New to Penguin Classics, the astonishing story of the Copernican Revolution, told through the words of the ground-breaking scientists who brought it about A Penguin Classic In the late fifteenth century, the earth stood motionless at the center of a small, ordered cosmos. Around us, it was believed, the moon, the sun, and the planets revolved in crystalline spheres, their orbits perfect, eternally unchanging circles. Just over a century later, the sun was now the center of creation; the earth just another planet hurtling through empty, near-infinite space. This is the story of an astonishing change, a transformation in human thought, about both the universe and our place within it, told through the words of the astronomers and mathematicians at its heart. Encompassing the most evocative excerpts from the works and letters of Copernicus, Galileo, Kepler, Descartes, Newton, and others, and including guiding notes from renowned historian of science, Aviva Rothman, The Dawn of Modern Cosmology is the definitive record of one of science's greatest achievements.

Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness. Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War.

Alfa Ndiaye is a Senegalese man who, never before having left his village, finds himself fighting as a so-called “Chocolat” soldier with the French army during World War I. When his friend Mademba Diop, in the same regiment, is seriously injured in battle, Diop begs Alfa to kill him and spare him the pain of a long and agonizing death in No Man’s Land. Unable to commit this mercy killing, madness creeps into Alfa’s mind as he comes to see this refusal as a cruel moment of cowardice. Anxious to avenge the death of his friend and find forgiveness for himself, he begins a macabre ritual: every night he sneaks across enemy lines to find and murder a blue-eyed German soldier, and every night he returns to base, unharmed, with the German’s severed hand. At first his comrades look at Alfa’s deeds with admiration, but soon rumors begin to circulate that this super soldier isn’t a hero, but a sorcerer, a soul-eater. Plans are hatched to get Alfa away from the front, and to separate him from his growing collection of hands, but how does one reason with a demon, and how far will Alfa go to make amends to his dead friend? Peppered with bullets and black magic, this remarkable novel fills in a forgotten chapter in the history of World War I. Blending oral storytelling traditions with the gritty, day-to-day, journalistic horror of life in the trenches, David Diop's At Night All Blood is Black is a dazzling tale of a man’s descent into madness. Selected by students across France to win the Prix Goncourt des Lycéens, David Diop’s English-language, historical fiction debut At Night All Blood is Black is a “powerful, hypnotic, and dark novel” (Livres Hebdo) of terror and transformation in the trenches of the First World War.

Heartfelt, incisive, and timeless, The Confessions has captivated readers for more than fifteen hundred years. Retelling the story of his long struggle with faith and ultimate conversion--the first such spiritual memoir ever recorded--Augustine traces a story of sin, regret, and redemption that is both deeply personal and, at the same time, universal. Starting with his early life, education, and youthful indiscretions, and following his ascent to influence as a teacher of rhetoric in Hippo, Rome, and Milan, Augustine is brutally honest about his proud and ambitious youth. In time, his early loves grow cold and the luster of worldly success fades, leaving him filled with a sense of inner absence, until a movement toward Christian faith takes hold, eventually leading to conversion and the flourishing of a new life. Philosophically and theologically brilliant, sincere in its feeling, and both grounded in history and strikingly contemporary in its resonance, The Confessions of Saint Augustine is a timeless classic that will persist as long as humanity continues to long for meaning in life and peace of soul.

This extraordinary historical French gothic novel, set in Medieval Paris under the twin towers of its greatest structure and supreme symbol, the cathedral of Notre-Dame, is the haunting drama of Quasimodo, the disabled bell-ringer of Notre-Dame, as he struggles to stand up to his ableist guardian Claude Frollo, who also wants to commit genocide against Paris' Romani population. The novel has been described as a key text in French literature[1] and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce (both as Quasimodo). The novel sought to preserve values of French culture in a time period of great change, which resulted in the destruction of many French Gothic structures. The novel made Notre-Dame de Paris a national icon and served as a catalyst for renewed interest in the restoration of Gothic form.

An alternate cover edition can be found here. A novel of breathtaking sweep and emotional power that traces three hundred years in Ghana and along the way also becomes a truly great American novel. Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction. Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

Set between Episodes VIII and IX, Rey and Leia embark on a quest to repair Rey’s lightsaber and rekindle the legacy of the Jedi. After barely escaping the First Order on Crait, Rey and the Resistance are struggling to rebuild. Her friends need the last Jedi more than ever, but Rey feels alone and overwhelmed. Jedi tradition is built on masters and apprentices, and Rey’s teacher is gone. Leia Organa tries her best to train Rey in the ways of the Force as Luke did for her so many years ago, but Leia’s knowledge is limited, Rey’s lightsaber is broken, and the specter of Kylo Ren and regrets from the past haunt them both. How can Leia pass the torch when she herself is unsure of the way? But then, the ancient Jedi texts offer a glimmer of hope: a long-forgotten Jedi temple on Tython that might hold the key to repairing Rey’s saber. Rey leaps at the chance to journey there — and to her surprise, so does Leia. Rey and Leia’s nascent mentorship is put to the test when they discover the temple on Tython is filled with obscure clues to decipher and arcane trials to complete. As they work to unravel the temple’s mysteries, they encounter a group of refugees living in its shadow, hiding from a First Order officer hot on the trail of two freedom fighters in their midst. With the threat of the First Order looming and the secrets of the temple yet to be unlocked, the newly forged master and apprentice must confront their pasts, reach each other in the present, and decide what it means to carry the legacy of the Jedi into the future.

Set between Episodes VIII and IX, Rey and Leia embark on a quest to repair Rey’s lightsaber and rekindle the legacy of the Jedi. After barely escaping the First Order on Crait, Rey and the Resistance are struggling to rebuild. Her friends need the last Jedi more than ever, but Rey feels alone and overwhelmed. Jedi tradition is built on masters and apprentices, and Rey’s teacher is gone. Leia Organa tries her best to train Rey in the ways of the Force as Luke did for her so many years ago, but Leia’s knowledge is limited, Rey’s lightsaber is broken, and the specter of Kylo Ren and regrets from the past haunt them both. How can Leia pass the torch when she herself is unsure of the way? But then, the ancient Jedi texts offer a glimmer of hope: a long-forgotten Jedi temple on Tython that might hold the key to repairing Rey’s saber. Rey leaps at the chance to journey there — and to her surprise, so does Leia. Rey and Leia’s nascent mentorship is put to the test when they discover the temple on Tython is filled with obscure clues to decipher and arcane trials to complete. As they work to unravel the temple’s mysteries, they encounter a group of refugees living in its shadow, hiding from a First Order officer hot on the trail of two freedom fighters in their midst. With the threat of the First Order looming and the secrets of the temple yet to be unlocked, the newly forged master and apprentice must confront their pasts, reach each other in the present, and decide what it means to carry the legacy of the Jedi into the future.

From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Sylvia Moreno Garcia and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way. In this “thrilling, literate, scary, [and] immersive” (Stephen King) tale, Jones blends his signature storytelling style with a haunting narrative that masterfully intertwines revenge, cultural identity, and tradition.

Dying isn’t any fun…but at least it’s a living. Mickey7 is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it. On a fairly routine scouting mission, Mickey7 goes missing and is presumed dead. By the time he returns to the colony base, surprisingly helped back by native life, Mickey7’s fate has been sealed. There’s a new clone, Mickey8, reporting for Expendable duties. The idea of duplicate Expendables is universally loathed, and if caught, they will likely be thrown into the recycler for protein. Mickey7 must keep his double a secret from the rest of the colony. Meanwhile, life on Niflheim is getting worse. The atmosphere is unsuitable for humans, food is in short supply, and terraforming is going poorly. The native species are growing curious about their new neighbors, and that curiosity has Commander Marshall very afraid. Ultimately, the survival of both lifeforms will come down to Mickey7. That is, if he can just keep from dying for good.

Dying isn’t any fun…but at least it’s a living. Mickey7 is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous—even suicidal—the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey7 understands the terms of his deal…and why it was the only colonial position unfilled when he took it. On a fairly routine scouting mission, Mickey7 goes missing and is presumed dead. By the time he returns to the colony base, surprisingly helped back by native life, Mickey7’s fate has been sealed. There’s a new clone, Mickey8, reporting for Expendable duties. The idea of duplicate Expendables is universally loathed, and if caught, they will likely be thrown into the recycler for protein. Mickey7 must keep his double a secret from the rest of the colony. Meanwhile, life on Niflheim is getting worse. The atmosphere is unsuitable for humans, food is in short supply, and terraforming is going poorly. The native species are growing curious about their new neighbors, and that curiosity has Commander Marshall very afraid. Ultimately, the survival of both lifeforms will come down to Mickey7. That is, if he can just keep from dying for good.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?