Neighbors Gwen, Aimee, and Lisa share more than playdates and coffee mornings on their tranquil street in East Bethesda. They confide their deepest secrets, navigate the challenges of motherhood together, and provide a support system that seems unbreakable. Then Gwen’s husband is found murdered after one of their weekly Friday night dinners, and the peaceful quiet of their cul-de-sac shatters. The seemingly idyllic world of the three close-knit friends becomes a web of deception, betrayal, and revenge.

The riveting follow up to Jessica Barry’s debut Freefall—a controversial, of-the-moment thriller about two women fighting for their right to live. 322 miles of road. 6 hours. 2 strangers. 1 killer. Too many secrets. Midnight. Cait Monaghan and Rebecca McRae are on a desolate road that slices through the New Mexican desert. They've never met before tonight.  Both have secrets to protect. Both of their lives are in danger.   When a truck pulls up fast behind them, they assume it's punk teenagers or run-of-the-mill road rage, but it soon becomes clear that whoever is driving the truck is hunting them for sport—and they are out to draw blood.   As the miles unspool and the dangers mount, the pasts they've worked so hard to keep buried have come back to haunt them.  Someone wants one of them dead. But which one?  And given the lives the two women have been leading, that someone could be almost anyone. If Cait and Rebecca are going to survive, they'll have to learn to trust one another—and themselves. But trust is a costly business, and they’ve both paid the price before. . . .

The riveting follow up to Jessica Barry’s debut Freefall—a controversial, of-the-moment thriller about two women fighting for their right to live. 322 miles of road. 6 hours. 2 strangers. 1 killer. Too many secrets. Midnight. Cait Monaghan and Rebecca McRae are on a desolate road that slices through the New Mexican desert. They've never met before tonight.  Both have secrets to protect. Both of their lives are in danger.   When a truck pulls up fast behind them, they assume it's punk teenagers or run-of-the-mill road rage, but it soon becomes clear that whoever is driving the truck is hunting them for sport—and they are out to draw blood.   As the miles unspool and the dangers mount, the pasts they've worked so hard to keep buried have come back to haunt them.  Someone wants one of them dead. But which one?  And given the lives the two women have been leading, that someone could be almost anyone. If Cait and Rebecca are going to survive, they'll have to learn to trust one another—and themselves. But trust is a costly business, and they’ve both paid the price before. . . .

From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer/songwriter on the rise and on the run, and determined to do whatever it takes to survive. Every song tells a story. She’s a star on the rise, singing about the hard life behind her. She’s also on the run. Find a future, lose a past. Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her. Run, Rose, Run is a novel glittering with danger and desire—a story that only America’s #1 most beloved entertainer and its #1 bestselling author could have created.

From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer/songwriter on the rise and on the run, and determined to do whatever it takes to survive. Every song tells a story. She’s a star on the rise, singing about the hard life behind her. She’s also on the run. Find a future, lose a past. Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her. Run, Rose, Run is a novel glittering with danger and desire—a story that only America’s #1 most beloved entertainer and its #1 bestselling author could have created.

In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate. It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours. When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case. Because how do you solve a murder when everyone is a suspect?

In New York Times–bestselling author Anthony Horowitz’s ingenious fifth literary whodunit in the Hawthorne and Horowitz series, Detective Hawthorne is once again called upon to solve an unsolvable case—a gruesome murder in an idyllic gated community in which suspects abound Riverside Close is a picture-perfect community. The six exclusive and attractive houses are tucked far away from the noise and grime of city life, allowing the residents to enjoy beautiful gardens, pleasant birdsong and tranquility from behind the security of a locked gate. It is the perfect idyll until the Kentworthy family arrives, with their four giant, gas-guzzling cars, a gaggle of shrieking children and plans for a garish swimming pool in the backyard. Obvious outsiders, the Kentworthys do not belong in Riverside Close, and they quickly offend every last one of their neighbours. When Giles Kentworthy is found dead on his own doorstep, a crossbow bolt sticking out of his chest, Detective Hawthorne is the only investigator that can be called on to solve the case. Because how do you solve a murder when everyone is a suspect?

In New York Times bestselling author Anthony Horowitz’s ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. “I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy... Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death , and blames Anthony. Now she’s out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

In New York Times bestselling author Anthony Horowitz’s ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. “I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy... Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death , and blames Anthony. Now she’s out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

“Hi, my name is Matthew, although you may know me by another name. My friends call me Matty. And I should be dead.” So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us. . . and so much more. In an extraordinary story that only he could tell—and in the heartfelt, hilarious, and warmly familiar way only he could tell it—Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he’s found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humor, Perry vividly depicts his lifelong battle with addiction and what fueled it despite seemingly having it all. Friends, Lovers, and the Big Terrible Thing is an unforgettable memoir that is both intimate and eye-opening—as well as a hand extended to anyone struggling with sobriety. Unflinchingly honest, moving, and uproariously funny, this is the book fans have been waiting for.

“Hi, my name is Matthew, although you may know me by another name. My friends call me Matty. And I should be dead.” So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us. . . and so much more. In an extraordinary story that only he could tell—and in the heartfelt, hilarious, and warmly familiar way only he could tell it—Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he’s found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humor, Perry vividly depicts his lifelong battle with addiction and what fueled it despite seemingly having it all. Friends, Lovers, and the Big Terrible Thing is an unforgettable memoir that is both intimate and eye-opening—as well as a hand extended to anyone struggling with sobriety. Unflinchingly honest, moving, and uproariously funny, this is the book fans have been waiting for.

No one is supposed to know harmless office worker Gwen Tanner is the vanished daughter of serial killer Abel Haggerty. But a low profile and a new name aren’t going to cut it when an obsessive new killer starts targeting her, in this lively and propulsive thriller with a standout voice.Marin Haggerty, the daughter of a notorious serial killer, was only a child when they arrested her father. Ripped from her home and given a new identity, Marin disappeared.Twenty years later, Gwen Tanner keeps everyone at a distance, preferring to satirize the world around her than participate in it. It’s for her safety—and theirs. But when someone starts sending body parts to her front door, the message is I Know Who You Are.To preserve her secrets, Gwen must hunt down the killer, a journey which immerses her in the twisted world of true crime fandom and makes her confront her past once and for all. Maybe she is capable of deep, human connections, but she’s not the only one keeping secrets. Will opening herself up to others help her find the killer, or remind her why it was necessary she hide her true self in the first place?The apple never falls too far, after all.

A merciless wilderness. A harrowing attack. A desperate escape. When a tragic accident sidelines Miley's dreams of Olympic gold, she takes a summer job at a mountain guest lodge. The Frank Church Wilderness is remote, but it’s the perfect place to train and recover. Local lore about a staffer who died years ago doesn’t scare her. But it should. Miley’s plans take a terrifying detour when she’s abducted during a morning run. Held captive in a desolate off-grid cabin, she’ll have to use her athletic prowess, cunning mind, and courage to survive. But as the nightmare at the cabin escalates, Miley is forced to form an unlikely alliance and attempt a risky escape. Can she outwit her captors and survive the wilderness before it’s too late? Inspired by true events, Gray After Dark is a pulse-pounding psychological thriller with a finale that will leave you breathless.

A merciless wilderness. A harrowing attack. A desperate escape. When a tragic accident sidelines Miley's dreams of Olympic gold, she takes a summer job at a mountain guest lodge. The Frank Church Wilderness is remote, but it’s the perfect place to train and recover. Local lore about a staffer who died years ago doesn’t scare her. But it should. Miley’s plans take a terrifying detour when she’s abducted during a morning run. Held captive in a desolate off-grid cabin, she’ll have to use her athletic prowess, cunning mind, and courage to survive. But as the nightmare at the cabin escalates, Miley is forced to form an unlikely alliance and attempt a risky escape. Can she outwit her captors and survive the wilderness before it’s too late? Inspired by true events, Gray After Dark is a pulse-pounding psychological thriller with a finale that will leave you breathless.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.