A book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats—from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness—begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

A queer and cli-fi reimagining of a Portuguese folktale about a young trans woman who must save her elder sisters from the King of the Air, the King of the Sea, and the King of Misery Elixane lives in a village ravaged by waves, storms, and the encroaching forest. When she was too young to remember, her elder sisters each picked a flower and were whisked Borboleta to marry the King of the Air, Adelina to marry the King of the Sea, and her favorite sister Dores to marry the King of Misery, who No one will ever love you as I will. So when Elixane receives a mysterious message from a toad, she sets out to rescue Dores from the Kingdom of Misery. She is aided by the jester-like Marquês of Luck and his sister Jinx, the contrary and beautiful Marquesa of Misfortune. On the way, she’ll have to reunite with her sisters and their magical husbands, break several unbreakable curses—and, perhaps, find a magical love of her own.

In a holy city where sins and blessings can be revealed through consecrated touch, Csilla - born without a soul - is worthless to the Church that raised her. But when a series of murders corrodes the magic that keeps the city safe, the Church elders see a use for her flaw: she can assassinate their prime suspect, a heretic with divine heritage, without the stain of sin. The heretic, however, makes a counter-offer: clear his name and catch the real killer, without becoming a target herself, and he'll use his power to get her a soul. When their investigation catches the attention of Ilan, a ruthless Church Inquisitor demoted for his failure to solve the case, he reluctantly offers his help in order to earn back his position. He’ll bring in the murderer— or failing that, Csilla and the heretic. But as the death toll rises and their hunt pits them against the Faith, Csilla will find that salvation comes at the cost of everything she believes in.

The electric and intimate memoir of a person who spent ten years as a stripper. This Is My Real Name is the memoir of Cid V Brunet, who spent ten years working as a dancer at strip clubs, using the name Michelle. From her very first lap dance in a small-town bar to her work at high-end clubs, Michelle learns she must follow the unspoken rules that will allow her to succeed in the competitive industry. Along the way, she and her co-workers encounter compelling clients and unreasonable bosses and navigate their own relationships to drugs and alcohol. Michelle and her friends rely on each other's camaraderie and strength in an industry that can be both toxic and deeply rewarding. Intensely personal, This Is My Real Name demystifies stripping as a career with great respect and candour, while at the same time exploring the complex, sex-positive relationships (queer and otherwise) that make it meaningful.