Cruel tyrant Taxian-jun killed his way to the throne and now reigns as the first ever emperor of the mortal realm. Yet somehow, he is unsatisfied. Left cold and bereft, abandoned by all he held dear, he takes his own life...only to be reborn anew. Awakening in the body of his younger self--Mo Ran, a disciple of the cultivation sect Sisheng Peak--he discovers the chance to relive his life. This time, he vows to attain the gratification that once eluded him: all who defied him will fall, and never again will they treat him like a dog. His greatest fury is reserved for Chu Wanning, the coldly beautiful and aloofly catlike cultivation teacher who betrayed and thwarted Mo Ran time and again in their last life. Yet as Mo Ran shamelessly pursues his own goals in this life he thought lost, he begins to wonder if there might be more to his teacher--and his own feelings--than he ever realized.

The novel that lit the Japanese publishing world on fire: From a breathtaking up-and-coming writer, a twenty-first century Catcher in the Rye that brilliantly explores toxic fandom, social media, and alienated adolescence. Akari is a high school junior obsessed with "oshi" Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without--even though she's never actually met him. When rumors surface that her idol assaulted a female fan, social media explodes. Akari immediately begins sifting through everything she can find about the scandal, and shares every detail to her blog--including Masaki's denials and pleas to his fans--drawing numerous readers eager for her updates. But the organized, knowledgeable persona Akari presents online is totally different from the socially awkward, unfocused teenager she is in real life. As Masaki's situation spirals, his troubles threaten to tear apart her life too. Instead of finding a way to break free to save herself, Akari becomes even more fanatical about Masaki, still believing her idol is the only person who understands her. A blistering novel of fame, disconnection, obsession, and disillusion by a young writer not much older than the novel's heroine, Idol, Burning shines a white-hot spotlight on fandom and "stan" culture, the money-making schemes of the pop idol industry, the seductive power of social media, and the powerful emotional void that opens when an idol falls from grace, only to become a real--and very flawed--person.

When Paul and Julian meet as university freshmen in early 1970s Pittsburgh, they are immediately drawn to one another. A talented artist, Paul is sensitive and agonizingly insecure, incomprehensible to his working-class family, and desolate with grief over his father’s recent death.  Paul sees the wealthy, effortlessly charming Julian as his sole intellectual equal—an ally against the conventional world he finds so suffocating. He idolizes his friend for his magnetic confidence. But as charismatic as he can choose to be, Julian is also volatile and capriciously cruel. And admiration isn’t the same as trust. As their friendship spirals into an all-consuming intimacy, Paul is desperate to protect their precarious bond, even as it becomes clear that pressures from the outside world are nothing compared with the brutality they are capable of inflicting on one another. Separation is out of the question. But as their orbit compresses and their grip on one another tightens, they are drawn to an act of irrevocable violence that will force the young men to confront a shattering truth at the core of their relationship.    Exquisitely plotted, unfolding with a propulsive ferocity, These Violent Delights is a novel of escalating dread and an excavation of the unsettling depths of human desire. The Secret History meets Call Me by Your Name in Micah Nemerever's compulsively readable debut novel—a feverishly taut Hitchcockian story about two college students, each with his own troubled past, whose escalating obsession with one another leads to an act of unspeakable violence.

Edinburgh, 1817. Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought. Because Hazel has made a deal with Dr. Beecham: if she can pass the medical examination on her own, the university will allow her to enroll. Without official lessons, though, Hazel will need more than just her books – she’ll need bodies to study, corpses to dissect. Lucky that she’s made the acquaintance of someone who digs them up for a living, then. But Jack has his own problems: strange men have been seen skulking around cemeteries, his friends are disappearing off the streets. Hazel and Jack work together to uncover the secrets buried not just in unmarked graves, but in the very heart of Edinburgh society. A gothic tale full of mystery and romance about a willful female surgeon, a resurrection man who sells bodies for a living, and the buried secrets they must uncover together.

This is a world divided by blood—red or silver. The Reds are commoners, ruled by a Silver elite in possession of god-like superpowers. And to Mare Barrow, a seventeen-year-old Red girl from the poverty-stricken Stilts, it seems like nothing will ever change. That is until she finds herself working in the Silver Palace. Here, surrounded by the people she hates the most, Mare discovers that, despite her red blood, she possesses a deadly power of her own. One that threatens to destroy the balance of power. Fearful of Mare's potential, the Silvers hide her in plain view, declaring her a long-lost Silver princess, now engaged to a Silver prince. Despite knowing that one misstep would mean her death, Mare works silently to help the Red Guard, a militant resistance group, and bring down the Silver regime. But this is a world of betrayal and lies, and Mare has entered a dangerous dance—Reds against Silvers, prince against prince, and Mare against her own heart.

Екатерина Шульман - политолог, кандидат политических наук, преподаватель Российской академии государственной службы и народного хозяйства, специалист по проблемам законотворчества, постоянный колумнист газеты "Ведомости" и автор многих других электронных и печатных изданий, автор книги "Законотворчество как политический процесс". "Практическая политология. Пособие по контакту с реальностью" - книга, в которой российская политическая система рассматривается вне ложной дихотомии "сухой теории" и "сермяжной правды", а используя методы научного познания, практический опыт и здравый смысл Из книги вы узнаете: на какие политические режимы похож российский и что это говорит о его вероятном будущем; что стоит между демократией и автократией, в чем слабость и сила гибридных режимов, и как можно использовать это знание себе на пользу; как на самом деле выглядит законотворческий процесс в России: откуда берутся новые законы, кто их реальные авторы и бенефициары, и как починить взбесившийся принтер; какие трансформации происходят в российском обществе, и к каким политическим последствиям это приведет; как гражданину повлиять на принятие решений, затрагивающих его интересы, и остаться в живых.

Since she was little, Louise has been not quite hearing and not quite deaf―her life with this invisible disability has been one of in-betweenness. After an audiology test shows that almost all her hearing is gone, her doctor suggests getting a cochlear implant. The operation will be irreversible, making the decision all the more fraught. The technology would give Louise a new sense of hearing―but it would be at the expense of her natural hearing, which, for all its weakness, has shaped her unique relationship with the world, full of whispers and shadows. Hearing, for Louise, is inseparable from reading other people’s lips. Through sight, she perceives words and strings them together like pearls to reconstruct a conversation. But when the string breaks, misunderstandings result and eccentric images fill her thoughts. As she weighs the prospect of surgery, fabulous characters begin to accompany her: a damaged soldier from the First World War, an irritable dog named Cirrus, and a whimsical botanist. This ethereal world, full of terror and beauty and off-kilter humor, keeps erupting into the equally chaotic reality of Louise’s life as she experiences a new relationship, suffers through her first job, and steadies herself with friends. With Jellyfish Have No Ears, Adèle Rosenfeld shines an extraordinary light on the black hole of losing a sense and on the vibrancy that can arise to fill the void.

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

The novel that lit the Japanese publishing world on fire: From a breathtaking up-and-coming writer, a twenty-first century Catcher in the Rye that brilliantly explores toxic fandom, social media, and alienated adolescence. Akari is a high school junior obsessed with "oshi" Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without--even though she's never actually met him. When rumors surface that her idol assaulted a female fan, social media explodes. Akari immediately begins sifting through everything she can find about the scandal, and shares every detail to her blog--including Masaki's denials and pleas to his fans--drawing numerous readers eager for her updates. But the organized, knowledgeable persona Akari presents online is totally different from the socially awkward, unfocused teenager she is in real life. As Masaki's situation spirals, his troubles threaten to tear apart her life too. Instead of finding a way to break free to save herself, Akari becomes even more fanatical about Masaki, still believing her idol is the only person who understands her. A blistering novel of fame, disconnection, obsession, and disillusion by a young writer not much older than the novel's heroine, Idol, Burning shines a white-hot spotlight on fandom and "stan" culture, the money-making schemes of the pop idol industry, the seductive power of social media, and the powerful emotional void that opens when an idol falls from grace, only to become a real--and very flawed--person.

Когда говорят про социально-архитектурные эксперименты, обычно подразумевают советский авангард. Но в Сибири эта тенденция обозначилась почти за 10 лет до революции. Зодчие, инженеры, художники, писатели, политики, врачи и даже агрономы — все они являлись участниками активного преобразования жизни, охватившего Сибирь в 1910–1930-е. В книге представлена широкая панорама творческих поисков, в той или иной степени утопических — от попыток нащупать «сибирский стиль» в 1910-е до неоднозначного «освоения классического наследия» 1930-х, от разработки экономичного жилья для рабочего класса до постройки домов-дворцов для советской элиты, от общественных инициатив по созданию па

From an electrifying new voice in epic fantasy comes The Raven Scholar, a masterfully woven and playfully inventive tale of imperial intrigue, cutthroat competition, and one scholar’s quest to uncover the truth. Let us fly now to the empire of Orrun, where after twenty-four years of peace, Bersun the Brusque must end his reign. In the dizzying heat of mid-summer, seven contenders compete to replace him. They are exceptional warriors, thinkers, strategists—the best of the best. Then one of them is murdered. It falls to Neema Kraa, the emperor’s brilliant, idiosyncratic High Scholar, to find the killer before the trials end. To do so, she must untangle a web of deadly secrets that stretches back generations, all while competing against six warriors with their own dark histories and fierce ambitions. Neema believes she is alone. But we are here to help; all she has to do is let us in. If she succeeds, she will win the throne. If she fails, death awaits her. But we won’t let that happen. We are the Raven, and we are magnificent.

On a cursed island where birds steal hearts and blades of grass cut sharper than knives, two young women driven by revenge take on solving a series of mysterious deaths. Every winter’s first snow, a flock of silver birds descends upon Namu Island and leaves with a heart. When River’s father is taken, she seeks vengeance. But soon uncanny events unfold: islanders die in eerie ways, the woods turn green in the dead of winter, River’s brother disappears, and a strange woman turns up. To save her brother and unravel the island’s mystery, River will be cast into an unexpected alliance that will challenge her beliefs, trust, and love. ​​​​​​​ THE SILVER BIRDS is a queer enemies-to-lovers dark fantasy novel, which features conflicted characters filled with rage and wants for revenge, yet fiercely protective of the ones they trust enough to love. There is no good and evil, but rather a beautifully dark grey where monsters who aren’t really monsters live.

"I am ready to join the Sisterhood of Viggy after reading The Rotting Room. Time to take my vows, now that I've novitiated on this awe-inspiring novel, and commit myself to a lifelong calling of reading whatever Parr Hampton writes." —Clay McLeod Chapman, author of Wake Up and Open Your EyesSister Rafaela, a newcomer to the cloistered Sisters of Divine Innocence, yearns for redemption from her horrific past. However, her new abbey, bound by a vow of silence and a disturbing burial ritual, hides its own sinister secrets. When a mysterious stranger arrives and dies soon after, her body resists decomposition, sparking fevered claims of sainthood among the nuns… but Rafaela suspects something far darker. As the abbey teeters on the edge of madness, Rafaela and local priest Father Bruno race to uncover whether the Sisters of Divine Innocence are graced by a divine miracle—or consumed by unspeakable evil. "Hampton delivers a masterclass in narrative restraint, yet refuses to pull her punches. By taking its vows alongside The First Omen, Immaculate, and Suspiria, The Rotting Room ascends to horror literature heaven." —Nick Roberts, author of The Exorcist's House and Mean Spirited“Dreadfully atmospheric and alluringly oppressive, The Rotting Room is a testament to the heart of religious horror, Viggy Parr Hampton’s writing irresistibly smooth like gothic butter.” —Mona Kabbani, author of The Color of Blood

Glen Runciter está muerto. ¿O lo están todos los demás? Lo que es seguro es que alguien ha muerto en una explosión organizada por los competidores de Runciter. De hecho, sus empleados asisten a un funeral. Pero durante el duelo comienzan a recibir mensajes descorcentantes, e incluso morbosos, de su jefe. Y el mundo a su alrededor comienza a desmoronarse de un modo que sugiere que a ellos tampoco les queda mucho tiempo. Esta mordaz comedia metafísica de muerte y salvación (que podrá llevar un cómodo envase) es un tour de force de amenaza paranoica y comedia absurda, en la cual los muertos ofrecen consejos comerciales, compran su siguiente reencarnación y corren el riesgo continuo de volver a morir.

Yūka Ishii’s debut novel The Mud of a Century was a major literary success in Japan where it won the prestigious Akutagawa Prize. Several days after a once-in-a-century flood moves through the Indian city of Chennai, choking the Adyar River with the titular mud, a Japanese woman contracted to an IT company as a language instructor finds herself caught up in a deluge of flashbacks and memories, reflecting on unspoken words and unlived lives and contemplating the muddy chaos of her own karma. Told in a magic realist stream-of-consciousness style evocative of the subtle, wry sense of humour found in the traditional Japanese narrative art of rakugo, The Mud of a Century explores the interrelated bonds between self and other, Japan and India, past and present, fact and fantasy, and material and spirit.