Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

Femten noveller om hemmeligheder, ensomhed og store forhåbninger. I Tyverier skriver Thomas Korsgaard om betydningsfulde øjeblikke i en række personers liv. Om at blive konfronteret med sin fortid på et posthus. Om at kravle ud ad vinduet til en familiefrokost efter at have fået sandheden at vide. Om at være på jagt efter årets nytårsmiddag i en container. Om at forsøge at sælge en forsikring til en døende og meget mere. Ikke mindst handler fortællingerne om at stjæle ting og sager – og liste hemmeligheder ud af folk – uden at det nogensinde bliver opdaget.

I et baghus midt i København ligger Adonis Sauna Spa Men’s Health Club. Mænd ringer på ved det diskrete skilt, bliver lukket ind i receptionen og får udleveret en nøgle, et håndklæde og et kondom. Johan er lige begyndt som receptionist, og det er hans job at spole pornofilm tilbage, vaske håndklæder og lave cowboytoasts til gæsterne. Nøgenhed er regel nr. ét i saunaen, men en aften beder en smuk og usikker dreng om lov til at beholde sit sportstøj på, og snart er Johan villig til at bryde alle regler for den transkønnede William. SAUNA er en forelsket knaldroman om forholdet mellem to unge mænd med hver deres længsel efter frihed og forbundethed. En gribende fortælling om sex, fællesskaber og ensomhed, om en særlig, sensuel økologi og begæret efter at omstyrte forestillinger om kroppe og samfund – og smelte sammen med noget større.  

Hun har aldrig skrevet et ord om Julie, men i arbejdet med en ny roman, er det pludselig ikke til at komme udenom. Noget sættes i skred. Deres historie er flettet ind i hinanden. Det bliver en vandring ad gengroede stier gennem en mørk skov, gennem et liv. Mellem skovens træer møder vi bl.a. koreografen, en mor, en morfar, en mystisk, velklædt mand på gaden. Og fotografen, der vil fotografere hende. Vild er en roman om erindring. En roman om at genkalde sig den tidlige ungdom, en ung piges skelsættende møde med spejlene, dansen, fotografierne. Romanen er en selvstændig opfølger til den anmelderroste Paradis først fra 2020.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

Combining sociological theory, fandom, and memoir, this experimental manifesto rejects dominant narratives about marginalized bodies. Combining feminist theories, X-Files fandom, and personal memoir, Enjoy Me among My Ruins draws together a kaleidoscopic archive of Juniper Fitzgerald’s experiences as a queer sex-working mother. Plumbing the major events that shaped her life, and interspersing her childhood letters written to cult icon Gillian Anderson, this experimental manifesto contends with dominant narratives placed upon marginalized bodies and ultimately rejects a capitalist system that demands our purity and submission over our survival.