From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

From the nationally bestselling author of the “powerful, heartbreaking” (Shelf Awareness) The Stationery Shop, a heartfelt, epic new novel of friendship, betrayal, and redemption set against three transformative decades in Tehran, Iran. In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.” But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives. Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences. Written with Marjan Kamali’s signature “evocative, devastating, and hauntingly beautiful” (Whitney Scharer, author of The Age of Light) prose, The Lion Women of Tehran is a sweeping exploration of how profoundly we are shaped by those we meet when we are young, and the way love and courage transforms our lives.

When you pick up the latest Emily Henry novel, or settle in for an evening with the newest volume of your favorite romantasy, you are taking part in a process stretching back two millennia. The ancient Greeks considered it a highlight of one's life to hear with one's own ears the words of the great romantic poets of their day. The Romans enjoyed sprawling romantic epics that only reunited their lovers after continent-spanning struggles against foreign armies, pirates, and treacherous monarchs. The Middle Ages sung hushed stories of lust far from the ears of the Church, while its great poets probed the darker boundaries of courtly love, and the writers of the seventeenth century delighted in giving young women ten-volume romances, delivered over the course of a decade, to fill their bookshelves and lonely hours. Writing about love, its complexities, and resolutions, has been a part of the literary tradition since its inception, but it is only in the last three centuries that the format has grown into the publishing juggernaut we know today. From the intensely observed novels of Jane Austen, through the great Sensation Novels of the 1860s that fused romance and mystery, and into the great industrial and marketing machine that was Mills & Boon and Harlequin at their height, new developments in publishing have linked up with new ideas about womanhood, sex, and romance, to produce an ever-evolving approach to the romance novel, culminating in our own modern Golden Age, where more people from more backgrounds are writing more types of romance than ever before for a readership than is larger than it has ever been, and is consuming its favourite literary form in convenient new formats. A History of Romance From Trembling Innocents to Hunky Werewolves explores the long story of our love affair with love stories, during both its eras of creative flourishing, and the long periods of industrially motivated stagnation, to give even the most dedicated romance reader a few new veins to mine, and a few more characters to fall in love with.

Discover the terrifying history of horror cinema in this wickedly entertaining guide.Adapted from the acclaimed podcast, The Evolution of Horror takes a deep dive into the history of cinema's darkest genre. Covering everything from silent films to modern masterpieces, author Mike Muncer breaks down eight key horror subgenres - including vampires, slashers, zombies and ghost stories - to explore the tropes, motifs, historical context and psychology behind why certain stories scare us so much.Each chapter includes reviews of a host of major movies and cult classics, plus a guide to the hallmarks of the subgenre and the legendary filmmakers who have mastered it. Stylishly illustrated throughout with stills, posters and stunning artworks by artist Mike Lee-Graham, this is a must-read guide to the eclectic, enthralling and deliciously macabre world of horror.

From the nationally bestselling author of the “powerful, heartbreaking” (Shelf Awareness) The Stationery Shop, a heartfelt, epic new novel of friendship, betrayal, and redemption set against three transformative decades in Tehran, Iran. In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.” But their happiness is disrupted when Ellie and her mother are afforded the opportunity to return to their previous bourgeois life. Now a popular student at the best girls’ high school in Iran, Ellie’s memories of Homa begin to fade. Years later, however, her sudden reappearance in Ellie’s privileged world alters the course of both of their lives. Together, the two young women come of age and pursue their own goals for meaningful futures. But as the political turmoil in Iran builds to a breaking point, one earth-shattering betrayal will have enormous consequences. Written with Marjan Kamali’s signature “evocative, devastating, and hauntingly beautiful” (Whitney Scharer, author of The Age of Light) prose, The Lion Women of Tehran is a sweeping exploration of how profoundly we are shaped by those we meet when we are young, and the way love and courage transforms our lives.

From the author of the national bestseller The Dark Queens, an incandescent work of true crime and feminist history about the woman alleged to be the world's most prolific female serial killer. There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her. Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.

Fantasy meets sports romance in this sizzling slow-burn novel in which the disgraced star of a brutal magical sport must team up with the rival who destroyed her career, from the #1 Sunday Times bestselling author of The God and the Gumiho.Carriwitchet, the violent, rugby-esque game played atop winged beasts, was once Taissa Cho’s whole life, and she was once the United Kingdom’s most promising player. Until her nemesis, rival player Kion Locke, destroyed her career in a single moment. Expelled from the sport in disgrace, Taissa has spent the last two years dreaming of nothing but revenge and relishing watching Kion’s team plummet to the bottom of the league.So when Taissa is offered the chance to redeem herself and her career, she can’t refuse—even if the offer is coming from the very man who ruined everything in the first place. It’s close to a dream come true . . . except for that pesky clause in her contract that demands she and Kion enter a fake relationship in order to garner some much-needed positive PR for the team. This could not be a worse match. Taissa and Kion only have two things in their love of the game, and their undying hatred for each other.Yet as a mysterious illness befalls the winged creatures of the entire league—putting both the beasts’ lives and the very sport itself at stake—the athletes find themselves partnering up in other ways, determined to crack the case of the eerie sickness. As their investigation takes them on a whirlwind adventure, Kion and Taissa are prepared for anything . . .Anything, that is, but their fake-for-the-cameras relationship to maybe, just maybe, become something real after all.

New Achievement! Total, Utter Failure. You failed a quest less than five minutes after you received it. Now that’s talent. A floating fortress occupied by warrior gnomes. A castle made of sand. A derelict submarine guarded by malfunctioning machines. A haunted crypt surrounded by lethal traps. It was supposed to be easy. One bubble. Four castles. Fifteen days. Capture each one, and the stairwell is unlocked. Here's the thing. It's never easy. Carl and his team can't go it alone. Not this time. They must rely on the help of the low-level, I-can't-believe-these-idiots-are-still-alive crawlers trapped in the bubble with them. But can they be trusted? Welcome, Crawler. Welcome to the fifth floor of the dungeon.

From the author of the national bestseller The Dark Queens, an incandescent work of true crime and feminist history about the woman alleged to be the world's most prolific female serial killer. There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her. Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.

From an electrifying new voice in epic fantasy comes The Raven Scholar, a masterfully woven and playfully inventive tale of imperial intrigue, cutthroat competition, and one scholar’s quest to uncover the truth. Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best. Then one of them is murdered. It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in. If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen. We are the Raven, and we are magnificent.

Discover the terrifying history of horror cinema in this wickedly entertaining guide.Adapted from the acclaimed podcast, The Evolution of Horror takes a deep dive into the history of cinema's darkest genre. Covering everything from silent films to modern masterpieces, author Mike Muncer breaks down eight key horror subgenres - including vampires, slashers, zombies and ghost stories - to explore the tropes, motifs, historical context and psychology behind why certain stories scare us so much.Each chapter includes reviews of a host of major movies and cult classics, plus a guide to the hallmarks of the subgenre and the legendary filmmakers who have mastered it. Stylishly illustrated throughout with stills, posters and stunning artworks by artist Mike Lee-Graham, this is a must-read guide to the eclectic, enthralling and deliciously macabre world of horror.

It is 1936 and harvest time in County Donegal. In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after twenty-five years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are nonetheless a part.