The newest novel in USA Today bestselling author Beverly Jenkins’s compelling Women Who Dare series features a fearless grifter who goes undercover to reclaim the stolen Declaration of Independence. Lying and cheating may be sins to some people, but for Raven Moreaux, it is a way of life. She comes from a long line of grifters and couldn’t be prouder…Until she’s forced to help the government. A former Confederate official is suspected of stealing the Declaration of Independence, and Raven, posing as his housekeeper, is tasked with getting it back. Her partner is the too handsome Braxton Steel. Masquerading as a valet/driver, Brax is also supposed to be her “husband.” He has his own reasons for doing this job, but when their pretend marriage ignites into fiery passion, they’ll have to put everything—including their hearts—on the line.

From New York Times bestselling author Akwaeke Emezi comes a steamy paranormal romance set in the Black South—a bold new foray that takes us on a journey of magic and fantasy, from the whispering creeks outside the city of Salvation to the very depths of Hell itself. Tenderhearted Galilee was raised by the Kincaids, a formidable clan of Black women sequestered deep in the weeping willows and dark rushing creeks of their land. Galilee has always known that she’s different—that there is an old and unknowable secret around her very existence. It has been a hollow ache inside her since her childhood, something she assumes she will always have to live with. Until she meets Lucifer Helel. He’s fronting as the head of security for her wealthy friend Oriaku’s family, protecting a mysterious, ancient artifact, but from the moment she lays eyes on him, Gali knows he’s not human. From her first incendiary touch, Lucifer knows something even Gali herself doesn’t—that she isn’t human either.  Leviathan. As Lucifer’s most trusted prince of Hell, Levi is ruthless and determined to eliminate the intolerable danger that is Galilee before she brings death and disaster to those he loves. While unseen battles rage between Hell, Heaven, and earth, Lucifer and Galilee’s attraction threatens to bring all the structures of their existence crashing down around them. Soon, loyalties will be shattered and reformed as Kincaid secrets clash with the princes of Hell, driving even the most powerful to their knees. Galilee Kincaid must decide if she will step into herself and embrace the consequences of power in this astonishing, seductive, and wildly original fantasy.

Bloomsbury presents Sick and Dirty by Michael Koresky, read by Robin Speare.A blazingly original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code.From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.” But there is more to these movies than meets the eye. In this insightful, wildly entertaining book, cinema historian Michael Koresky finds new meaning in "problematic” classics of the Code era like Hitchcock’s Rope, Minnelli’s Tea and Sympathy, and—bookending the period and anchoring Koresky’s narrative—William Wyler’s two adaptations of The Children’s Hour, Lillian Hellman’s provocative hit play about a pair of schoolteachers accused of lesbianism. Lifting up the underappreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant inquiry, Sick and Dirty reveals the “bad seeds” of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents’ bids to silence it.

From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s. “Ray Carney was only slightly bent when it came to being crooked…” To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the “Waldorf of Harlem”—and volunteers Ray’s services as the fence. The heist doesn’t go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle’s ingenious story plays out in a beautifully recreated New York City of the early 1960s. It’s a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it’s a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. "Angela Davis is herself a woman of undeniable courage. She should be heard." —The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

From a New York Times media correspondent, a dishy history of the Condé Nast magazine empire, home of Vogue, Vanity Fair, The New Yorker, and more, focusing on its glitzy heyday from the 1980s through the 2000s.For decades, Condé Nast and its glittering magazines defined how to live the good life in America. The brilliant, complicated, striving characters behind Vogue, Vanity Fair, The New Yorker, GQ, Architectural Digest, and many other titles manufactured a vision of luxury and sophistication that shaped consumer habits, cultural trends, intellectual attitudes, and political beliefs the world over. Condé’s billionaire owner Si Newhouse and his stable of star editors, photographers, and writers were the gatekeepers who decided what and who mattered, and they offered those opinions to tens of millions of readers every month. They were the ultimate influencers—before social media changed everything. The magazines crowned celebrities by the dozens, patronized creative talent much as the Medicis had underwritten Renaissance artists, and supercharged opulent events like the Vanity Fair Oscar Party and the Met Gala, which came to rival any fete that Louis XIV ever hosted at Versailles. The book is full of fresh behind-the-scenes reporting about a plethora of boldface names and sets out to explain how Condé Nast established itself as a de facto American aristocracy, anointing an elite and dictating the culture they presided over. The colorful story of Condé Nast at its zenith and the profound way it influenced how Americans aspired to look, eat, decorate, date, marry, and even think, has never been examined deeply. Empire of the Elite is the first book-length history of an empire whose publications refashioned American notions of prestige, whose editors became celebrities themselves, and whose diminution offers a cautionary tale of class, hubris, and technological change, even as its aesthetic and ethos remain influential to this day.

Bloomsbury presents Sick and Dirty by Michael Koresky, read by Robin Speare.A blazingly original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code.From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.” But there is more to these movies than meets the eye. In this insightful, wildly entertaining book, cinema historian Michael Koresky finds new meaning in "problematic” classics of the Code era like Hitchcock’s Rope, Minnelli’s Tea and Sympathy, and—bookending the period and anchoring Koresky’s narrative—William Wyler’s two adaptations of The Children’s Hour, Lillian Hellman’s provocative hit play about a pair of schoolteachers accused of lesbianism. Lifting up the underappreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant inquiry, Sick and Dirty reveals the “bad seeds” of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents’ bids to silence it.

This epic, dazzling tale based on true events illuminates a woman of color’s rise to power as one of the few purported female pirate captains to sail the Caribbean, and the forbidden love story that will shape the course of history. In the tumultuous town of Yáquimo, Santo Domingo, Jacquotte Delahaye is an unknown but up-and-coming shipwright. Her dreams are bold but her ambitions are bound by the confines of her life with her self-seeking French father. When her way of life and the delicate balance of power in the town are threatened, she is forced to flee her home and become a woman on the run along with a motley crew of refugees, including a mysterious young woman named Teresa. Jacquotte and her band become indentured servants to the infamous Blackhand, a ruthless pirate captain who rules his ship with an iron fist. As they struggle to survive his brutality, Jacquotte finds herself unable to resist Teresa despite their differences. When Blackhand hatches a dangerous scheme to steal a Portuguese shipment of jewels, Jacquotte must rely on her wits, resourcefulness, and friends to survive. But she discovers there is a grander, darker scheme of treachery at play, and she ultimately must decide what price she is willing to pay to secure a better future for them all. An unforgettable tale told in three parts, The Ballad of Jacquotte Delahaye is a thrilling, buccaneering escapade filled with siege and battle, and is also a tender exploration of friendship, love, and the search for freedom and home.

From New York Times bestselling author Akwaeke Emezi comes a steamy paranormal romance set in the Black South—a bold new foray that takes us on a journey of magic and fantasy, from the whispering creeks outside the city of Salvation to the very depths of Hell itself. Tenderhearted Galilee was raised by the Kincaids, a formidable clan of Black women sequestered deep in the weeping willows and dark rushing creeks of their land. Galilee has always known that she’s different—that there is an old and unknowable secret around her very existence. It has been a hollow ache inside her since her childhood, something she assumes she will always have to live with. Until she meets Lucifer Helel. He’s fronting as the head of security for her wealthy friend Oriaku’s family, protecting a mysterious, ancient artifact, but from the moment she lays eyes on him, Gali knows he’s not human. From her first incendiary touch, Lucifer knows something even Gali herself doesn’t—that she isn’t human either.  Leviathan. As Lucifer’s most trusted prince of Hell, Levi is ruthless and determined to eliminate the intolerable danger that is Galilee before she brings death and disaster to those he loves. While unseen battles rage between Hell, Heaven, and earth, Lucifer and Galilee’s attraction threatens to bring all the structures of their existence crashing down around them. Soon, loyalties will be shattered and reformed as Kincaid secrets clash with the princes of Hell, driving even the most powerful to their knees. Galilee Kincaid must decide if she will step into herself and embrace the consequences of power in this astonishing, seductive, and wildly original fantasy.