A memoir about growing up Korean American, losing her mother, and forging her own identity. Michelle Zauner tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band—and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analysing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics.

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing family. When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote. While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder. Xiomara is faced with an impossible uproot a demon and somehow kill it or excise the ghosts that linger within her own family. And the clock is ticking...

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing family. When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote. While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder. Xiomara is faced with an impossible uproot a demon and somehow kill it or excise the ghosts that linger within her own family. And the clock is ticking...

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published. These landmark writings are, in Lorde's own words, a call to "never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is . . . "

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

D’Vaughn and Kris have six weeks to plan their dream wedding.Their whole relationship is fake.Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.   But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.Carina Adores is home to highly romantic contemporary love stories where LGBTQ+ characters find their happily-ever-afters. Discover a new Carina Adores book every month!

There will be blood. Ace of Spades meets House of Hollow in this villain origin story. Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood. The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom. But even as undeniable as she is, Laure is not the only monster around. And her vicious desires make her a perfect target for slaughter. As she descends into madness and the mystifying underworld beneath her, she is faced with the ultimate choice: continue to break herself for scraps of validation or succumb to the darkness that wants her exactly as she is—monstrous heart and all. That is, if the god-killer doesn’t catch her first. From debut author Jamison Shea comes I Feed Her to the Beast and the Beast Is Me, a slow-burn horror that lifts a veil on the institutions that profit on exclusion and the toll of giving everything to a world that will never love you back.

Fledgling, Octavia Butler's new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted - and still wants - to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

A multiverse-hopping outsider discovers a secret that threatens her home world and her fragile place in it--a stunning sci-fi debut that's both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. CARA IS DEAD ON THREE HUNDRED AND SEVENTY-FOUR WORLDS. The multiverse business is booming, but there's just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from diseases, from turf wars, from vendettas they couldn't outrun. But on this earth, Cara's survived. And she's reaping the benefits, thanks to the well-heeled Wiley City scientists who ID'd her as an outlier and plucked her from the dirt. Now she's got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she's always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls. But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined--and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

Pendant 132 ans, et après plus de 40 ans d'opérations de pacification, MADAME LAFRANCE s'est installée sur "ses" terres, pour y dispenser ses lumières et y répandre la civilisation, au nom du droit et du devoir des "races supérieures". Face à elle, L'ENFANT, sentinelle de la mémoire, va traverser le siècle, témoin à la fois innocent et lucide des exactions, des spoliations et des entreprises délibérées de déculturation. Avec ce nouveau roman, Maïssa Bey, gagne en intensité, sous la lumière blanche et impitoyable de son écriture - et de son Algèrie.