This cozy debut science fiction novel tells a story of misfits, rebels, found family—and a mystery that spans the stars Welcome to the Grand Abeona home of the finest food, the sweetest service, and the very best views the galaxy has to offer. All year round it moves from planet to planet, system to system, pampering guests across the furthest reaches of the milky way. The last word in sub-orbital luxury—and an absolute magnet for intrigue. Intrigues such Why are there love poems in the lobby inbox? How many Imperial spies are currently on board? What is the true purpose of the Problem Solver’s conference? And perhaps most pertinently— who is driving the ship? Each guest has a secret, every member of staff a universe unto themselves. At the center of these interweaving lives and interlocking mysteries stands Carl, one time stowaway, longtime manager, devoted caretaker to the hotel. It’s the love of his life and the only place he’s ever called home. But as forces beyond Carl’s comprehension converge on the Abeona, he has to face one final when is it time to let go?

Alternate cover edition of ISBN-13: ‎978-0141439471 / ISBN-10: 0141439475 'Now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart ...' Obsessed with creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life with electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron's villa on Lake Geneva. It would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third edition of 1831, this volume contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley's preface to the first edition. This revised edition includes as appendices a select collation of the texts of 1818 and 1831 together with 'A Fragment' by Lord Byron and Dr John Polidori's 'The Vampyre: A Tale'.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies. A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction. The husband stitch -- Inventory -- Mothers -- Especially heinous -- Real women have bodies -- Eight bites -- The resident -- Difficult at parties

The story revolves around two seemingly homeless men simply waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek. Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino’s service. Orsino sends her as his envoy to Olivia—only to have Olivia fall in love with the messenger. The play complicates, then wonderfully untangles, these relationships.

Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England. Alternate cover edition of ISBN 9780679783268

The first in an all-new fantasy series from #1 New York Times bestselling author Scarlett St. Clair. In this biting, feminist retelling of Lilith's story, Lilith will rise from the ashes of her former life to destroy the ancient power that stole everything she loves. She is the beginning and the end. She is peace and chaos. She is terror knocking at the gates. Estranged from her powerful family, Lilith Leviathan finds refuge in Nineveh, a district in the city of Eden devoted to sin. There, she uses her magic to steal for a living, attracting the attention of the five governing families as well as the church, which expects women to remain pious and silent. When Lilith comes into possession of a beautiful blade, she thinks all her worries are over…until her usual buyer dies while inspecting it. Frantic, Lilith turns to the only man who can help Zahariev, head of the Zareth family and ruler of Nineveh. His currency is information, and his power is extortion, though he's always had a soft spot for Lilith. But when the dagger appears, he isn't sure he can protect her from what's to come. Together, they embark on a mission to discover the true power running their world. As their lives intertwine, Lilith realizes Zahariev is more than just a friend, but their devotion to each other is a threat—to the truth, to the church, and to those who want to tear it all down.

A steamy sapphic romance with a fantastical twist about two bitter tennis rivals who realize they are reluctant soulmates—perfect for fans of Expiration Dates and Here We Go Again. Juliette Ricci dreams of only one being the best women’s tennis player in the world. She’s worked nonstop with her strict father/coach to prepare for her big chance in the Australian Open. Unfortunately, she’ll be playing Lucky Luca Kacic, an aloof player whose unorthodox style and reigning popularity deeply irritate Juliette. For months they’ve traded sly insults in their press conferences leading up to their showdown on the court, and their first ever match is the most anticipated of the season. But Juliette refuses to let her nerves—or Luca’s annoyingly perfect abs—get the best of her. Meanwhile, Luca seemingly has everything Juliette desires but there’s one thing missing from her love. When she shakes hands with Juliette after an agonizing match and sees her rival’s name appear on her wrist, it feels like a cruel joke. Juliette is a spoiled, arrogant brat who wants absolutely nothing to do with Luca or a soulmate. But despite their personal and professional clashes, the two grow closer after late-night massages and one too many shots of limoncello. Their chemistry is tangible, but Luca’s anxiety tells her that Juliette is just messing with her head to throw her off her game, and Juliette can’t understand why Luca is so hot and cold. With the pressure of the world scrutinizing their every move, they will have to decide what’s more important—being together or being number one.