The landmark comic satire that asks, “What would happen if all black people in America turned white?” The basis for the Broadway musical written by John Ridley with music by Tariq Trotter and choreography by Bill T. Jones It’s New Year’s Day 1933 in New York City, and Max Disher, a young black man, has just found out that a certain Dr. Junius Crookman has discovered a mysterious process that allows people to bleach their skin white—a new way to “solve the American race problem.” Max leaps at the opportunity, and after a brief stay at the Crookman Sanitarium, he becomes Matthew Fisher, a white man who is able to attain everything he has ever money, power, good liquor, and the white woman who rejected him when he was black. Lampooning myths of white supremacy and racial purity and caricaturing prominent African American leaders like W. E. B. Du Bois, Madam C. J. Walker, and Marcus Garvey, Black No More is a masterwork of speculative fiction and a hilarious satire of America’s obsession with race. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

On the reservation, danger looms everywhere, rising out of fear and anger, deprivation and poverty. Fiery-haired Louise White Elk dreams of both belonging and escape, and of discovering love and freedom on her own terms. But she is a beautiful temptation for three men-each more dangerous than the next-who will do anything to possess her...

Still traumatised by her brush with a psychopath, Detective Cassie Maddox transfers out of the Murder squad and starts a relationship with fellow detective Sam O’Neill. When he calls her to the scene of his new case, she is shocked to find that the murdered girl is her double. What’s more, her ID shows she is Lexie Madison – the identity Cassie used, years ago, as an undercover detective. With no leads, no suspects and no clues to Lexie’s real identity, Cassie’s old boss spots the opportunity of a lifetime: send Cassie undercover in her place, to tempt the killer out of hiding to finish the job.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Who is Mrs. March? A twenty-first-century Highsmith, Virginia Feito conjures the unforgettable Mrs. March, an Upper East Side housewife whose life is shattered by her husband’s latest novel. In this astonishing debut, the venerable but gossipy New York literary scene is twisted into a claustrophobic fun house of paranoia, horror, and wickedly dark humor. George March’s latest novel is a smash. No one is prouder than Mrs. March, his doting wife. But one morning, the shopkeeper of her favorite patisserie suggests that his protagonist is based on Mrs. March herself: “But . . . ―isn't she . . .’ Mrs. March leaned in and in almost a whisper said, ‘a whore?” Clutching her ostrich-leather pocketbook, she flees, that one casual remark destroying her belief that she knew everything about her husband―as well as herself. Suddenly, Mrs. March is hurled into a harrowing journey that builds to near psychosis, one that begins merely within the pages of a book but may uncover both a killer and the long-buried secrets of her past.

Madeline King and Grace Pancik are best friends and the envy of Nantucket for their perfect marriages, their beautiful kids, their Sunday night double dates with their devoted husbands. But this summer, something's changed, and if there's anything Nantucket likes better than cocktails on the beach at sunset, it's a good rumor.And rumor has it......that Madeline, a novelist, is battling writer's block, with a deadline looming, bills piling up, and blank pages driving her to desperation--and a desperately bad decision;...that Grace, hard at work to transform her backyard into a garden paradise, has been collaborating a bit more closely than necessary with her ruggedly handsome landscape architect;...that Grace's husband, successful island real estate developer "Fast Eddie" Pancik, has embarked on quite an unusual side project;...that the storybook romance between Madeline's son, Brick, and Grace's daughter Allegra is on the rocks, heading for disaster.As the gossip escalates, and they face the possible loss of the happy lives they've worked so hard to create, Grace and Madeline try mightily to set the record straight--but the truth might be even worse than rumor has it.

It's Nantucket wedding season, also known as summer-the sight of a bride racing down Main Street is as common as the sun setting at Madaket Beach. The Otis-Winbury wedding promises to be an event to remember: the groom's wealthy parents have spared no expense to host a lavish ceremony at their oceanfront estate. But it's going to be memorable for all the wrong reasons after tragedy strikes: a body is discovered in Nantucket Harbor just hours before the ceremony-and everyone in the wedding party is suddenly a suspect. As Chief of Police Ed Kapenash interviews the bride, the groom, the groom's famous mystery-novelist mother, and even a member of his own family, he discovers that every wedding is a minefield-and no couple is perfect. Featuring beloved characters from The Castaways, Beautiful Day, and A Summer Affair, The Perfect Couple proves once again that Elin Hilderbrand is the queen of the summer beach read.

The Way We Never Were examines two centuries of American family life and shatters a series of myths and half-truths that burden modern families. Placing current family dilemmas in the context of far-reaching economic, political, and demographic changes, Coontz sheds new light on such contemporary concerns as parenting, privacy, love, the division of labor along gender lines, the black family, feminism, and sexual practice.