At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people. At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new novelists, a writer who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.

"A gorgeous new novel about a Haitian adoptee finding her way in many different corners of the world."--Edwidge Danticat, New York Times"Augustave, a first-time novelist, pens a well-balanced story about a young woman, caught between two worlds, who struggles to connect with her heritage...a polished narrative that addresses racism and cultural and class differences and provides a wealth of information about vaudou beliefs."--Kirkus Reviews"Augustave… illustrates the devastating rootlessness of cultural disaffiliation."--World Literature Today"The Roving Tree is both a song and a social essay. It provides a window on a world and rounds out by circling back to the prologue."--Asheville Citizen-Times"Augustave creates a stunning tale with beautiful language that dwells in the realm of magical realism…The characters are rich, complicated and full of color and nuance."--Mosaic Magazine"The Roving Tree is truly an enthralling debut novel that deserves a wide audience; readers will undoubtedly be enriched by their engagement with it."--SX Salon"The beauty of this book lies in its simplicity. An engaging read that packs a powerful punch."--Historical Novel Review"The Roving Tree is Elsie Augustave’s debut novel, and I can’t wait to see what she writes next. Augustave writes beautifully and it’s obvious that she cares a lot about the subject matter she chooses. I definitely recommend The Roving Tree to anyone who likes reading literary fiction and/or to anyone who is interested in the ideas and history portrayed in the book."--Between the Covers"Augustave is a talented writer who brings her varied characters to life and shows readers parts of the world that few of us have experienced. Her book is an excellent anecdote to books about immigration that, intentionally or not, present the western world as the favored or inevitable destination…I strongly recommend The Roving Tree to all those who are interested in Haiti, Zaire, and African traditions more generally."--Me, You, and Books"A beautiful, layered, nuanced story about a woman finding herself."--NBC COZI TV, Essence Magazine summer reading pick"A fulfilling, exciting and ultra-lyrical read, The Roving Tree is really a novel about a lost soul’s identity quest."--Kreyolicious.com"A fresh new voice who adds her own charming, beguiling brand of lyricism to the growing body of Haitian American stories. The Roving Tree is a unique and fascinating book, and I for one look forward to hearing more from this writer."--Lorna Goodison, author of From Harvey RiverElsie Augustave's debut novel explores multiple themes: separation and loss, rootlessness, the impact of class privilege and color consciousness, and the search for cultural identity. The central character, Iris Odys, is the offspring of Hagathe, a Haitian maid, and a French-educated mulatto father, Brahami, who cares little about his child. Hagathe, who had always dreamed of a better life for her child, is presented with the perfect opportunity when Iris is five years old. Adopted by a white American couple, Iris is transported from her tiny remote Haitian village, Monn Neg, to an American suburb.The Roving Tree illuminates how imperfectly assimilated adoptees struggle to remember their original voices and recapture their personal histories and cultural legacy. Set between two worlds—suburban America and Haiti under Papa Doc's repressive regime—the novel offers a unique literary glimpse into the deeply entrenched class discrimination and political repression of Haiti during the Duvalier era, along with the subtle but nonetheless dangerous effects of American racism.

A revolutionary collaboration about the world we're living in now, between two of our most important contemporary thinkers, writers and activists. When much of the world entered pandemic lockdown in spring 2020, Robyn Maynard, influential author of Policing Black Lives, and Leanne Betasamosake Simpson, award-winning author of several books, including the recent novel Noopiming, began writing each other letters--a gesture sparked by friendship and solidarity, and by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. Their letters soon grew into a powerful exchange on the subject of where we go from here. Rehearsals is a captivating book, part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers convening on what it means to get free as the world spins into some new orbit. In a genre-defying exchange, the authors collectively envision the possibilities for more liberatory futures during a historic year of Indigenous land defense, prison strikes, and global-Black-led rebellions against policing. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and the long-disavowed histories of slavery and colonization that have brought us to this moment in the first place, Maynard and Simpson create something new: a vital demand for a different way forward, and a poetic call to dream up new ways of ordering earthly life.

An alternate cover edition can be found here. A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction. Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

Vanuatuan poetry