Born of the sun and of the moon, disfigured by fire and malady, comes the most powerful witch Algiers has ever seen... This is the story of a young woman, treated with utter disdain, complete distrust and even, hate, when all she tried to do was help... This is the story of Sycorax. A beautifully written and deeply moving imagining of what came before Shakespeare's The Tempest.

Vampires and vaqueros face off on the Texas-Mexico border in this supernatural western from the author of The Hacienda. As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead. Something that once attacked Nena nine years ago. Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind. When the United States attacks Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion—and Nena’s rage at Néstor for seemingly abandoning her long ago—is quickly overshadowed by the appearance of a nightmare made flesh. And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.

This brave memoir chronicles Pratt’s struggle to overcome the repressive traditions of Southern womanhood and live her life honestly. It chronicles her youth, her marriage, her eventual decision to come out as a lesbian, and her life with transgender activist and author Leslie Feinberg.

This singular history of a prison, and the queer women and trans people held there, is a window into the policing of queerness and radical politics in the twentieth century.The Women’s House of Detention, a landmark that ushered in the modern era of women’s imprisonment, is now largely forgotten. But when it stood in New York City’s Greenwich Village, from 1929 to 1974, it was a nexus for the tens of thousands of women, transgender men, and gender-nonconforming people who inhabited its crowded cells. Some of these inmates—Angela Davis, Andrea Dworkin, Afeni Shakur—were famous, but the vast majority were incarcerated for the crimes of being poor and improperly feminine. Today, approximately 40 percent of the people in women’s prisons identify as queer; in earlier decades, that percentage was almost certainly higher.Historian Hugh Ryan explores the roots of this crisis and reconstructs the little-known lives of incarcerated New Yorkers, making a uniquely queer case for prison abolition—and demonstrating that by queering the Village, the House of D helped defined queerness for the rest of America. From the lesbian communities forged through the Women’s House of Detention to the turbulent prison riots that presaged Stonewall, this is the story of one building and much more: the people it caged, the neighborhood it changed, and the resistance it inspired.

A thought-provoking and haunting novel about a creature that escapes from an artist's canvas, whose talent is sniffing out monsters in a world that claims they don't exist anymore. Perfect for fans of Akata Witch and Shadowshaper. There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster--and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also uncover the truth, and the answer to the question How do you save the world from monsters if no one will admit they exist? In their riveting and timely young adult debut, acclaimed novelist Akwaeke Emezi asks difficult questions about what choices you can make when the society around you is in denial.

An uprorious satire of celebrity, performance, and queer embodiment following two pro volleyball players juggling the unspoken jealousies in their relationship and their team rivalries ahead of their first rematch in a year Six is 6’7”, scheming to rejoin the starting lineup, and barely checks her phone. Green is 6’1”, always building her brand, and secretly jealous of her more famous girlfriend. They’re gutsy, gorgeous women going where no Asian American trans woman has gone before: the men’s pro indoor volleyball league. Six and Green are… hot girls with balls. Besides playing for rival teams, they’re also lovers tending to their relationship between away games, time zones, and their weekly Instagraph live show. Soon, they’ll reunite for the championship tournament, the first to accommodate in-person fans since the COVIS pandemic struck the world a year ago. Just as they enter an airtight bro bubble of the world’s best, they’re faced with a public crisis that necessitates an indisputably humiliating task: make a public statement online. Can Green stock up enough clout for her post-ball future? Can Six girlboss her team’s seniority politics? Can they both take a timeout to just grieve? Their rabid fans and horny haters await their next move. We’re all just desperate for a whiff of the feminine sweaty energy that makes that ball thwack with such spectacular force.