Wings of Fire meets Jurassic Park in this action-adventure middle grade debut series by Skye Melki-Wegner about five outcasts ― and former enemies ― who are the only hope to save their warring kingdoms from impending doom. "My favorite middle grade book of the year.” ― New York Times -bestselling author Amie Kaufman Battle rages between the dinosaur kingdoms of Cretacea. When the Fallen Star struck, it brought death and despair, ash and toxic rain. But some dinosaurs survived . . . and were changed. Their minds grew alert. They learned to speak. To dream. To wage war. As the two remaining dinosaur kingdoms fight for territory, Eleri, the disgraced son of a prince, is exiled from his home for saving an enemy soldier. Banished to the merciless Deadlands, a terrifying desert full of tar pits, poisonous gas, and ruthless carnivores, he must join forces with a group of questionable allies―including the enemy soldier he saved―to avoid becoming prey. When Eleri and his fellow exiles discover the horrific truth behind the war, the unlikely heroes must do all they can to save their kingdoms from a lurking predator. . . and a secret plot that might destroy them all.

The first scream came from the snowbound railwayman who felt the fangs ripping at his throat. The next month there was a scream of ecstatic agony from the woman attacked in her snug bedroom. Now scenes of unbelieving horror come each time the full moon shines on the isolated Maine town of Tarker Mills. No one knows who will be attacked next. But one thing is sure. When the moon grows fat, a paralyzing fear sweeps through Tarker Mills. For snarls that sound like human words can be heard whining through the wind. And all around are the footprints of a monster whose hunger cannot be sated... Cycle of the Werewolf.

Since its founding in 1951, the Epidemic Intelligence Service has waged war on every imaginable ailment. When an epidemic hits, the EIS will be there to crack the case, however mysterious or deadly, saving countless lives in the process. Over the years they have successfully battled polio, cholera, and smallpox, to name a few, and in recent years have turned to the epidemics killing us nowâ smoking, obesity, and gun violence among them. The successful EIS model has spread former EIS officers on the staff of the Centers for Disease Control have helped to establish nearly thirty similar programs around the world. EIS veterans have gone on to become leaders in the world of public health in organizations such as the World Health Organization. Inside the Outbreaks takes readers on a riveting journey through the history of this remarkable organization, following Epidemic Intelligence Service officers on their globetrotting quest to eliminate the most lethal and widespread threats to the worldâ s health.

A unique collection of horror stories focuses on the work of gay and lesbian writers, including Kraig Blackwelder's "Coyote Love," Leslie What's "The Were-Slut of Avenue A," and other contributions from Holly Wade Matter, Mark Tiedmann, Brian A. Hopkins, A. J. Potter, and Alexis Glynn Latner. Reprint.

In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.

The first scream came from the snowbound railwayman who felt the fangs ripping at his throat. The next month there was a scream of ecstatic agony from the woman attacked in her snug bedroom. Now scenes of unbelieving horror come each time the full moon shines on the isolated Maine town of Tarker Mills. No one knows who will be attacked next. But one thing is sure. When the moon grows fat, a paralyzing fear sweeps through Tarker Mills. For snarls that sound like human words can be heard whining through the wind. And all around are the footprints of a monster whose hunger cannot be sated... Cycle of the Werewolf.

A poignant, sharp-eyed, and bitterly funny tale of a family struggling to stay together in a country that's rapidly coming apart, told through the eyes of their wondrous ten-year-old daughter, by the bestselling author of Super Sad True Love Story and Our Country Friends"In its swirls of emotion, its humor and its pathos, the unsparing humanity of its vision, Vera, or Faith is like some fabulous, hitherto-unknown creature that’s been let out of its bottle and set free. It begins to seem that there’s nothing Gary Shteyngart can’t do."—Michael CunninghamThe Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love each other deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage give him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original.Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world.Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child. With a nod to What Maisie Knew, Henry James's classic story of parents, children, and the dark ironies of a rapidly transforming society, Vera, or Faith demonstrates why Shteyngart is, in the words of The New York Times, "one of his generation's most exhilarating writers."

The Fisherman can't fathom why anyone would want to be human. Small wonder. They've been ripped from their underwater home under Europa's ice, and stripped of their skin--the nebulous outer layer that enables them to shapeshift for survival. Imprisoned on a ship that's hunting for a mad undersea god, they must help the crew find it if they want to retrieve their skin and return home. Dame Isobel, an insane young heiress, owns the ship, desperate to find the god in the hopes that it will heal her lobotomized girlfriend. The Fisherman is stuck in a female human form. They're pulled into a toxic, codependent sexual relationship with Dame Isobel-- in a world where homosexuality is punishable by death. In the midst of this insanity, it's quite clear to the Fisherman: Humanity is confusing, inefficient, and messy. When Isobel reveals that she will never let the Fisherman go, even if they find the mad god, the Fisherman knows: It's time to get violent.

“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories -- she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there. Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back, and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them, and find out for herself just how deep the rot goes.

"A bizarre and fiercely original splatterpunk phantasmagoria of queerness. Deranged and gleefully weird as f*ck, this is an impressive debut from a singular literary talent." —Eric LaRocca, Bram Stoker Award-nominated author of Things Have Gotten Worse Since We Last Spoke Annihilation meets Manhunt in three-time Hugo Award nominee Bitter Karella’s debut horror novel—a gloriously queer and irreverent psychedelic trip into the heart of an eldritch wood and the horrors of (cis)terhood.I see something out there, in the woods. It does not have a face. They call it the King’s Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of disappearing hikers and strange cults that worship the divine feminine abound. Sarah is a trans woman who makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King’s Breakfast has her journeying into those vast uncharted woods. But as she descends deeper, she realizes she's not alone. Something in the forest is waking up. It's hungry—and it wants her.  ★ “As eldritch and grimy as the terrifying forest it’s set in. I loved this book!" —Trevor Henderson, author of Scarewaves  ★ "Weird, wild, and oh-so-wretched, Moonflow is the trans botanical horror we need in the world right now." —Drew Huff, author of The Divine Flesh  ★ “Is it legal to have this much fun reading a book? I’m in awe of Karella’s incredible gift for creating biting satire. I had a f*cking blast.” —Joe Koch, Shirley Jackson Award-nominated author of The Wingspan of Severed Hands

A poignant, sharp-eyed, and bitterly funny tale of a family struggling to stay together in a country that's rapidly coming apart, told through the eyes of their wondrous ten-year-old daughter, by the bestselling author of Super Sad True Love Story and Our Country Friends"In its swirls of emotion, its humor and its pathos, the unsparing humanity of its vision, Vera, or Faith is like some fabulous, hitherto-unknown creature that’s been let out of its bottle and set free. It begins to seem that there’s nothing Gary Shteyngart can’t do."—Michael CunninghamThe Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love each other deeply but the pressures of life in an unstable America are fraying their bonds. There's Daddy, a struggling, cash-thirsty editor whose Russian heritage gives him a surprising new currency in the upside-down world of twenty-first-century geopolitics; his wife, Anne Mom, a progressive, underfunded blue blood from Boston who's barely holding the household together; their son, Dylan, whose blond hair and Mayflower lineage give him pride of place in the newly forming American political order; and, above all, the young Vera, half-Jewish, half-Korean, and wholly original.Observant, sensitive, and always writing down new vocabulary words, Vera wants only three things in a friend at school; Daddy and Anne Mom to stay together; and to meet her birth mother, Mom Mom, who will at last tell Vera the secret of who she really is and how to ensure love's survival in this great, mad, imploding world.Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child. With a nod to What Maisie Knew, Henry James's classic story of parents, children, and the dark ironies of a rapidly transforming society, Vera, or Faith demonstrates why Shteyngart is, in the words of The New York Times, "one of his generation's most exhilarating writers."

My Dirty Dumb Eyes introduces Lisa Hanawalt as a first-rank cartoonist/humorist/stalker for an audience that likes its humor idiosyncratic, at times anthropomorphic or scatological, often uncomfortable, and always sharp witted. Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.