A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon. Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

The Devil knows your name, David Aristarkhov. As a teen, David Aristarkhov was a psychic prodigy, operating under the shadow of his oppressive occultist father. Now, years after his father’s death and rapidly approaching his thirtieth birthday, he is content with the high-powered life he’s curated as a Boston attorney, moonlighting as a powerful medium for his secret society. But with power comes a price, and the Devil has come to collect on an ancestral deal. David’s days are numbered, and death looms at his door. Reluctantly, he reaches out to the only person he’s ever trusted, his ex-boyfriend and secret Society rival Rhys, for help. However, the only way to get to Rhys is through his wife, Moira. Thrust into each other’s care, emotions once buried deep resurface, and the trio race to figure out their feelings for one another before the Devil steals David away for good… The first book in a spellbinding and vibrant new series from The Sunday Times bestselling author of A Dowry of Blood.

A young Indigenous woman enters a colonizer-run dragon academy—and quickly finds herself at odds with the “approved” way of doing things—in the first book of this brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon. Unfortunately for Anequs, the Anglish conquerors of her land have different opinions. They have a very specific idea of how a dragon should be raised, and who should be doing the raising—and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, her dragon will be killed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land, challenges abound—both socially and academically. But Anequs is smart, determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. Anequs and her dragon may be coming of age, but they’re also coming to power, and that brings an important realization: the world needs changing—and they might just be the ones to do it.

Jamie Conway has a charmed life. At 24, he's relocated from Dublin to London to star in his first feature film. Unfortunately, he also has one very big problem: He has a huge crush on his happily married costar. British heartthrob to middle-aged women everywhere, Callum Griffith-Davies should have better sense than to flirt with his new-to-the-business colleague, but good judgement isn't one of the qualities for which he's known. Nerea Espinosa de Los Monteros Nessim has better things to do than fret about her husband's newest conquest. She’s busy planning her daughter's wedding at the family's farmhouse in rural Spain. Besides, she and Callum have been married and polyamorous for almost 30 years; she's content to let him make his own bad choices. But when Nerea flies to London after her artwork is selected for a high-profile museum show, she falls for Jamie too. Soon Callum, Jamie, and Nerea have bigger problems, and surprises, than international logistics. From ex-lovers and nosy neighbors to adult children with dramas of their own, The Art of Three is a contemporary romance that celebrates families, and farce, in all shapes and sizes.

On a warm March night in 2083, Judy Wallach-Stevens wakes to a warning of unknown pollutants in the Chesapeake Bay. She heads out to check what she expects to be a false alarm--and stumbles upon the first alien visitors to Earth. These aliens have crossed the galaxy to save humanity, convinced that the people of Earth must leave their ecologically-ravaged planet behind and join them among the stars. And if humanity doesn't agree, they may need to be saved by force. The watershed networks aren't ready to give up on Earth. Decades ago, they rose up to exile the last corporations to a few artificial islands, escape the dominance of nation-states, and reorganize humanity around the hope of keeping their world liveable. By sharing the burden of decision-making, they've started to heal the wounded planet. But now corporations, nation-states, and networks all vie to represent humanity to these powerful new beings, and if any one accepts the aliens' offer, Earth may be lost. With everyone’s eyes turned skyward, everything hinges on the success of Judy's effort to create understanding, both within and beyond her own species.

Samara Breger's A Long Time Dead is a lush, Victorian romance, drenched in blood and drama, about the lengths two women will go to secure a love that cannot die. Somewhere foggy, 1837 . . . Poppy had always loved the night, which is why it wasn’t too much of a bother to wake one evening in an unfamiliar home far from London, weak and confused and plagued with a terrible thirst for blood, to learn that she could no longer step out into the day. And while vampirism presented several disadvantages, it more than made up for those in its benefits: immortality, a body that could run at speed for hours without tiring, the thrill of becoming a predator, the thing that pulls rabbits from bushes and tears through their fur and flesh with the sharp point of a white fang. And, of course, Roisin. The mysterious woman who has lived for centuries, who held Poppy through her painful transformation, and who, for some reason, is now teaching her how to adjust to her new, endless life. A tight, lonely, buttoned-up woman, with kindness and care, pressed up behind her teeth. The time they spend together is as transformative to Poppy as the changes in her body, and soon, she finds herself hopelessly, overwhelmingly attached. But Roisin has secrets of her own, and can’t make any promises; not when vengeance must be served. Soon, their little world explodes. Together and apart, they encounter scores of vampires, shifty pirates, conniving opera singers, ancient nobles, glamorous French women, and a found family that throws a very particular sort of party. But overhead, threat looms—one woman who is capable of destroying everything Poppy and Roisin hold dear.

Inspired by a classic of martial arts literature, S. L. Huang's The Water Outlaws are bandits of devastating ruthlessness, unseemly femininity, dangerous philosophies, and ungovernable gender who are ready to make history—or tear it apart.In the jianghu, you break the law to make it your own.Lin Chong is an expert arms instructor, training the Emperor's soldiers in sword and truncheon, battle axe and spear, lance and crossbow. Unlike bolder friends who flirt with challenging the unequal hierarchies and values of Imperial society, she believes in keeping her head down and doing her job.Until a powerful man with a vendetta rips that carefully-built life away.Disgraced, tattooed as a criminal, and on the run from an Imperial Marshall who will stop at nothing to see her dead, Lin Chong is recruited by the Bandits of Liangshan. Mountain outlaws on the margins of society, the Liangshan Bandits proclaim a belief in justice—for women, for the downtrodden, for progressive thinkers a corrupt Empire would imprison or destroy. They’re also murderers, thieves, smugglers, and cutthroats.Apart, they love like demons and fight like tigers. Together, they could bring down an empire.

Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins. Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour. Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.

The Witcher meets Howl’s Moving Castle in this debut original faerie tale of revenge, redemption, and friendship―for fans of T. Kingfisher, Naomi Novik, and cozy fantasy with a dash of gritty adventure. The night Lyssa Cadogan's brother was murdered by a faerie-made monster known as the Beast, she made him a promise: she would find a way to destroy the immortal creature and avenge his death. For thirteen years, she has been hunting faeries and the abominations they created. But in all that time, the one Beast she is most desperate to find has never resurfaced. Until she meets Alderic Casimir de Laurent, a melodramatic dandy with a coin purse bigger than his brain. Somehow, he has found the monster’s lair, and―even more surprising―retrieved one of its claws. A claw Lyssa needs in order to forge a sword that can kill the Beast. When the witch Ragnhild decrees that Alderic and Lyssa must gather the other ingredients to forge the weapon together, or else the spell will fail, Lyssa gets more than she bargained for. Alderic is ill-equipped for the task at hand, and almost guaranteed to get himself killed. But as the two of them search for the materials that will be the Beast's undoing, Alderic reveals hidden depths: dark secrets that he guards as carefully as Lyssa guards hers. Before long, and against Lyssa's better judgment, they begin to forge a blooming friendship―one that will either lead to the culmination of Lyssa's quest for vengeance, or spell doom for them both.

From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s. “Ray Carney was only slightly bent when it came to being crooked…” To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the “Waldorf of Harlem”—and volunteers Ray’s services as the fence. The heist doesn’t go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle’s ingenious story plays out in a beautifully recreated New York City of the early 1960s. It’s a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it’s a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

A genre-defying novel about immortality and hunger from V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life—how it ends, and how it starts.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.

From #1 New York Times bestselling author and two-time Pulitzer winner Colson Whitehead, an exuberantly entertaining novel that brings to life 1980s New York in the magnificent final volume of his Harlem Trilogy1981. New York City is beginning to emerge from financial ruin and decline, energized by rampant real estate development and a Wall Street unchained by Reagan-era predatory capitalism. Up in Harlem, successful business owner/master fence Ray Carney has just been named Sterling Furniture’s Dealer of the Month. When the banks won’t give his beloved wife Elizabeth a loan for her new travel agency, however, Carney gambles on one last heist, and finds himself entangled with a legendary criminal mastermind.1983. To some, Carney’s friend and partner in crime, Pepper, is a stone-cold sociopath. To others, a top thief with questionable people skills. Either way, he’s feeling his age in his troubled gut and his aching bones. When he takes on a bodyguard gig as a favor to Elizabeth, he’s plunged into the alien territory of the East Village art and club scene. Luckily for him, whether you’re uptown or down, everyone speaks the same language of violence—Pepper is a native speaker.1986. Carney has always been haunted by his inability to save his cousin Freddie. Now, twenty years after Freddie’s death, he has a chance to rescue Freddie’s son from the violent forces of the city. But coming out of retirement and teaming up with Pepper again will mean risking the safety and security he’s spent decades building for his family, with only one shot to get it right.With his usual pitch-perfect prose, Whitehead paints a portrait of a city in transition, where shimmering skyscrapers rise to the heavens as displaced people huddle in abandoned tunnels below. In a dazzling display of protean imagination, Cool Machine roves all over the city, from Windows on the World to the Meadowlands, to show that in New York, and in the lives of Whitehead’s vivid characters, it’s what’s below the surface that reveals the truth.

From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, a gloriously entertaining novel of heists, shakedowns, and rip-offs set in Harlem in the 1960s. “Ray Carney was only slightly bent when it came to being crooked…” To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver’s Row don’t approve of him or their cramped apartment across from the subway tracks, it’s still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. Cash is tight, especially with all those installment-plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace, Ray doesn’t ask where it comes from. He knows a discreet jeweler downtown who doesn’t ask questions, either. Then Freddie falls in with a crew who plan to rob the Hotel Theresa—the “Waldorf of Harlem”—and volunteers Ray’s services as the fence. The heist doesn’t go as planned; they rarely do. Now Ray has a new clientele, one made up of shady cops, vicious local gangsters, two-bit pornographers, and other assorted Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he begins to see who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle’s ingenious story plays out in a beautifully recreated New York City of the early 1960s. It’s a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it’s a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.