food is often a massive pain in the ass. Eating is sometimes ok, sometimes a giant drag, and somehow still a thing that you have to do multiple times a day, which seems enormously unfair. This book isn’t going to teach you how to cook, or turn you into the kind of person who hosts effortless dinner parties, or make you more attractive and popular and interesting. At best, it’s going to make it slightly more likely that you manage to eat something in the ten minutes between walking in the door and falling into the sweet embrace of the internet. I’m not joking—a lot of this can be done, start to finish, in ten to fifteen minutes. I resent thirty-minute meals because it feels like about twenty-eight minutes too long to spend on feeding myself. If you’re excited to get home from work and spend an hour cooking dinner, this isn’t the book for you. If you really value authenticity, this isn’t the book for you. If you literally only eat three foods and you’re happy like that, this isn’t the book for you. If you, like me, are tired and depressed and just need to get some food into your face once in a while, this is definitely the book for you. You should buy it. Maybe it’ll help.

The Way We Never Were examines two centuries of American family life and shatters a series of myths and half-truths that burden modern families. Placing current family dilemmas in the context of far-reaching economic, political, and demographic changes, Coontz sheds new light on such contemporary concerns as parenting, privacy, love, the division of labor along gender lines, the black family, feminism, and sexual practice.

American movies about infectious diseases have reflected and driven dominant cultural narratives during the past century. These movies – both real pandemics and imagined zombie outbreaks – have become wildly popular since the beginning of the 21 st century. They have shifted from featuring a contained outbreak to an imagined containment of a known disease to a globalized, uncontainable pandemic of an unknown origin. Movie narratives have changed from identifying and solving social problems to a despair and acceptance of America’s failure to fulfil its historic social contract. Movies reflect and drive developments in American capitalism that increasingly advocates for individuals and their families, rather than communities and the public good. Disease movies today minimize human differences and envisage a utopian new world order to advance the needs of contemporary American capitalism. These movie narratives shaped reactions to the outbreak of Covid and reinforced individual responsibility as the solution to end the pandemic.

A scientific journey to the center of the new female body. The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed.” Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an anatomical odyssey to the center of this new world—a world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. Full of wit and wonder, Vagina Obscura is a celebratory testament to how the landscape of knowledge can be rewritten to better serve everyone.

"Am I walking toward something I should be running away from?" — Shirley Jackson A woman returns home to revisit an encounter with the numinous; couples take up residence in houses full of sinister secrets; a man fleeing a failed marriage discovers something ancient and unknowable in rural Ireland . . . In her introduction, Lisa Tuttle observes that “certain places are doomed, dangerous in some inexplicable, metaphysical way”, and the characters in these stories all seem drawn in their own ways to just such places, whether trying to return home or endeavouring to get as far from life as possible. These nine stories by Shirley Jackson Award winner Lynda E. Rucker tell tales of those lost and searching, often for something they cannot name, and encountering along the way the uncanny embedded in the everyday world. Contents "Haunted Places, Haunted People" by Lisa Tuttle "The Receiver of Tales" "Widdershins" "The House on Cobb Street" "Where the Summer Dwells" "Who Is This Who Is Coming?" "The Queen in the Yellow Wallpaper" "The Wife's Lament" "This Time of Day, This Time of Year" "The Haunting House" "Story Notes" "Acknowledgements" Lynda E. Rucker is an American writer born and raised in the South and now living in Europe. Her stories have appeared in dozens of magazines and anthologies. She is a regular columnist for Black Static, has had a short play produced on London’s West End, and won the 2015 Shirley Jackson Award for Best Short Story. Her first collection, The Moon Will Look Strange, was published by Karoshi Books in 2013.

A haunting, diverse debut story collection that explores the isolation we experience in the face of the mysterious, often dangerous forces that shape our lives Anjali Sachdeva's debut collection spans centuries, continents, and a diverse set of characters but is united by each character's epic struggle with fate: A workman in Andrew Carnegie's steel mills is irrevocably changed by the brutal power of the furnaces; a fisherman sets sail into overfished waters and finds a secret obsession from which he can't return; an online date ends with a frightening, inexplicable disappearance. Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake. The world by night -- Glass-lung -- Logging lake -- Killer of kings -- All the names for God -- Robert Greenman and the mermaid -- Anything you might want -- Manus -- Pleiades

Natsuki isn't like the other girls. She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what. Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki's family are increasing, her friends wonder why she's still not pregnant, and dark shadows from Natsuki's childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?

When Cordelia Naismith and her survey crew are attacked by a renegade group from Barrayar, she is taken prisoner by Aral Vorkosigan, commander of the Barrayan ship that has been taken over by an ambitious and ruthless crew member. Aral and Cordelia survive countless mishaps while their mutual admiration and even stronger feelings emerge.

A trio of mismatched mercenaries is hired by a young woman for a deceptively simple task: check in on her nephew, who may have been taken against his will to a remote New Mexico backwoods settlement called Little Heaven. Shortly after they arrive, things begin to turn ominous. Stirrings in the woods and over the treetops—the brooding shape of a monolith known as the Black Rock casts its terrible pall. Paranoia and distrust grips the settlement. The escape routes are gradually cut off as events spiral towards madness. Hell—or the closest thing to it—invades Little Heaven. The remaining occupants are forced to take a stand and fight back, but whatever has cast its dark eye on Little Heaven is now marshaling its powers...and it wants them all.

Described by Clarice Lispector as 'the best one', this intoxicating portrayal of a man searching for his destiny is her mystical, enigmatic masterpiece 'All I've got is hunger. And that instable way of grasping an apple in the dark-without letting it fall' Martim, believing that he has committed a murder, flees the city and escapes into the night. Wandering through the vastness of nature he arrives, in a state of fear and wonder, at a remote ranch run by two women. There Martim finds work and, as he labours in the blistering heat of the Brazilian summer, becomes transfigured; remade into something else entirely. Translated by Benjamin Moser 'The most important Brazilian woman writer of the twentieth century... The richness of The Apple in the Dark defies the explanatory power of any single interpretation' TLS

Squid Game meets The Left Hand of Darkness meets Under the Skin in this radical literary sensation from South Korea about an alien's hunt for food that transforms into an existential crisis about what it means to be human. After crashing their spacecraft in the middle of nowhere, a shapeshifting alien find themself stranded on an unfamiliar planet and disabled by Earth's gravity. To survive, they will need to practice walking. And what better way than to hunt for food? As they discover, humans are delicious. Intelligent, clever, and adaptable, the alien shift their gender, appearance, and conduct to suit a prey's sexual preference, then attack at the pivotal moment of their encounter. They use a variety of hunting tools, including a popular dating app, to target the juiciest prey and carry a backpack filled with torturous instruments and cleaning equipment. But the alien's existence begins to unravel one night when they fail to kill their latest meal. Thrust into an ill-fated chase across the city, the alien is confronted with the psychological and physical tolls their experience on Earth has taken. Questioning what they must do to sustain their own survival, they begin to understand why humans also fight to live. But their hunger is insatiable, and the alien once again targets a new prey, not knowing what awaits. . . . Dolki Min's haunting debut novel is part psychological thriller, part searing critique of the social structures that marginalize those who are different--the disabled, queer, and nonconformist. Walking Practice uncovers humanity in who we consider to be alien, and illuminates how alienation can shape the human experience. Walking Practice features 21 black-and-white line drawings throughout. Translated from the Korean by Victoria Caudle

Psychological horror meets cyber noir in this delicious one-sitting read — a haunted house story in which the haunting is by AI. Henry is a brilliant engineer who, after untold hours spent in his home lab, has achieved the breakthrough of his career — he’s created an artificially intelligent consciousness. He calls the half-formed robot William. No one knows about William. Henry’s agoraphobia keeps him inside the house, and his fixation on his project keeps him up in the attic, away from everyone, including his pregnant wife, Lily. When Lily’s coworkers show up, wanting to finally meet Henry and see the new house — the smartest of smart homes — Henry decides to introduce them to William, and things go from strange to much worse. Soon Henry and Lily discover the security upgrades intended to keep danger out of the house are even better at locking it in.

A heart-pounding tale of faith and family, with a devastating twist“A great day is upon us. He is coming. The world will be washed away.”On the wind-battered isle of Altnaharra, off the wildest coast of Scotland, a clan prepares to bring about the end of the world and its imminent rebirth.The Adder is coming and one of their number will inherit its powers. They all want the honor, but young Eve is willing to do anything for the distinction.A reckoning beyond Eve’s imagination begins when Chief Inspector Black arrives to investigate a brutal murder and their sacred ceremony goes terribly wrong.And soon all the secrets of Altnaharra will be uncovered.