A high society amateur detective at the heart of Regency London uses her wits and invisibility as an ‘old maid’ to protect other women in a new and fiercely feminist historical mystery series from New York Times bestselling author Alison Goodman. Lady Augusta Colebrook, “Gus,” is determinedly unmarried, bored by society life, and tired of being dismissed at the age of forty-two. She and her twin sister, Julia, who is grieving her dead betrothed, need a distraction. One soon presents to rescue their friend’s goddaughter, Caroline, from her violent husband.   The sisters set out to Caroline’s country estate with a plan, but their carriage is accosted by a highwayman. In the scuffle, Gus accidentally shoots and injures the ruffian, only to discover he is Lord Evan Belford, an acquaintance from their past who was charged with murder and exiled to Australia twenty years ago. What follows is a high adventure full of danger, clever improvisation, heart-racing near misses, and a little help from a revived and rather charming Lord Evan. Back in London, Gus can’t stop thinking about her unlikely (not to mention handsome) comrade-in-arms. She is convinced Lord Evan was falsely accused of murder, and she is going to prove it. She persuades Julia to join her in a quest to help Lord Evan, and others in need—society be damned! And so begins the beguiling secret life and adventures of the Colebrook twins.

The Viking Age - between 750 and 1050 - saw an unprecedented expansion of the Scandinavian peoples. As traders and raiders, explorers and colonists, they reshaped the world between eastern North America and the Asian steppe. For a millennium, though, their history has largely been filtered through the writings of their victims. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology, their art and culture. From Björn Ironside, who led an expedition to sack Rome, to Gudrid Thorbjarnardóttir, the most travelled woman in the world, Price shows us the real Vikings, not the caricatures they have become in popular culture and history.

Sue Black confronts death every day. As Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab, at burial sites, at scenes of violence, murder and criminal dismemberment, and when investigating mass fatalities due to war, accident or natural disaster. In All that Remains she reveals the many faces of death she has come to know, using key cases to explore how forensic science has developed, and what her work has taught her. Do we expect a book about death to be sad? Macabre? Sue’s book is neither. There is tragedy, but there is also humour in stories as gripping as the best crime novel. Our own death will remain a great unknown. But as an expert witness from the final frontier, Sue Black is the wisest, most reassuring, most compelling of guides.

Our bones are the silent witnesses to the lives we lead. Our stories are marbled into their marrow. Drawing upon her years of research and a wealth of remarkable experience, the world-renowned forensic anthropologist Professor Dame Sue Black takes us on a journey of revelation. From skull to feet, via the face, spine, chest, arms, hands, pelvis and legs, she shows that each part of us has a tale to tell. What we eat, where we go, everything we do leaves a trace, a message that waits patiently for months, years, sometimes centuries, until a forensic anthropologist is called upon to decipher it. Some of this information is easily understood, some holds its secrets tight and needs scientific cajoling to be released. But by carefully piecing together the evidence, the facts of a life can be rebuilt. Limb by limb, case by case – some criminal, some historical, some unaccountably bizarre – Sue Black reconstructs with intimate sensitivity and compassion the hidden stories in what we leave behind.

Since their discovery more than 160 years ago, Neanderthals have metamorphosed from the losers of the human family tree to A-list hominins. In Kindred, Rebecca Wragg Sykes uses her experience at the cutting-edge of Palaeolithic research to share our new understanding of Neanderthals, shoving aside clichés of rag-clad brutes in an icy wasteland. She reveals them to be curious, clever connoisseurs of their world, technologically inventive and ecologically adaptable. Above all, they were successful survivors for more than 300,000 years, during times of massive climatic upheaval. At a time when our species has never faced greater threats, we’re obsessed with what makes us special. But, much of what defines us was also in Neanderthals, and their DNA is still inside us. Planning, co-operation, altruism, craftsmanship, aesthetic sense, imagination... perhaps even a desire for transcendence beyond mortality. It is only by understanding them, that we can truly understand ourselves.

After Culloden, Iain MacGillivray was left for dead on Drumossie Moor. Wounded, his face brutally slashed, he survived only by pretending to be dead as the Redcoats patrolled the corpses of his Jacobite comrades.Six years later, with the clan chiefs routed and the Highlands subsumed into the British state, Iain lives a quiet life, working as a bookseller in Inverness. One day, after helping several of his regular customers, he notices a stranger lurking in the upper gallery of his shop, poring over his collection. But the man refuses to say what he's searching for and only leaves when Iain closes for the night.The next morning Iain opens up shop and finds the stranger dead, his throat cut, and the murder weapon laid out in front of him - a sword with a white cockade on its hilt, the emblem of the Jacobites. With no sign of the killer, Iain wonders whether the stranger discovered what he was looking for - and whether he paid for it with his life. He soon finds himself embroiled in a web of deceit and a series of old scores to be settled in the ashes of war.