Romeo & Juliet meets The Vegetarian in the record-breaking instant classic which sold a quarter of a million copies in KoreaHow should I proceed after I wrap up this story. What should I do. I could go to the police station and confess. I could find a priest and confess. I ate a person. Is that a sin?This story begins with death. When Dam finds the body of her soulmate, Gu, bruised and battered on the street by a gang of government debt collectors, she is paralysed with grief. As she cradles his corpse in her defeated arms, Dam begins to tell it a story.In a fragmented sequence of monologues and meditations, this unexpected novella slowly builds into a panoramic portrait of two like souls who have passed a lifetime in utter devotion to one another. It's a story that snakes between past and present where, as she narrates, Dam is committing one final act to the tale of their undying love. Dam is slowly eating Gu, whose body she has lovingly washed, embalmed and elected to preserve in her own - where he will rest - for all eternity. At once romantic and horrific, HUNGER is a modern fable of metaphysical love cutting to the very heart of existence, loss, and how ferociously we rage - tooth and nail - against our own mortality.

A debut linked story collection of gritty, streetwise, and wickedly funny fiction from Mexico. Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth. In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life as they fight, sew, skirt, cheat, cry, and lie their way through their tangled circumstances. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to survive, telling their stories in bold, unapologetic voices. At once social critique and black comedy, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

Towards the end of his life, Cicero turned away from his oratorical and political career and looked instead to matters of philosophy and religion. The dialogue The Nature of the Gods both explores his own views on these subjects, as a monotheist and member of the Academic School, and considers the opinion of other philosophical schools of the Hellenistic age through the figures of Velleius the Epicurean and Balbus the Stoic. Eloquent, clearly argued and surprisingly modern, it focuses upon a series of fundamental religious questions including: is there a God? If so, does he answer prayers, or intervene in human affairs? Does he know the future? Does morality need the support of religion? Profoundly influential on later thinkers, such as Saint Augustine and Thomas Aquinas, this is a fascinating consideration of fundamental issues of faith and philosophical thought.

La falta de amor se ha convertido en el presente en un fenómeno común. Bell Hooks nos propone retornar a él, aprender a amar, ensenar el amor desde la infancia, desafiar la generalizada idea de que el amor romántico es el único auténtico y asumir todas sus manifestaciones -el amor a si mismo, a la comunidad, a la pareja y aun el amor divino- con honestidad, ética y compromiso. En cada etapa de nuestra vida, en lo público y lo privado, el amor cura las heridas, nutre el espíritu y brinda paz. Todo sobre el amor es la profunda reflexión de una mujer sobre el poder transformador del amor, escrita con una cuidadosa combinación de calidez despojada de sentimentalismo y agudeza intelectual. Una obra fundamental que nos descubre una nueva manera de comprender el amor.

Since its publication in 1990, Gender Trouble has become one of the key works of contemporary feminist theory, and an essential work for anyone interested in the study of gender, queer theory, or the politics of sexuality in culture. This is the text where Judith Butler began to advance the ideas that would go on to take life as "performativity theory," as well as some of the first articulations of the possibility for subversive gender practices, and she writes in her preface to the 10th anniversary edition released in 1999 that one point of Gender Trouble was "not to prescribe a new gendered way of life [...] but to open up the field of possibility for gender [...]" Widely taught, and widely debated, Gender Trouble continues to offer a powerful critique of heteronormativity and of the function of gender in the modern world.