A provocative novel about intimacy, love, and consent, following an increasingly obsessive radio host who tests boundaries she didn’t know existed Olive is desperate to get close to Theo—really, really close. She’s always struggled to connect with people. And now she’s in her thirties, single, and so flustered by relationships that she secretly records her conversations, hoping to decipher social clues and find a way to be less alone. Then Theo turns up for a shift at the same food pantry where she volunteers. He’s a surgeon fascinated by human organs, a former soccer player, and possibly as weird as Olive. For the first time, someone seems to crave and understand her. Every recording Olive makes of Theo is a balm, which just makes her more afraid of losing him. The only solution seems to be to bind him to her forever. Luckily, the gap between Theo’s front teeth is just wide enough for something—or someone—to slip inside. Arresting and immersive, Open Wide explores the boundaries of love and the body, as universal human impulses bleed into the surreal.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Worn out by poverty, Lettie Radley and her miner husband Tommy grasp at the offer of their very own smallholding - part of a Government scheme to put the unemployed back to work on the land. When she comes down to Essex to join him, it's not Tommy who greets her, but their new neighbours. Overbearing and unkempt, Jean and Adam Dell are everything that the smart, spirited, aspirational Lettie can't abide. As Lettie settles in, she finds an unexpected joy in the rhythms of life on the smallholding. She's hopeful that her past, and the terrible secret Tommy has come to Foxash to escape, are far behind them. But the Dells have their own secrets. And as the seasons change, and a man comes knocking at the gate, the scene is set for a terrible reckoning. Combining a gothic sensibility with a visceral, unsettling sense of place, Foxash is a deeply original novel of quiet and powerful menace, of the real hardships of rural life, and the myths and folklore that seep into ordinary lives - with surprising consequences.

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, horrifying incidents of butchery follow them. At first Jess thinks she understands what they're up against, but she's about to learn that there's more to these surreal and grisly events than she could've ever imagined. And that when the wolf finally comes home, no one will be spared.

Three clever editors (who have spent altogether too much time reviewing crackpot manuscripts on the occult by fanatics and dilettantes) decide to have a little fun. They are inspired by an extraordinary fable they heard years before from a suspiciously natty colonel, who claimed to know of a mystic source of power greater than atomic energy. On a lark, the editors begin randomly feeding esoteric bits of knowledge into an incredible computer capable of inventing connections between all their entries. What they believe they are creating is a long, lazy game - until the game starts taking over... Here is an incredible journey of thought and history, memory and fantasy, a tour de force as enthralling as anything Umberto Eco—or indeed anyone—has ever devised.

From a new star in horror fiction comes a terrifying novel of obsession, greed, and the shocking actions we’ll take to protect those we love, all set in a small town filled with dark secrets.  “ If you like Grady Hendrix’s novels, Clive Barker, or just a dash of Lovecraftian horror, you’re going to love this one.” – San Francisco Book Review   Peter Larkin — Lark to his friends — is a local hero in the small town of Wofford Falls. The one who went to the big city, found fame in the art world, then returned home to settle down. He's the kind of guy who becomes fast friends with almost anyone. His sister, Betsy, is talented as well. And eccentric. Unlike Lark, she keeps to herself. When Lark meets with a fabulously rich client, it seems like a regular transaction. Even being met at the gate of the sprawling, secluded estate by an intimidating security guard seems normal. Until the guard plays him a live Betsy being abducted in real time. Lark is informed that she's safe for now, but her well-being is entirely in his hands. He's given a book. Do what the book says, and betsy will go free. "Marino draws readers in quickly, creating sympathy for the characters, unveiling the necessary details to immerse them in a world of art, siblings, deadly intrigue, and a centuries-long nefarious quest. Dread is present from the start, but it quickly escalates into a disorienting cosmic terror that touches everyone." —  Booklist "Marino offers horrors both existential and visceral." — M. R. Carey, author of The Girl with All the Gifts,  on The Seven Visitations of Sydney Burgess "Dark and fascinating . . . Not quite like anything I've ever read before. A strange, compelling, late-night page-turner. It kept me reading way past my bedtime." —T. Kingfisher, author of The Hollow Places ​, on The Seven Visitations of Sydney Burgess Also by Andy The Seven Visitations of Sydney Burgess  

Thirty-three-year-old Todd is playing at the beach with his son, Anthony, when he catches sight of an approaching figure. Instantly, he recognises Jack, his high school tormentor. Radiant, repentant, and overjoyed to have 'run into' Todd, Jack suggests a meal to catch up. And can he spend the night? What follows is a fast-paced story of obsession and suspense, as Jack gaslights his way back into Todd's life, pushing his old "friend" to the brink. Conner Habib's disturbing and emotionally riveting debut is a horror novel about partners and friends, fathers and sons, bullies and scapegoats.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Author, critic, and scholar John Clute has assembled exclusively for Payseur & Schmidt a collection of thirty interlinked essays illuminating the evolution of horror and the horrific. The hidden meanings and dark secrets of horror literature are unraveled with explorations of vastation, affect horror, holocaust fiction, cloaca, and the bound fantastic, to name a few. This complex, chthonic journey cross-references to Clute's Encyclopedia of Fantasy and acts as a set of arguments about the nature of horror that would underpin Clute's future encyclopedic work on the subject of the fantastic. An addition, each entry is accompanied by a brand new illustration by one of thirty hand-picked artists, including Jay Ryan, Tara McPherson, and Steven Weissman. Cover and endpapers illustrated by Jason Van Hollander. 165 pages. Signed and numbered limited hardback first edition of 500. Deluxe stamped cover with screen-printed sash illustrated by Adam Grano.

What does carrion taste like? Andi has to know. The vultures circling outside her home taunt and invite her to come understand the secrets hiding in their banquet of decay. Fascination morphs into an obsessive need to know what the vultures know. Andi turns to Dr. Fawning, but even the therapist cannot help her comprehend the secrets she’s buried beneath anger-induced blackouts. Her girlfriend, Luna, tries to help Andi battle her inner darkness and infatuation with the vultures. However, the desire to taste dead flesh, to stitch together wings of her own and become one with the flock sends Andi down a twisted, unforgivable path. Once she understands the secrets the vultures conceal, she must decide between abandoning the birds of prey or risk turning her loved ones into nothing more than meals to be devoured.

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he’ll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

"When the Death of Mountains came for us, we had been aching for a long time. There is so much loss in being a mountain; it is a terribly long time to live. Yet something awoke within us when they arrived, their face a stone skull, their hands obsidian bones that cracked and crackled like fracking. It made us hurt to hear their earthquake step across the ground as they arrived. Their breath was like coal dust, the stuff their cloak was made from. They left a trail of oil behind them as they walked. When they spoke, their breath was hot, volcanic; it made us wither at first. We, however are a middling child of the Appalachians. And we have seen much worse. Far worse than death."

One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives. As they attempt to evade the boy's increasingly desperate father, horrifying incidents of butchery follow them. At first Jess thinks she understands what they're up against, but she's about to learn that there's more to these surreal and grisly events than she could've ever imagined. And that when the wolf finally comes home, no one will be spared.

Britain, 2023… only in this Britain, the Norman Conquest of 1066 never happened. An uneasy alliance of ancient tribes – the Celtic West, Saxon East and an independent Nordic Scotland – has formed, but the fragile peace is threatened by a series of brutal murders. Members of a mysterious ‘Fisher’ cult are being killed one by one. The gruesome case brings together two mismatched police detectives: Captain Aedith, daughter of the powerful Saxon leader, Earl Lod of Mercia, and Inspector Drustan, from the beleaguered – and mistrusting – Celts. As the threat rises, the detectives must put aside their personal differences to follow the trail, even when they uncover forces behind the killings that go deeper than they could ever have imagined – into their own murky pasts. Set in a world that’s far from our own and yet captivatingly familiar, Pagans explores contemporary themes of religious conflict, nationalism and prejudice in a smart, witty and refreshingly different police procedural that keeps you guessing until the very end.

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

Knock Knock, Open Wide weaves horror and Celtic myth into a terrifying, heartbreaking supernatural tale of fractured family bonds, the secrets we carry, and the veiled forces that guide Irish life. Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity. She will never speak of it again. Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain. As their relationship blossoms, Betty learns her lover's terrifying family history, and Ashling's secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children's TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out. Almost never. When the door between the known and unknown opens, it can never close again.

Knock Knock, Open Wide weaves horror and Celtic myth into a terrifying, heartbreaking supernatural tale of fractured family bonds, the secrets we carry, and the veiled forces that guide Irish life. Driving home late one night, Etain Larkin finds a corpse on a pitch-black country road deep in the Irish countryside. She takes the corpse to a remote farmhouse. So begins a night of unspeakable horror that will take her to the very brink of sanity. She will never speak of it again. Two decades later, Betty Fitzpatrick, newly arrived at college in Dublin, has already fallen in love with the drama society, and the beautiful but troubled Ashling Mallen. As their relationship blossoms, Ashling goes to great lengths to keep Betty away from her family, especially her alcoholic mother, Etain. As their relationship blossoms, Betty learns her lover's terrifying family history, and Ashling's secret obsession. Ashling has become convinced that the horrors inflicted on her family are connected to a seemingly innocent children's TV show. Everyone in Ireland watched this show in their youth, but Ash soon discovers that no one remembers it quite the same way. And only Ashling seems to remember its a small black goat puppet who lives in a box and only comes out if you don’t behave. They say he’s never come out. Almost never. When the door between the known and unknown opens, it can never close again.

Winding seamlessly between the psychological and the mythological, the spellbinding story of a young woman's dangerous passion as it plays out over the course of an eerie summer In their remote Viking settlement, Folkvi and her brother, Aslakr, have always been close--unnaturally close. They've grown more intimate still as Folkvi learns her shaman mother's craft, as men regard her with newly devouring eyes. Then illness carries off their parents, and the nest of home is shattered. Áslakr sets off on his first expedition, abandoning Folkvi to the dark of an endless winter. When he returns, he's done the unthinkable: He's found someone else to love. Sick with grief, Folkvi rages to the gods where they sit at the foot of an ancient tree, contemplating the twisted passions of humans that play out in the face of an ever-approaching end of days. Will none of them save her now? Very well, Folkvi will save herself. The wedding date is set. But first comes a fateful summer. . . Deeply unsettling and brilliantly imagined, First Comes Summer captures the terror of losing the world you've always known--and the uncanny extremes to which you might go to hold on to it.

The scene is the village of Lyme Regis on Dorset's Lyme Bay..."the largest bite from the underside of England's out-stretched southwestern leg." The major characters in the love-intrigue triangle are Charles Smithson, 32, a gentleman of independent means & vaguely scientific bent; his fiancée, Ernestina Freeman, a pretty heiress daughter of a wealthy & pompous dry goods merchant; & Sarah Woodruff, mysterious & fascinating...deserted after a brief affair with a French naval officer a short time before the story begins. Obsessed with an irresistible fascination for the enigmatic Sarah, Charles is hurtled by a moment of consummated lust to the brink of the existential void. Duty dictates that his engagement to Tina must be broken as he goes forth once again to seek the woman who has captured his Victorian soul & gentleman's heart.

Rollrock island is a lonely rock of gulls and waves, blunt fishermen and their homely wives. Life is hard for the families who must wring a poor living from the stormy seas. But Rollrock is also a place of magic - the scary, salty-real sort of magic that changes lives forever. Down on the windswept beach, where the seals lie in herds, the outcast sea witch Misskaella casts her spells - and brings forth girls from the sea - girls with long, pale limbs and faces of haunting innocence and loveliness - the most enchantingly lovely girls the fishermen of Rollrock have ever seen. But magic always has its price. A fisherman may have and hold a sea bride, and tell himself that he is her master. But from his first look into those wide, questioning, liquid eyes, he will be just as transformed as she is. He will be equally ensnared. And in the end the witch will always have her payment. Margo Lanagan has written an extraordinary tale of desire, despair and transformation. In devastatingly beautiful prose, she reveals unforgettable characters capable of unspeakable cruelty - and deep unspoken love. After reading about the Rollrock fishermen and their sea brides, the world will not seem the same.